Strawdog Theatre Company in partnership with Chicago Loop Synagogue presents Hershel & The Hanukkah Goblins. In this musical adaptation of Eric Kimmel’s Caldecott Honor-winning book, a traveling troupe of actors comes to town to find no one celebrating Hanukkah. To save the holiday, they must tell the tale of Hershel of Ostropol & his quest to outwit the goblins who haunt the old synagogue!
Audio Description will be available for this performance in-person and via the live stream. Audience members must RSVP for in-person audio description by emailing accessibility@strawdog.org. There will be an in-person Touch Tour at 10:15am. Those tuning into the live stream will be able to watch a pre-show Audio Description.
Accessibility: Audio Description, Touch Tour, Sensory Friendly
https://www.strawdog.org/hershel
It’s just another (omg, wtf, lmfao) day at 1600 Pennsylvania Ave. When a White House PR nightmare spins into a legit sh*tshow, seven brilliant and beleaguered women must risk life, liberty, and the pursuit of sanity to keep the commander-in-chief out of trouble. POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive is a bawdy and irreverent look at sex, politics and the women in charge of the man in charge of the free world. Who knew that global crisis is always just a four-letter word away.
Newark, NJ. Post-9/11. Two teenagers, brought to America as children, now face an unlikely foe: unexpected, unreciprocated love. Their friendship is no longer enough (for one of them) and their adopted country doesn’t love them back. Pulitzer Prize-winner Martyna Majok brings light to the sacrifices made by DREAMers, lovers and life-long friends in the heart-stirring and hopeful Sanctuary City—a story that fractures and transcends—crossing boundaries, borders and genres in search of a place to call home.
Sanctuary City will be the first Steppenwolf production that includes both a full membership series run, as well as a full run of student matinees as a part of the Steppenwolf for Young Adults series, providing a synergistic opportunity to cultivate more intergenerational audiences.
Audio-Described and Touch Tour:
Sunday, October 8 at 3pm
(1:30pm touch tour, 3pm curtain)
Open-Captioned Public Performances:
Thursday, October 12 at 7:30pm
Saturday, October 21 at 3pm
ASL-Interpreted Public Performance:
Friday, October 13 at 7:30pm
Relaxed/Sensory Friendly Public Performance:
Saturday, October 28th at 3pm
ASL-Interpreted Student Matinee:
Friday, November 3 at 10am
Spanish Language-Captioned:
Saturday, November 4 at 3pm
https://www.steppenwolf.org/tickets–events/seasons-/202324/sanctuary-city/
Blown fuses, real and metaphorical, punctuate the action with flashes of pent up energy in this acclaimed play. The diminutive heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father’s records at a volume matched only by the soulful power of her vocal impressions. Little Voice has a hidden talent: she can emulate every chanteuse from Judy Garland to Edith Piaf. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent’s interest as affection rather than enthusiasm for the gold mine buried in her daughter’s throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.
This performance includes captioning, audio description and a touch tour (tentatively scheduled for 2pm.)
All gender, accessible restrooms are available on site.
Pro wrestling bursts onto the stage in a high-octane, immersive, 90-minute thrill ride.
It’s a night in the theater that you’ll never forget. Experience the heart-pumping action ringside, as the Goodman transforms into a professional wrestling arena—a perfect backdrop for the high drama and rich cultural history of lucha libre. Originally developed with Prism Movement Theater and produced in partnership with CLATA as part of 2023 Destinos Festival, actors and luchadores (wrestlers) in masks representative of Aztec gods play out an exciting wrestling story about family, honor, tradition and redemption.
Touch Tour and Audio-Described Performance
Saturday, October 28
12:30pm Touch Tour & 2:00pm Performance
Use code AUDIO for $30 tickets
Spanish Subtitles Performance
Saturday, October 28 at 7:30pm
Use code SPANISH for $30 tickets
Open-Captioned Performance
Sunday, October 29 at 2:00pm
Use code OPEN for $30 tickets
A startling look at conflicts of climate change, race, and gender in the days leading up to an infamous dust storm in 1930s Texas.
IT IS APRIL 1935 IN THE DUST STORM-RIDDLED PLAINS OF TEXAS and a family farm is struggling to keep afloat amidst a mounting series of environmental disasters. As Jesús, a new field worker, arrives in their midst, stubborn Pa refuses to believe his land is no longer viable, young Sunny dreams of a new life in bountiful California, and Ma starts having mysterious visions of the future. Developed through TimeLine’s Playwrights Collective, this world premiere by Dolores Díaz offers a startling look at the conflicts surrounding climate change, race, and gender in the days leading up to an infamous dust storm known as Black Sunday.
This world premiere play was developed through TimeLine’s Playwrights Collective—the fourth play developed through the Collective to receive a full production, following Brett Neveu’s To Catch a Fish (2018); Tyla Abercumbie’s Relentless (2022, Jeff Award for Outstanding New Work); and Will Allan’s Campaigns, Inc. (2022). Black Sunday received its first public readings as part of TimeLine’s First Draft Playwrights Collective Festival in December 2021.
Accessibility: open captions, audio description, touch tour
https://timelinetheatre.com/events/black-sunday/
Black Sunday runs May 16 – June 30, 2024 (previews 5/8 – 5/15) at TimeLine Theatre, 615 W. Wellington Ave.
An innovative documentary piece that shines a spotlight on the stories of those caught in America’s school-to-prison pipeline.
HAILED BY THE NEW YORK TIMES AS “A SEARING AND URGENT WORK that confronts some of the most pressing issues of our time with honesty, intelligence, and compassion,” this innovative first-person documentary piece shines a light on the stories of those caught in America’s school-to-prison pipeline. Utilizing verbatim dialogue pulled from more than 250 real accounts from students, faculty, prisoners, activists, politicians, and victims’ families, Notes From the Field takes audiences on a powerful and emotional journey through the faults and systemic injustices of the American criminal justice system. Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, it’s a masterful work that makes it impossible to look away from the urgent need for change.
Originally performed by creator Anna Deavere Smith as a one-woman show, this 2017 Obie Award-winning production was hailed by The Guardian as “captivating political theatre, a devastating document of racial inequality and the most rousing of rallying calls. Everyone should watch it, at least once.”
Accessibility: open captions, audio description, touch tour
https://timelinetheatre.com/events/notes-from-the-field/
Notes From the Field runs February 8 – March 24, 2024 (previews 1/31 – 2/7) at TimeLine Theatre, 615 W. Wellington Ave.
WORLD PREMIERE BY NAMBI E. KELLEY
DIRECTED BY TASIA A. JONES
Civil rights activist Kwame Ture, born Stokely Carmichael, was a towering icon; a man of immense domestic and international importance. But he was also just that: a man. Blending the historical and the personal, Stokely: The Unfinished Revolution asks: how can you trust someone with a movement when you can’t trust them with your heart? Tasia A. Jones makes her Court directorial debut with playwright Nambi E. Kelley’s evocative world premiere.
This event will have ASL interpretation, assistive listening devices, audio description, and wheelchair accessible seating.
Touch Tour will begin at 12:30pm.
BY SOPHOCLES
DIRECTED BY GABRIELLE RANDLE-BENT,
ASSOCIATE ARTISTIC DIRECTOR
As Antigone mourns her brothers, she must decide if she will sacrifice her life to balance the scales of justice. Associate Artistic Director Gabrielle Randle-Bent’s interpretation of Sophocles’ masterwork – featuring Aeriel Williams in the titular role and Timothy Edward Kane as King Creon – renders Antigone electrifyingly alive, situating this tale in our modern conversation about the price of democracy, and asking – crucially – if it’s a price we’re willing to pay.
This event will have ASL interpretation, assistive listening devices, audio description, and wheelchair accessible seating.
Touch tour will begin at 12:30pm.
The Harvard Computers worked by daylight at the observatory, studying photographic plates of the night sky. The play follows Annie Jump Cannon and Henrietta Leavitt through their groundbreaking discoveries that changed the field of astronomy and shaped how we understand the universe. This performance brings the science of space to life through movement, music, and light. A celebration of friendship, curiosity, and the never-ending search to find our place in the universe.
2pm Touch Tour
3-5pm Audio Described performance
Hooray! Lucy and Charlie just got hitched…and they’re embracing the worst of the American dream. They do what they want. Take what they want. They’re First Generation Asian American Renegades. In love. And on the run.
Featuring original country western and folk songs, directed by Amanda Dehnert (Peter Pan (A Play), Eastland), Lucy and Charlie’s Honeymoon tracks a young couple as they rev it down quintessentially American highways and across stereotypic borders, fleeing expectation and trawling up trouble along the way.
Direct from his Broadway debut in Almost Famous The Musical, Artistic Associate Matthew C. Yee’s world premiere musical romp gives a nod to America’s past, takes tally of its present, and blows its future wide open.
Touch Tour will begin at 12:30 PM CT.
Audio Described Performance begins at 1:30 PM CT.
Please contact our Box Office to reserve your seats!
https://lookingglasstheatre.org/event/lucy-and-charlies-honeymoon-2022/
Our Audio Description and Touch Tour Date for London Road is Friday, May 5. The Touch Tour begins at 6:45 pm, and the show will be at 8:00. Use the code “ACCESS20” for $20 tickets if you plan to take advantage of these accessibility offerings!
Determined and tenacious, the residents of Ipswich, UK mobilize to overcome the immense fear and media circus that unfolds following the serial murder of 5 sex workers in their small town. This experimental and innovative new musical is based on a true story, using verbatim dialogue recorded during interviews with the people of Ipswich. Brought to the American stage for the first time ever, London Road is an uplifting story that reveals how a devastating tragedy can spark empathy and engender community resilience.
This musical is 2 hours 15 minutes, with one intermission.
Masks are mandatory for all patrons for the entire duration of the performance, except when actively drinking beverages.
https://sgtheatre.org/london/
You meet. You marry. You have kids. That’s the way it always goes. Or is it? What if your story changes? What would it cost? Another Marriage is an intimate and beautifully rendered portrait of an ever-evolving relationship that may never be quite finished. Ensemble member Kate Arrington’s playwriting debut upends time and the typical romantic comedy to explore the liabilities of falling in and out of love.
Accessibility: audio description, touch tour
Monique and her daughter Sam are on the run. From what, they will not say. Showing up on their family’s doorstep in Brooklyn, the surprise visit raises more questions than it answers. As the specter of their abandoned life in Georgia creeps back into focus, the family is forced to consider what must be sacrificed to raise a child in an often-cruel world. Donnetta Lavinia Grays’s heartbreaking and poetic portrait of love–Black, queer, familial–is a bold tribute to the enduring promise of tomorrow.
Accessibility: audio described, touch tour
On May 6, Barak adé Soleil premieres a new work, SHIFT, that amplifies the presence of Black neurodiverse and disabled bodies by occupying the museum’s spaces both digitally and physically.
SHIFT is a new commission comprised of a video installation in one of the MCA’s public stairwells, accompanied by a live performance. In the dreamlike video installation that runs from May 2nd through June 19, the presence of Black neurodiverse and disabled bodies infiltrates a spiral stairwell within the museum, where they are shown from many angles and at multiple scales, both at rest and as they shift. adé Soleil’s installation offers rest, and the everyday gestures of these bodies, as forms of political resistance for Black people—challenging the media’s often violent interpretation of these bodies as lazy or near death. In the live event on May 6, a promenade of performers traverse inaccessible staircases, recalibrating the flow of activity within the museum and challenging simplistic depictions of Black disabled bodies in real time.
This performance is durational and will move through different areas of the museum, including the MCA Plaza and front steps, the northwest spiral staircase, and both public lobbies. The majority of the performance will take place in the spiral staircase on the west side of the museum’s first floor, and will be visible from various angles on multiple floors. The available space for viewers will change based on the location of the performance as it moves through the museum, and MCA staff will be available to facilitate the audience’s movement to maintain access to elevators, passageways, and stairwells. Portable stools will be available for visitors who wish to use them, where possible. ASL interpretation will be provided. Designated areas for wheelchair and mobility device users will be available on the staircase landings. The MCA Commons, on the museum’s second floor, will display a livestream of the performance as it takes place for visitors who wish to stay in one location. The livestream will also be available for visitors to join from their mobile devices from elsewhere in the museum. Live audio description will be provided: devices will be available at the museum and audience members may also use their personal devices to access the audio description through a URL provided on-site.
Accessibility: ASL interpreted, audio description, touch tour, wheelchair accessible
Belfast, 1960s: As conflicts between various political factions threaten to tear Ireland apart from the inside, sisters Fianna and Regan Kelly feel compelled to engage in the fight for their homeland. But when they join the ranks of The Provisionals, and find themselves committing acts of brutal terrorism and guerrilla warfare, both young women are forced to question how much they’re willing to destroy in the name of unity. Playwright Shannon O’Neill follows up her critically acclaimed “May the Road Rise Up” with this story of political upheaval and taking a stand.
This show will include audio description and a touch tour.
The pre-show touch tour will begin 90 minutes before the show and the performance directly after the touch tour will offer live audio description (touch tour at 9:30am, show at 11:00am). This event is FREE and open to the public, but reservations are strongly encouraged.
About Extra Yarn:
While her parents work tirelessly at the local factory, Annabelle discovers a small wooden box in the snow filled with yarn that seemingly never ends. Armed with her love of friends and family, and her grandmother’s knitting needles, she effortlessly knits sweaters for the whole town! But the Archduke isn’t too pleased and will stop at nothing to get that never-ending yarn for himself. Bundle up with the discovery of family, friendship, and fighting for what’s right in this world premiere musical by the team that brought you We Found a Hat.
Touch Tour, Audio Description, and Free
Audio Description and Touch Tour for Shattered Globe Theatre’s production of Radial Gradient by Jasmine Sharma. Touch Tour is at 6:45 PM and the Curtain for the production is at 8 PM on March, 3, 2023.
Touch Tour and Audio Description
Chicago Opera Theater (COT) kicks off their 50th year with Albert Herring by Benjamin Britten and a libretto by Eric Crozier.
The ~Vibe~ – Finding oneself, indie film comedy, breaking societal expectations
This comedic coming-of-age story celebrates COT’s rich history of presenting Britten works including the Chicago premiere of this piece in 1979. Coming back to Chicago after 33 years, this new production will be conducted by the world-renowned Dame Jane Glover and staged by leading musical theatre director Stephen Sposito.
Envisioned by Sposito as an indie film in the vein of Wes Anderson and the Coen Brothers, we invite you to the town of Loxford, England where none of the young ladies live up to Lady Billows’ inscrutable moral standards to be crowned May Queen. In a strange twist, it turns out the grocer’s son, Albert Herring, fits the bill and a May King is crowned instead! After being mocked by his friends for receiving the honor, Albert takes his first steps into independence by embarking on a night of debauchery.
Sung in English with English subtitles.
An interactive touch tour will begin at 1 PM on the stage
COT will no longer require patrons attending performances to provide proof of full vaccination. Masks are no longer required for audience members to wear, but we strongly recommend your use of masks throughout the theater.
Captions and Touch Tour
A poetic journey of a dancer/artist/father questioning the balance of his passions—art, culture, family.
From the streets of Brooklyn to Russia’s ballet training studios, Antonio struggles to reconcile multiple ethnic identities. He wrestles with the legacy of stereotypes of masculinity while discovering the beauty of becoming a father. Powerful poetry is intermixed with original movement, music and projected imagery to create an evocative, wholly unique performance.
This is an audio described performance with touch tour.
The groundbreaking pop-culture musical sensation is reimagined in a new production.
Myth and spectacle combine in a fresh reinvention of The Who’s exhilarating 1969 rock concept album, Tommy—including the unforgettable anthems “I’m Free,” “See Me, Feel Me,” “Sensation” and “Pinball Wizard.” After witnessing his father shoot his rival, the young Tommy Walker is lost in the universe, endlessly and obsessively staring into the mirror. An innate knack for pinball catapults him from reticent adolescent to celebrity savior. Tony Award-winning composer Pete Townshend and Tony Award-winning original director Des McAnuff find powerful resonance reexamining this classic story for today.
https://www.goodmantheatre.org/show/the-whos-tommy/
Accessibility: audio description, touch tour
A young violinist and her song collector boyfriend flee the confines of their Brooklyn apartment to the mountains of North Carolina, where the Appalachian music of Mira’s childhood is just the authentic inspiration they’re searching for. When they descend on her old family home, and an estranged grandfather she’s never mentioned, the unexpected complexity of past pain, prejudice, joy, and discovery reveals itself through the music that binds them. Featuring bluegrass favorites and the foot-stomping, hand-clapping finest of American roots music.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.
https://northlight.org/events/the-porch-on-windy-hill-a-new-play-with-old-music/
Accessibility: audio description, touch tour, open captions
Hailed as the “Godmother of Rock ‘n Roll,” Sister Rosetta Tharpe influenced rock icons from Elvis Presley to Jimi Hendrix. Bringing fierce guitar playing and sizzling swing to gospel music, Rosetta was a trailblazer, a young Black woman singing at church in the morning and the Cotton Club at night. This play with music chronicles Rosetta’s first rehearsal with a young protégée, Marie Knight, as they prepare for a tour that would establish them as one of the great duet teams in musical history.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.
https://northlight.org/events/marie-and-rosetta/
Accessibility: audio description, touch tour, open captioning
Raven Theatre presents a new play about privacy in the digital age. A Touch Tour (at 1:30pm) will be available before the performance (at 3:00pm). Contact us ahead of time to reserve your tour spot.
The internet never forgets, and Derril Lark’s mistake at 17 haunts him online a decade later. Desperate for a normal life, he goes to extraordinary lengths to erase his indiscretion. But freedom of information is a big business, and the tech companies aren’t going down without a fight. Secrets, lies, and political backstabbing abound in this riveting new drama about one man’s fierce battle to reclaim his privacy by Primus Prize winning playwright Sharyn Rothstein (By the Water, Northlight Theatre). Don’t miss this striking Chicago premiere about human forgiveness in the age of the internet.
A family verges on bankruptcy while their country stands on the brink of revolution.
Endings and beginnings. Bittersweet departures. The comedy of life. When Madame Ranevskaya returns to her heavily-mortgaged estate on the eve of its auction, the aristocratic widow finds that the fate of much more than her beloved orchard hangs in the balance. Anton Chekhov’s canonical masterpiece is an exploration of loss, love and how to live in a society that’s changing fast. Following his critically-acclaimed productions of Three Sisters, The Seagull and Uncle Vanya, director Robert Falls takes on the last of Chekhov’s four major plays.
Please note there is a touch tour starting at 1230pm prior to the performance.
Audio description is available for this performance.
The Gift Theatre presents the world premiere of The Locusts at Theater Wit.
When a serial killer frightens Ella’s small hometown of Vero Beach, Florida, she’s called down from FBI headquarters in Washington D.C. to come help. At home, she’s confronted by the life she left behind: her struggling family and the dark events of her childhood. A play that explores how lost souls manage their fear, and their desperate search for a way to survive in a world that threatens their existence.
Performing at Theater Wit-1229 w. Belmont, Chicago, IL 60657
Tickets available at theaterwit.org or by calling 773-975-8150
https://thegifttheatre.org/shows-events/the-locusts
Tickets: Previews $25. Regular run $38 – $45. Students $25. Seniors $35. Tickets are currently available at www.thegifttheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office.
Sensory-friendly performance: Saturday, November 19 at 7:30 pm
Audio-described performance/touch tour & conversation with the cast: Saturday, November 19 at 7:30 pm (touch tour begins at 6:45 pm)
A surprising new play about how families fall apart—and find each other again—amidst turbulent global and social change.
In 2003, newly-wed Layal and her family prepare to immigrate from Baghdad, Iraq, to a Chicago suburb. Seventeen years later, Layal’s life looks unimaginably different from what she had envisioned two decades prior, as she and her siblings explore queerness, face their grief, and discover what it takes to make home in a new place. Don’t miss this moving, powerful new play’s world premiere on the Owen Stage—fresh from Goodman’s New Stages and Future Labs programs.
Audio description and touch tour are available.
Play ball! The sensational true story of the first woman to play professional baseball knocks it out of the park as a can’t-miss theatrical event.
Toni Stone is an encyclopedia of baseball stats. She’s got a great arm. And she doesn’t understand why she can’t play with the boys. Rejected by the All-American Girls Professional Baseball League because of her race, Toni sets out to become the first woman to play in baseball’s Negro Leagues. Challenges on and off the field—from hostile crowds to players who slide spikes-first—only steel her resolve to shatter racist and sexist barriers in the sport she’s loved since childhood. An original play inspired by the book Curveball, The Remarkable Story of Toni Stone by Martha Ackmann, this New York Times Critic’s Pick will have you cheering along.
Audio description and a touch tour is available.
In 1976, the artist Andy Warhol, having re-invented himself as the portrait painter of the rich and famous, travels to Tehran to take Polaroids of the Shah of Iran’s wife. Amidst taking in the Crown Jewels and ordering room service caviar, Warhol encounters a young revolutionary who throws his plans into turmoil, and opens the pop icon’s eyes to a world beyond himself.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.
Chicago’s favorite holiday tradition for four decades.
Nearly two million theatergoers have experienced Chicago’s must-see annual holiday tradition, Goodman Theatre’s A Christmas Carol. With first-rate performances— starring award-winner Larry Yando as Ebenezer Scrooge for the 15th year—and “amazing sets, gorgeous costumes and eye-popping effects” (Chicago Reader), the heartwarming story of generosity’s triumph over greed comes to vivid life. Don’t miss this 45th anniversary production of “the best Christmas story ever told” (Time Out Chicago).
A Christmas Carol is appropriate for ages 6 and up. The production contains loud noises, bright lights, and images that may frighten very young children. Children under 5 are not permitted in the theater. For more information contact the box office at 312.443.3800
THE ISLAND
BY ATHOL FUGARD, JOHN KANI, AND WINSTON NTSHONA
DIRECTED BY GABRIELLE RANDLE-BENT
Nov 11, 2022 — Dec 04, 2022
“[The Island] has the rough majesty of a classic… this short but potent play has lost little of its force” -The Guardian
John and Winston are political prisoners on South Africa’s infamous Robben Island, spending their days toiling at grueling, futile tasks in the prison’s quarry. At night, they secretly rehearse a two-man version of Antigone and find solace and strength in their burgeoning friendship. The Island is at once a sobering glimpse into the social, physical, and psychological wounds of Apartheid; a lesson in the complex work of liberation; and a testament to the transformative power of theatre.
Frequent collaborator Gabrielle Randle-Bent makes her solo directorial debut at Court, bringing her vision of resistance and resilience to the stage.
Accessible performances:
December 3, 2022 at 2:00pm/Touch Tour at 12:30pm (Touch Tour/Audio Description)
December 4, 2022 at 2:00pm (Open Captioning)
December 4, 2022 at 7:30pm (ASL Interpretation)
It’s hard to know who your friends are in a world that’s more divided than ever.
Tony Award-winner Robert Falls and his longtime collaborator, Pulitzer Prize finalist playwright Rebecca Gilman, team up again for their sixth Goodman production—a contemporary portrait of America’s heartland in a time when it feels like everyone’s way of life is in danger of disappearing.
Swing State is suggested for ages 14 and up. Please be aware that this production contains a gun shot and depictions of police violence and suicide. For more information contact the box office at 312.443.3800
https://www.goodmantheatre.org/SwingState
Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.
For more information and to purchase tickets, visit https://babeswithblades.org/summer-2022-bwbtc-shakespeare-richard-iii/
Use coupon code (Access) for 20% discount!
Please note:
– Live captions will be available for all performances.
– A pre-show Touch Tour will be available at 1:30pm prior to the October 9 performance.
– The October 9 performance will be followed by a talkback after the show with representatives from the UIC Disability Cultural Center
Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.
For more information and to purchase tickets, visit https://babeswithblades.org/summer-2022-bwbtc-shakespeare-richard-iii/
Use coupon code (Access) for 20% discount!
Please note: Live captions will be available for all performances.
Mild-mannered sisters Martha and Abby Brewster live in their spacious Victorian home in a quiet neighborhood in Brooklyn with an eccentric nephew, Teddy. Famed for their hospitality, Martha and Abby are adored by their neighbors and frequently entertain guests. But when their other nephew, Mortimer, discovers his aunts’ macabre secrets, a hilarious chain of events ensue in this character-driven farce.
Resident Artist Ron OJ Parson directs this beloved American classic, bringing much-needed humor and healing laughter to the stage in Court’s 2022/23 Season opener.
THE ISLAND
BY ATHOL FUGARD, JOHN KANI, AND WINSTON NTSHONA
DIRECTED BY GABRIELLE RANDLE-BENT
Nov 11, 2022 — Dec 04, 2022
“[The Island] has the rough majesty of a classic… this short but potent play has lost little of its force” -The Guardian
John and Winston are political prisoners on South Africa’s infamous Robben Island, spending their days toiling at grueling, futile tasks in the prison’s quarry. At night, they secretly rehearse a two-man version of Antigone and find solace and strength in their burgeoning friendship. The Island is at once a sobering glimpse into the social, physical, and psychological wounds of Apartheid; a lesson in the complex work of liberation; and a testament to the transformative power of theatre.
Frequent collaborator Gabrielle Randle-Bent makes her solo directorial debut at Court, bringing her vision of resistance and resilience to the stage.
Accessible performances:
December 3, 2022 at 2:00pm/Touch Tour at 12:30pm (Touch Tour/Audio Description)
December 4, 2022 at 2:00pm (Open Captioning)
December 4, 2022 at 7:30pm (ASL Interpretation)
https://www.courttheatre.org/season-tickets/2022-2023-season/the-island/
“Feisty comedy is on the menu” (Washington Post) in two-time Pulitzer Prize winner Lynn Nottage’s latest Broadway triumph.
Creating the perfect sandwich is the shared quest of the formerly incarcerated kitchen staff of Clyde’s, a truck stop cafe. Even as the shop’s mischievous owner tries to keep them under her thumb, the staffers are given purpose and permission to dream—finding that “sometimes a hero is more than a sandwich” (New York Times). This stirring, masterful play from the team of two-time Pulitzer Prize winner Lynn Nottage and director Kate Whoriskey (Ruined, Sweat) makes its Chicago premiere after its Tony-nominated run on Broadway.
For tickets and more information, please visit https://www.goodmantheatre.org/Clydes
Tony and Maria are wide-eyed teenagers from two communities in conflict, who fall in love. As their friends and family battle with one another, Tony and Maria long for “a place for us…somewhere.”
Accessibility: Audio Description, Touch Tour, ASL Interpreted
https://www.lyricopera.org/shows/upcoming/2022-23/west-side-story/
Proximity is a gripping, powerful trio of new works that confronts head-on some of the greatest challenges affecting us as a society: yearning for connection in a world driven by technology; the devastating impact of gun violence on cities and neighborhoods; and the need to respect and protect our natural resources. As the story zooms in and out from the individual to the community to the cosmic, we find ourselves in a compelling snapshot of 21st century life, with all of its complex intersections and commonalities.
https://www.lyricopera.org/shows/upcoming/2022-23/proximity/
The immortal tale of the restless, free-spirited heroine (Carmen) and Don José, the soldier who’s drawn to her in a truly “fatal attraction.”
This rivetingly modern, astonishingly inventive view of the Brothers Grimm’s fairytale features an eye-popping production that does full justice to Humperdinck’s glorious score.
https://www.lyricopera.org/shows/upcoming/2022-23/hansel-and-gretel/
Don Carlos masterfully reveals the private turmoil of very public personalities. In 16th-century Spain, King Philip II is torn apart by his own jealous suspicions that his son, crown prince Carlos, and Queen Elisabeth — Philip’s young wife and Carlos’s stepmother — are in love. The drama unfolds and washes over you with unforgettable intensity and thrilling musical splendor.
https://www.lyricopera.org/shows/upcoming/2022-23/don-carlos
High jinx ensue when Countess Adèle sequesters herself in her castle while her valiant brother is away on a crusade. In his absence, the amorous Count Ory stops at nothing (including disguising himself as a nun!) to gain entry to the castle and woo the virtuous Countess.
https://www.lyricopera.org/shows/upcoming/2022-23/le-comte-ory/
Ernani reveals Verdi at his most irresistibly melodic and dramatic. A persecuted nobleman forced to disguise himself as an outlaw, Ernani loves beautiful Elvira, but she’s pursued by two other men — her uncle, Silva, and the King of Spain, Carlo.
A Tony Award-winning masterpiece. Join us as Tevye, his wife Golde, and their five daughters experience the real joys and sorrows that have made this meaningful work an enduring part of our culture.
https://www.lyricopera.org/shows/upcoming/2022-23/fiddler-on-the-roof/
The Gift Theatre presents At the Vanishing Point by Naomi Iizuka, directed by Lavina Jadhwani – at The Filament Theatre
Goodman Theatre Presents the Woolly Mammoth Production of Where We Belong
In Association with the Folger Shakespeare Library
An indigenous theatre-maker journeys across geographic borders, personal history, and cultural legacies; in search of a place to belong.
In 2015, Mohegan theatre-maker Madeline Sayet travels to England to pursue a PhD in Shakespeare. Madeline finds a country that refuses to acknowledge its ongoing role in colonialism, just as the Brexit vote threatens to further disengage the UK from the wider world. In this intimate and exhilarating solo piece, Madeline echoes a journey to England braved by Native ancestors in the 1700s following treatise betrayals – and forces us to consider what it means to belong in an increasingly globalized world.
Content Transparency: This production contains flashing lights, depictions of racism, and discussions of borders, war, loss of language, residential schools, colonial theft of human remains and repatriation.
“Easily Mr. Wilson’s most adventurous and honest attempt to reveal the intimate heart of history.” -The New York Times
Amidst the Civil Rights Movement, Memphis Lee’s restaurant is slated for demolition. While Memphis fights to sell his diner for a fair price, the rest of the restaurant’s regulars search for work, love, and justice as their neighborhood continues to change in unpredictable ways.
Two Trains Running explores Black identity in the 1960s with passion and humor, demonstrating why Wilson is one of America’s most essential voices. With his singular point of view, Resident Artist Ron OJ Parson directs the penultimate play in Court’s ongoing commitment to staging all of Wilson’s American Century Cycle.
Accessible performances: June 4 @2pm TT/AD (Touch-Tour @ 12:30pm) | June 5 @2pm OC | June 5 @7:30pm ASL
“Easily Mr. Wilson’s most adventurous and honest attempt to reveal the intimate heart of history.” -The New York Times
Amidst the Civil Rights Movement, Memphis Lee’s restaurant is slated for demolition. While Memphis fights to sell his diner for a fair price, the rest of the restaurant’s regulars search for work, love, and justice as their neighborhood continues to change in unpredictable ways.
Two Trains Running explores Black identity in the 1960s with passion and humor, demonstrating why Wilson is one of America’s most essential voices. With his singular point of view, Resident Artist Ron OJ Parson directs the penultimate play in Court’s ongoing commitment to staging all of Wilson’s American Century Cycle.
Accessible performances: June 4 @2pm TT/AD (Touch-Tour @ 12:30pm) | June 5 @2pm OC | June 5 @7:30pm ASL
“Musical theater perfection…exquisite from start to finish” (BroadwayWorld).
Frank Carter famously authored self-help books. But Alice, his 16-year-old daughter, finds cold comfort in his positivity platitudes when he tragically never comes home one night. As she puzzles out the events of the day that changed her family forever, Alice’s relentless search for the facts reveals a more complicated truth. With big humor and bittersweet wit, this “luminous new musical…lush, poetic and surprisingly funny” (The San Diego Union-Tribune) explores how we move through and live with loss.
https://www.goodmantheatre.org/season/2122-Season/Life-After/Life-After-Accessibility/
After a sold out run this winter, Tyla Abercrumbrie’s world premiere play comes to the Goodman, weaving a mother’s past with her daughters’ present in a centuries-spanning tale of family, legacy and progress.
Set in the Black Victorian era, Relentless looks at the deep personal secrets we keep to protect the ones we love most. The year is 1919. After the death of their mother, two sisters come home to Philadelphia to settle her estate. Annelle is a happy socialite desperate to return to the safe illusion of a perfect life with her husband in Boston. Janet is a single, professional nurse, determined to change history and propel Black women to a place of prominence and respect. After discovering diaries left by their late mother, they find themselves confronted with a woman they never really knew, exposing buried truths from the past that are chillingly, explosively Relentless.
Developed through TimeLine Theatre Company’s Playwrights Collective
Anything can happen on live TV. And one night, it did. Emmy Award-winning actor and producer Sean Hayes (Will & Grace) stars as the irrepressible Oscar Levant.
It’s 1958, and Jack Paar hosts the hottest late-night talk-show on television. His favorite guest? Character actor, pianist and wild card Oscar Levant. Famous for his witty one-liners, Oscar has a favorite: “There’s a fine line between genius and insanity; I have erased this line.” Tonight, Oscar will prove just that when he appears live on national TV in an episode that Paar’s audience—and the rest of America—won’t soon forget. Good Night, Oscar explores the nexus of humor and heartbreak, the ever-dwindling distinction between exploitation and entertainment, and the high cost of baring one’s soul for public consumption.
Join SGT artists for a Touch Tour at 6:45 PM and an audio described performance at 8 PM of Rasheeda Speaking by Joel Drake Johnson, directed by AmBer D.Montgomery on Friday, May 6 Shattered Globe performs at Theater Wit, 1229 West Belmont, Chicago. Rasheeda Speaking is a comedy- turned- social thriller about workplace racism.