Love is a universal language; it transcends identity and culture. Love is more than a feeling; it is a tough invitation that encourages sacrifice and commitment. Love is a never-ending journey that is always beginning. But what is love in the absence of compassion and wonder?
#OTVTonight, your favorite intersectional Late Show, returns to MCA Chicago for an intimate evening filled with care and admiration for the stories that help us to cultivate a bond that is strong enough to heal, prepare, and transform unstable foundations.
Join us in the Edlis Neeson Theater for the premiere of handpicked titles inviting us to open a window into love, interspersed with artist interviews, live DJ sets, pop-up performances and more — all hosted by OTV’s Co-Founder and Executive Diva, Elijah McKinnon. Remember, the future of television is intersectional. If you don’t believe it, let OTV show you.
For live updates on #OTVTonight: A Window Into Love, visit bit.ly/otvtonight.
https://visit.mcachicago.org/events/otvtonight-a-window-into-love/
Join us to celebrate the last Family Day of the season!
Sueños Music Festival will be raffling two pairs of tickets for the Sueños Music Festival event.
Join us as we bring together incredible local artists for a day of workshops and interactive experiences.
Salvador Andrade will be leading a collaborative workshop using found objects that draw inspiration from Mexican textiles.
Mr. Pintamuro, known for his captivating artwork that merges Aztec and Mayan storytelling with Japanese anime, will share his expertise and creativity with families.
Printmaker Atlan Arceo will guide participants of all ages through a workshop on various print techniques for all ages.
The Mexican Consulate of Chicago is collaborating with us to share two stories from Home is Somewhere Else, directed by Carlos Hagerman and Jorge Villalobos, which is a unique and timely animated documentary that tells stories of immigrant youth, exploring each character’s inner world alongside their colorful hopes, and dreams for a better future.
Don’t miss our family workshop, Tell Me About Your Wings, to learn more about the traditional techniques of indigenous cultures in Mexico, such as the Wixárika, in commemoration of Jorge Marín’s sculpture Wings of Mexico.
Last but not least, Borderless Magazine will be conducting family interviews for all ages to highlight stories that will be published in the near future!
Designed and led by Chicago artists, Family Day is a monthly program that allows families and youth to connect and engage with contemporary art through activities and performances for all-ages. Enjoy FREE admission while taking part in workshops, open studio sessions, gallery tours, performances, and more.
Activities are facilitated in English and Spanish with ASL interpretation provided.
https://visit.mcachicago.org/events/family-day-migration-stories/
In celebration of the opening of Virginia Jaramillo: Principle of Equivalence, join us for a roundtable conversation on Jaramillo’s profound commitment to abstraction with the exhibition’s originating curator, Erin Dziedzic, Catherine Morris, Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, and Iris Colburn, MCA Curatorial Associate.
Please note that Courtney Martin is no longer able to participate.
English and Spanish CART captioning and American Sign Language (ASL) will be provided.
https://visit.mcachicago.org/events/talk-roundtable-virginia-jaramillo/
Sensory-Friendly Morning is a free program for all people who benefit from visiting the MCA without large crowds and other sensitive environmental elements. This includes visitors with sensory sensitivities, disabilities, autism, PTSD, dementia, and more. On these mornings, lighting at the museum is dimmed, sounds from artworks and environmental noise is kept at a minimum, a quiet space is available to visitors for breaks, and a Chicago-based artist facilitates a sensory-friendly art-making experience.
Sensory-Friendly Morning aims to be a welcoming space to experience contemporary art in a judgment-free environment.
About the Event
In MOBY DICK; or, The Whale, award-winning filmmaker and visual artist Wu Tsang embarks upon a feature-length, silent-film telling of Herman Melville’s great American novel. The film features original orchestral music composed by Caroline Shaw and Andrew Yee with Asma Maroof, which is performed live by the Chicago Sinfonietta.
This adaptation, written by Sophia Al Maria and directed by Tsang, follows the white whale above and below the surface of the water, developing a visual cosmology that resists the exploration and exploitation of the earth under imperial colonialism. Tsang’s approach pairs the classic story of the whaler’s ”floating factory” with the beginnings of the film industry. MOBY DICK; or, The Whale was shot entirely on a soundstage combining silent-era filmmaking techniques with Virtual Production, a virtual reality game engine projecting surreal ocean environments.
The narrative is interwoven with extracts by the Sub-Sub-Librarian, a character played by acclaimed poet Fred Moten, and tackles the novel’s subterranean currents, encountering the resistance of the ship’s hydrarchy, or organizational structure, and collectives of “mariners, renegades, and castaways,” as described by historian C.L.R. James. Exploring overlapping histories of industrialism, extractivism, colonialism, ecological and spiritual crisis, the film creates a multilayered surreal filmic adaptation of the 1851 novel.
The MCA’s presentation of MOBY DICK; or, The Whale is organized by Nolan Jimbo, Assistant Curator.
Accessibility: audio description, CART captioning
https://visit.mcachicago.org/events/live-arts-moby-dick-or-the-whale/
Blown fuses, real and metaphorical, punctuate the action with flashes of pent up energy in this acclaimed play. The diminutive heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father’s records at a volume matched only by the soulful power of her vocal impressions. Little Voice has a hidden talent: she can emulate every chanteuse from Judy Garland to Edith Piaf. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent’s interest as affection rather than enthusiasm for the gold mine buried in her daughter’s throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.
This performance includes captioning.
All gender, accessible restrooms are available on site.
Blown fuses, real and metaphorical, punctuate the action with flashes of pent up energy in this acclaimed play. The diminutive heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father’s records at a volume matched only by the soulful power of her vocal impressions. Little Voice has a hidden talent: she can emulate every chanteuse from Judy Garland to Edith Piaf. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent’s interest as affection rather than enthusiasm for the gold mine buried in her daughter’s throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.
This performance includes captioning, audio description and a touch tour (tentatively scheduled for 2pm.)
All gender, accessible restrooms are available on site.
Join us for an evening of enchantment as the Poetry Foundation transforms into Herman’s Lounge, a one night only jazz cabaret named in honor of the magician Black Herman. Dee Alexander (with John McLean), Ben LaMar Gay, keiyaA, and Gabrielle Octavia Rucker will interweave Chicago’s unique relationship to improv, poetry, and jazz. Co-curated by Jared Brown, Janelle Ayana Miller, and Noa Fields.
Born on Chicago’s west side, Dee Alexander is one of the city’s most gifted and respected vocalist/songwriters. Her talents span every music genre, from gospel to R&B, blues to neo-soul, yet her true heart and soul are experienced in their purest form through jazz. Growing up in a household steeped in recordings of Dinah Washington, Ms. Alexander names Sarah Vaughan, Ella Fitzgerald, and Chicago saxophonist Henry Huff among her major influences, setting her on the path to becoming one of the most accomplished voice improvisers in the world today. Ms. Alexander is currently a WFMT Jazz Radio host. Her performance is accompanied by John McLean.
Ben LaMar Gay is an interdisciplinary composer who moves sound, color, and space components through folkloric filters, producing brilliant electro-acoustic collages. An explorer of many mediums who has been called a “visionary musician” by the New York Times, Gay has found a form of creative expression that begins with improvisation and expands beyond the limits of any single genre. With more than 20 years in vibrant experimental music scenes, Gay’s talents have earned him residencies globally, most recently as a Mellon Foundation Archival Fellow. He has been a member of the Association of the Advancement of Creative Musicians since 2010. Receiving accolades for a parade of more than seven albums, his release Open Arms to Open Us solidified his place in the firmament of the Chicago Jazz Renaissance and was revered as one of the best albums of 2021 by the Washington Post, Pitchfork, JazzTimes, and Digital Berliner. Gay is a beneficiary of the 2018 3Arts Award and the 2019 Worldwide Award from BBC DJ Gilles Peterson.
Chakeiya Camille Richmond, a.k.a. keiyaA, is a musician, writer, and performer from Chicago, living in NYC.
Gabrielle Octavia Rucker is a writer, editor, and teaching artist from the Great Lakes, currently living in the Gulf Coast. She is a 2020 Poetry Project Fellow and a 2016 Kimbilio Fiction Fellow. Her debut poetry collection, Dereliction, is currently available via the Song Cave.
Jared Brown (co-curator) is an artist born in Chicago. They consider themselves a data thief, understanding this role from John Akomfrah’s description of the data thief as a figure that does not belong to the past or present. As a data thief, Jared Brown makes archeological digs for fragments of Black American subculture, history, and technology. Jared repurposes these fragments in audio, text, and performance to investigate the relationship between history and digital, immaterial space. Jared Brown holds a BFA from the Maryland Institute College of Art and moved back to Chicago in 2016 in order to make and share work that directly relates to their personal history.
Janelle Ayana Miller (co-curator) is a grandchild of the Great Migration, a Midwesterner with Southern inflection. Her practice is rooted within familial and communal aesthetics, looking deeply into bridging self and time as an act of place making.
Accessibility:
Masks are strongly encouraged and available at check-in for those who would like to wear one. Please note that some event performers may choose to perform without a mask. The Foundation reserves the right to update this policy if community levels of COVID-19 increase significantly. Read our full COVID-19 Health & Safety Guidelines. Guests are encouraged to register in advance.
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.