Goodman Theatre Presents the Woolly Mammoth Production of Where We Belong
In Association with the Folger Shakespeare Library
An indigenous theatre-maker journeys across geographic borders, personal history, and cultural legacies; in search of a place to belong.
In 2015, Mohegan theatre-maker Madeline Sayet travels to England to pursue a PhD in Shakespeare. Madeline finds a country that refuses to acknowledge its ongoing role in colonialism, just as the Brexit vote threatens to further disengage the UK from the wider world. In this intimate and exhilarating solo piece, Madeline echoes a journey to England braved by Native ancestors in the 1700s following treatise betrayals – and forces us to consider what it means to belong in an increasingly globalized world.
Content Transparency: This production contains flashing lights, depictions of racism, and discussions of borders, war, loss of language, residential schools, colonial theft of human remains and repatriation.
“Easily Mr. Wilson’s most adventurous and honest attempt to reveal the intimate heart of history.” -The New York Times
Amidst the Civil Rights Movement, Memphis Lee’s restaurant is slated for demolition. While Memphis fights to sell his diner for a fair price, the rest of the restaurant’s regulars search for work, love, and justice as their neighborhood continues to change in unpredictable ways.
Two Trains Running explores Black identity in the 1960s with passion and humor, demonstrating why Wilson is one of America’s most essential voices. With his singular point of view, Resident Artist Ron OJ Parson directs the penultimate play in Court’s ongoing commitment to staging all of Wilson’s American Century Cycle.
Accessible performances: June 4 @2pm TT/AD (Touch-Tour @ 12:30pm) | June 5 @2pm OC | June 5 @7:30pm ASL
“Easily Mr. Wilson’s most adventurous and honest attempt to reveal the intimate heart of history.” -The New York Times
Amidst the Civil Rights Movement, Memphis Lee’s restaurant is slated for demolition. While Memphis fights to sell his diner for a fair price, the rest of the restaurant’s regulars search for work, love, and justice as their neighborhood continues to change in unpredictable ways.
Two Trains Running explores Black identity in the 1960s with passion and humor, demonstrating why Wilson is one of America’s most essential voices. With his singular point of view, Resident Artist Ron OJ Parson directs the penultimate play in Court’s ongoing commitment to staging all of Wilson’s American Century Cycle.
Accessible performances: June 4 @2pm TT/AD (Touch-Tour @ 12:30pm) | June 5 @2pm OC | June 5 @7:30pm ASL
“Musical theater perfection…exquisite from start to finish” (BroadwayWorld).
Frank Carter famously authored self-help books. But Alice, his 16-year-old daughter, finds cold comfort in his positivity platitudes when he tragically never comes home one night. As she puzzles out the events of the day that changed her family forever, Alice’s relentless search for the facts reveals a more complicated truth. With big humor and bittersweet wit, this “luminous new musical…lush, poetic and surprisingly funny” (The San Diego Union-Tribune) explores how we move through and live with loss.
https://www.goodmantheatre.org/season/2122-Season/Life-After/Life-After-Accessibility/
After a sold out run this winter, Tyla Abercrumbrie’s world premiere play comes to the Goodman, weaving a mother’s past with her daughters’ present in a centuries-spanning tale of family, legacy and progress.
Set in the Black Victorian era, Relentless looks at the deep personal secrets we keep to protect the ones we love most. The year is 1919. After the death of their mother, two sisters come home to Philadelphia to settle her estate. Annelle is a happy socialite desperate to return to the safe illusion of a perfect life with her husband in Boston. Janet is a single, professional nurse, determined to change history and propel Black women to a place of prominence and respect. After discovering diaries left by their late mother, they find themselves confronted with a woman they never really knew, exposing buried truths from the past that are chillingly, explosively Relentless.
Developed through TimeLine Theatre Company’s Playwrights Collective
Anything can happen on live TV. And one night, it did. Emmy Award-winning actor and producer Sean Hayes (Will & Grace) stars as the irrepressible Oscar Levant.
It’s 1958, and Jack Paar hosts the hottest late-night talk-show on television. His favorite guest? Character actor, pianist and wild card Oscar Levant. Famous for his witty one-liners, Oscar has a favorite: “There’s a fine line between genius and insanity; I have erased this line.” Tonight, Oscar will prove just that when he appears live on national TV in an episode that Paar’s audience—and the rest of America—won’t soon forget. Good Night, Oscar explores the nexus of humor and heartbreak, the ever-dwindling distinction between exploitation and entertainment, and the high cost of baring one’s soul for public consumption.
Join SGT artists for a Touch Tour at 6:45 PM and an audio described performance at 8 PM of Rasheeda Speaking by Joel Drake Johnson, directed by AmBer D.Montgomery on Friday, May 6 Shattered Globe performs at Theater Wit, 1229 West Belmont, Chicago. Rasheeda Speaking is a comedy- turned- social thriller about workplace racism.