Monique and her daughter Sam are on the run. From what, they will not say. Showing up on their family’s doorstep in Brooklyn, the surprise visit raises more questions than it answers. As the specter of their abandoned life in Georgia creeps back into focus, the family is forced to consider what must be sacrificed to raise a child in an often-cruel world. Donnetta Lavinia Grays’s heartbreaking and poetic portrait of love–Black, queer, familial–is a bold tribute to the enduring promise of tomorrow.
Accessibility: captioniong
The exhilarating work of Chicago’s next generation of filmmakers is showcased in this eclectic collection that celebrates the vast array of creative expressions emerging from our city. These films will screen with Open Captions, and the Q&A will feature Live Captioning.
Note: Films in this program contain themes or language that may not be suitable for all ages.
Accessibility: open captions, live captions
https://www.chicagofilmfestival.com/film/cineyouth2023-chicagoland/
The exhilarating work of Chicago’s next generation of filmmakers is showcased in this eclectic collection that celebrates the vast array of creative expressions emerging from our city.
Note: Films in this program contain themes or language that may not be suitable for all ages.
Closed Captions will be available with these films on our online platform.
https://www.chicagofilmfestival.com/film/cineyouth2023-chicagoland/
Please note, there are also in-person screenings. This post contains information for the virtual screening only.
Limited capacity. Advanced registration is required.
Masking is required for this performance.
Using the pain scale as a primary source material, Scale places medicalized methods of quantifying pain in conversation with alternative ways of reading and attending to pain emerging from the disability community, ultimately proposing new ways of caring for the bodymind in dance. These complex interactions between medicalization, care, and community are explored through movement, video, and the use of access tools for both performers and audience members. Scale invites audience members to attend to their own embodied experience of the piece, offering pillows, blankets, and other care objects as tools for curating the way they engage with and experience the work. Scale poses questions around the ways that we perceive pain, ultimately reaching toward a more compassionate and disability-informed way of creating and performing dance.
Each performance is followed by a Crafting Care event that serves as a sort of informal “talk back” with some of the artists, as well as an opportunity to join in the crafting practice that informed much of the work of Scale. Audience members are encouraged to bring their own crafting projects, participate in a group embroidery project, or simply share space and chat about Scale in community with the artists and other audience members.
COLLABORATORS
Performers: Maggie Bridger, Jordan Brown, Joán Joel, Alex Neil-Sevier, Robby Lee Williams
Costumes and Visual Art: Reveca Torres
Sound Design: Shireen Hamza
Crafters: Margaret Fink, Sandy Guttman, Alison Kopit, Ashley Miller
Access information
ACCESS DURING PERFORMANCE
Captions, American Sign Language, audio descriptions, opportunities to rest, and sensory notes are incorporated into the performance in ways that we hope generate a unique, thoughtful experience for each audience member. The methods we’re using to incorporate these elements into the performance are experimental and may differ from the ways these tools are encountered in other arts spaces. We are continuing to learn, develop, and experiment alongside our community and welcome feedback on these elements, particularly from members of the community that rely on these various tools to access performance.
COVID Protocols:
Masking is required in the performance space. Mana Contemporary, though, is a shared building that does not require masking and there may be unmasked people outside of the performance space. You are welcome to bring your own mask or grab one of the high quality masks available to audience members in both adult and child sizes at the building’s entrance. All performers will be masked, though there is a moment in the work where performers layer masks one on top of the other, which may cause their masking to be less effective for a short period of time.
Arriving at Mana & Wayfinding:
All audience members will enter the ramped entrance to Mana Contemporary located on the west side of the building near the Throop street entrance to the parking lot. Audiences will then be guided through the building to the performance space by the performers, two of whom use ASL and will be able to guide Deaf and hard of hearing audience members. The first 30 minutes of the performance time is dedicated to audience arrival and getting situated in the performance space, so there is no need to rush or worry about arriving precisely on time. There is time to rest, chat, and get settled.
A library around the corner from the performance space will be used as a “quiet space” that folks can use to get a break from the performance, if needed.
Access Tools and Sharing Space:
The show runs about an hour and a half with the first half hour dedicated entirely to audience members arriving and getting settled for the performance. Upon entering the space, audience members will be offered access devices and care tools to help them feel as comfortable as possible throughout the performance. Some of the tools we have available are:
4 blankets
3 small weighted blankets
9 pillows
2 large beanbags
Yoga mats/exercise mats
Instant hot and cold packs
Stim tools
3 ear defenders
In addition to these, you are very welcome to bring your own tools/devices. We invite you to move, stim, rest, and generally make yourself comfortable during the performance. Our tools/devices will be cleaned with scent-free detergent/cleanser between each performance.
We ask that audience members refrain from wearing any scented perfume, cologne, lotion, etc. However, Mana Contemporary is a shared space where tenants will sometimes burn incense or use other scented products. Unfortunately, we cannot guarantee a fully scent-free environment.
Join us for an Open Door reading with Gregg Bordowitz, Asia Calcagno, Terri Kapsalis, and Ugochi Nwaogwugwu. The Open Door series highlights creative relationships in Chicago, including mentorship and collaboration.
This is a hybrid event, which will be offered in-person and via livestream.
Gregg Bordowitz is a writer, artist, and activist. He currently serves as the director of the Whitney Museum Independent Study Program in New York, New York.
Asia Calcagno is a writer and educator from Chicago. Calcagno’s writing has been featured in literary magazines and anthologies such as Third Coast, Poetry magazine, The Golden Shovel Anthology, West Trade Review, Smartish Pace, Black Femme Collective, and Respect the Mic. She holds an MFA from Bennington College, and spends her time educating, consulting, and using storytelling to create more effective educational spaces. She is a 2022 Luminarts Creative Writing Fellow and a 2022–2023 Ingenuity Constellation Fellow.
Terri Kapsalis is the author of Jane Addams’ Travel Medicine Kit, The Hysterical Alphabet, and Public Privates: Performing Gynecology from Both Ends of the Speculum. Kapsalis’s writing has appeared on Literary Hub and in edited volumes and journals, including Short Fiction, The Baffler, Denver Quarterly, Public, and Parakeet Magazine. A founding member of Theater Oobleck, she has performed in over 30 productions. Since 1991, she has been a collective member and health educator at the Chicago Women’s Health Center and co-founded TGAP (Trans Greater Access Project) and the Integrative Health Program. She teaches at the School of the Art Institute of Chicago.
Ugochi Nwaogwugwu is a multidisciplinary creative–a professional poet, singer, songwriter, composer, musician, poetry instructor, and teaching artist. Nwaogwugwu has executive produced, written, and coarranged three album projects, and her poetry has been been published in Storm Between Two Fingers and Too Young, Too Loud, Too Different, both international anthologies out of the UK. Her poems are also featured in TheGolden Shovel Anthology and Wherever I’m At. Ugochi created an original pan-African poetry form called Ike (pronounced ee-KAY) paying homage to her Igbo culture (Nigeria, West Africa). She also has written newsworthy essays including “Not My President,” published by Third World Press.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. If you will not comply with this requirement, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Pulitzer Prize Finalist Elif Batuman is one of the biggest names in literature. Her newest work Either/Or continues the story of her first book, following Selin Karadag, a young woman exploring adulthood. Join this decorated author in a conversation about Kierkegaard, literary beauty, and the journey of life. Following the conversation, Chicago composer and multi-instrumentalist Macie Stewart will perform a suite of her poetic, baroque-tinged folk songs with saxophonist Dustin Laurenzi. The evening concludes with a special presentation of DJs Brian Case’s and Bobby Burg’s legendary and long-running Smith’s Night at Danny’s Tavern.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/batuman-stewart/
James Beard Foundation Award-winning chef, Sarah Grueneberg knows a thing or two about great ingredients. Drawing on her long love affair with Italian cooking and the methods she uses at her renowned restaurant Monteverde, Sarah begs us to feature veggies as the main attraction in her new cookbook, Listen to Your Vegetables: Italian-Inspired Recipes for Every Season. Join Chicago Humanities as we sit down with this award-winning chef and chef Rick Bayless for an intimate conversation and tips on how to up our vegetable game.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/sarah-grueneberg/
A native of Park Ridge, Secretary Hillary Rodham Clinton’s middle-class upbringing taught her the value of hard work, determination, and the importance of public service. Now, she’s returning this spring to talk about how Chicago provided the foundation upon which she built her life and career. Join her for a far-reaching, intimate conversation about her work advocating for civic engagement through Onward Together, her thoughts on current affairs, and her connection to Chicago’s own beloved local activist, Joanne Alter.
This event will have ASL Interpretation, audio description, open captions, and ALDs.
https://www.chicagohumanities.org/events/venues/riviera-theatre/
Youtube star, author, transgender activist and advocate for the LGBTQIA+ community, Gigi Gorgeous, and American drag performer, actor, make-up artist, and the first transgender male to compete on RuPaul’s Drag Race, Gottmik are ready for real talk about their transition journeys. Join these two queer icons as they discuss their newest book, The T Guide: Our Trans Experiences and a Celebration of Gender Expression―Man, Woman, Nonbinary, and Beyond, and discover the knowledge you need to be the best ally you can be and better understand what it means for those who embark on this journey.
Come enjoy dinner and drinks at Chop Shop before or after the conversation with Gigi Gorgeous and Gottmik. A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/gorgeous-gottmik/
Does a job, a home, and a killer wardrobe make you a true adult? Andrew Rannells isn’t so sure. If he’s so successful in his forties, then why does he still feel like an anxious twenty-something? Were the triumphs of his life actually failures? And were his failures his real triumphs? At Chicago Humanities, the Tony-nominated actor will sit down for a witty, fun, and poignant conversation that looks back over his career– from the Broadway stage (The Book of Mormon) to the silver screen (Girls, Big Mouth)–to ask what success and “adulting” really mean and whether he will ever feel like he has enough.
A book signing will follow this program.
This event will have open captions, audio description, and ALDs.
https://www.chicagohumanities.org/events/attend/andrew-rannells/
New York Times bestselling author, beloved TV host, and executive producer of The Real Housewives, Andy Cohen is the busiest man in show business. Now, he’s taking on the most important role of his life: dad. With a three-year old son and a baby girl born in May, late-night parties have been replaced by late-night feedings. Join Chicago Humanities for a lively evening with this Watch What Happens Live! host as he reflects on his year filled with housewife drama, a mayoral feud, and a renewed understanding of how family really changes everything.
This event will have open captions, audio descriptions, and ALDs.
There’s no better biographer working right now than Chicago’s own Jonathan Eig. He has helped us understand some of the most monumental lives of our times, such as Jackie Robinson, Lou Gehrig, and Al Capone. Eig’s newest subject is one of the most important figures in U.S. history: Martin Luther King Jr. But what is new to say about MLK? Plenty, it turns out. Join Eig and The Interview Show’s Mark Bazer for a conversation that will shed new light on this extraordinary American life. Following the conversation, Chicago jazz group The JuJu Exchange performs selections from their latest project, JazzRx, and share the emotional journey they and their fans took together to bring this healing music to life.
Come enjoy dinner and drinks at Chop Shop before or after this event.
This event will have open captions, audio description and ALDs.
https://www.chicagohumanities.org/events/attend/eig-jujuexchange/
In his new book Quantum Supremacy: How the Quantum Computer Revolution Will Change Everything, Kaku attests that this technological breakthrough could allow humanity to do everything from create nuclear fusion reactors that create clean, renewable energy without radioactive waste or threats of a meltdown to unravel the fiendishly difficult protein folding that lies at the heart of previously incurable diseases like Alzheimer’s, ALS, and Parkinson’s. Join Chicago Humanities as we sit down with this renowned scientist as he simplifies this important yet complicated topic in a way only Michio Kaku can.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/michio-kaku/
Longtime New Yorker writer Adam Gopnik investigates a foundational human question: How do we learn—and master—a new skill? In his newest book, The Real Work, Gopnik apprenticed as an artist, a dancer, a boxer, and even a driving instructor to understand the process of mastering new skills, how it happens, and if anyone can do it. Join Chicago Humanities as we sit down with this brilliant writer, for a conversation that seeks to answer the ultimate question about why and how we humans relentlessly seek to better ourselves.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/adam-gopnik/
Real Life by Brandon Taylor (National Book Foundation’s 2023 Science + Literature Selected Title) asks what it means for a queer Black man to pursue a career in academia and science. Join Taylor and award-winning author Weike Wang for a conversation presented in partnership with the National Book Foundation about the real science within Real Life, and the possibilities for better representation—both in science and in fiction.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/brandon-taylor/
You don’t need to be a legal scholar to understand your legal rights. Elie Mystal, The Nation’s legal analyst, justice correspondent and frequent MSNBC guest, makes it easy to digest what rights we have, what rights are being taken away, and how we can protect those rights. Join author Brandi Collins-Dexter (Black Skinhead: Reflections on Blackness and Our Political Future) for an enlightening one-on-one conversation with Mystal who brings his trademark humor, expertise, and rhetorical flair to explain why the Constitution is trash but doesn’t have to be.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/elie-mystal/
#1 New York Times bestselling author, voting rights advocate, and history maker Stacey Abrams returns to Chicago with her latest thriller novel, Rogue Justice. Join Chicago Humanities for an evening with this political leader as we delve into the art of fiction, current issues affecting our democracy, and how we can all use our voices to impact our communities.
This event will have open captions, audio description, ASL interpretation, and ALDs.
Ruth E. Carter is one of the most renowned and celebrated costume designers working today having designed more than 40 films over the course of 3 decades and winning Oscars for Best Costume Design for her work on Black Panther and Black Panther: Wakanda Forever. At Chicago Humanities, Carter will explore the passion for history that inspired her period pieces and her journey into Afrofuturism, as well as what it’s been like working with such film legends as Denzel Washington, Eddie Murphy, Chadwick Boseman, Angela Bassett, Lupita Nyong’o, and more.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/ruth-e-carter/
The preeminent African American pop artist of his generation, Chicago-born Hebru Brantley straddles the worlds of fine art, street art, and hip-hop, while he’s name-dropped in rap songs and collected by the likes of Jay-Z and LeBron James. Join Chicago Humanities for an upbeat, life-affirming chat about the work of this painter, sculptor, and designer whose work attempts to restore innocence to depictions of Black youth, normalize images of Black children at play, and suggest an entirely new mythology through the creation of Black superheroes.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/hebru-brantley/
Tony Award-winning playwright of the theatrical phenomenon The Vagina Monologues, V (formerly Eve Ensler) sits down for an unflinching conversation about her newest, deeply personal work, Reckoning. On her travels from Berlin to Oklahoma to the Congo, V has spent her life spearheading global movements to end homelessness, the climate disaster, and especially violence against all women and girls. At Chicago Humanities, V will sit down with author Rebecca Makkai (I Have Some Questions for You: A Novel) to help us all learn how to create change, survive love, and connect to our greater purpose. The conversation will address the meaning and critical importance of personal and political reckoning in a country that is being controlled and destroyed by its past.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/v-eve-ensler/
In the second half of the 20th century, Chicago has grown into a Latino metropolis, boasting flourishing neighborhoods such as Pilsen and Little Village. Despite Mexican Chicagoans facing intersecting forces of wealth-driven gentrification and anti-immigrant policies, Chicago has become a city of refuge, mutual aid, and economic power. Join Professor of History at Georgetown University Mike Amecua and Ivón Padilla-Rodríguez for a conversation on Chicago as Latino metropolis.
This event will have open caption and ALDs.
https://www.chicagohumanities.org/events/attend/latino-metropolis/
As the former Cook County public defender, Allen Goodman has dedicated his life to defending his clients against routine police abuse, prosecutorial misconduct, and unjust sentencing. We are excited to welcome him to the Chicago Humanities stage for a conversation with Rudi Batzell, assistant professor of history at Lake Forest College, on Goodman’s memoir Everyone Against Us and the human suffering that is at the heart of the American criminal justice system.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/allen-goodman/
When most people think of the history of modern conservatism, they think of Ronald Reagan. This leaves out the current ideals of conservatism, the recent presidency of Donald Trump, and the ambiguous future of the Republican party. Co-founder of The Washington Free Beacon, Matthew Continetti (The Right: The Hundred-Year War for American Conservatism), American Journalist Mary Katharine Ham, and former aide to Vice President Mike Pence, Olivia Troye, sit down for a conversation led by author and senior writer atThe Dispatch David Drucker (In Trump’s Shadow: The Battle for 2024 and the Future of the GOP) on the state of the conservative movement – where it started and where it’s going.
A book signing will follow this program.
This event wll have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/american-conservatism/
The MCA Advisory Partner organization Bodies of Work invites you to Access Praxis, a collaborative and participatory event in The Commons. Combining theory and practice, “praxis” is ideas in action.
For this iteration, we are joined by disabled artist-researchers Alana Ackerman, Stephanie Alma, Tommy Carroll, Justin Cooper, and Nic Wyatt as they explore their embodied experience of disability through a series of videos detailing their crip epistemologies. Following the video presentation, they will be joined by Dr. Carrie Sandahl, co-director of Bodies of Work, and Liza Sylvestre and Christopher Jones, co-founders of Crip*: Cripistemology and the Arts, for a moderated discussion on the disability experience and the valuable knowledges that stem from it.
This will be a hybrid program held in-person at the MCA Chicago and virtually. American Sign Language interpretation, CART-captioning, and verbal description will be provided in the video presentation and the panel discussion. The MCA Commons is wheelchair accessible and offers gender neutral facilities. While masks are not required for entry to the museum, we encourage masking for all in-person attendees. For any other access needs please contact Daniel Atkinson at DAtkinson@mcachicago.org.
https://visit.mcachicago.org/events/access-praxis-cripistemology/
Join us for a talk between On Stage: Frictions artist Shamel Pitts and Jafari S. Allen, author of There’s a Disco Ball Between Us: A Theory of Black Gay Life (2021), for a wide-ranging conversation on Pitts’ practice and current project with the MCA, Touch of RED. This event will be held off-site at Wirtz Center For Performing Arts at 710 N Lake Shore Drive.
This event will have ASL Interpretation and CART.
https://visit.mcachicago.org/events/talk-shamel-pitts-in-conversation-with-jafari-s-allen/
Writer and comedian Scott Aukerman’s weekly podcast, Comedy Bang! Bang!, is filled with zany characters, celebrity interviews, and chaotic improv. It’s now available as a book, Comedy Bang! Bang! The Podcast: The Book, and features brand-new anecdotes and opinions from characters of the iconic show. Join Aukerman and Mark Bazer, host of The Interview Show, on the Chicago Humanities stage for a hilarious behind-the-scenes conversation about his new book.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/aukerman-bazer/
Jane Austen is famously a writer of comedy, but many readers turn to her work in times of difficulty and sorrow, not merely to escape, but because Austen, with her wonderful capacity for surprise, seems to make room for these darker times. So author Rachel Cohen found during the period of ordinary joys and sorrows when her children were born, her father died, and she read nothing but Austen. Join Cohen for a conversation about her latest work, the Austen Years: A Memoir, as she explores the surprise mingling of sorrow and joy – in Jane Austen’s life, in Sense and Sensibility, and in what draws us back to Austen through reading and films of our own day.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/rachel-cohen/
One of the greatest tensions in American society exists between preserving freedom of speech and respecting the sensitivities of marginalized communities, and it has been manifesting increasingly in academics, business, and the arts. Ayad Akhtar, the Pulitzer Prize-winning playwright, novelist, and President of PEN America, joins Interfaith America Founder and President Eboo Patel in conversation to explore how to hold space for intellectual liberty and creative expression without sacrificing the dignity of individual identities and beliefs.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/akhtar-patel/
With the nominations of Neil Gorsuch, Brett Kavanaugh, and Amy Coney Barrett, and the subsequent reversal of Roe v. Wade, the Supreme Court has taken a dramatic turn to the right. Gain insight into how we got here and the changing judicial landscape with a panel of experts: CNN senior legal analyst Joan Biskupic, whose latest work Nine Black Robes examines the historic consequences of the Supreme Court’s drive to the right, law professors Aziz Huq and Joyce Vance, and Pulitzer Prize-winning historian Eric Foner.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/supreme-court/
Democrat Beto O’Rourke rose to national prominence with competitive campaigning in Republican Texas. Now, the former El Paso Congressman is turning his energy toward voting rights, an essential part of a productive democracy. In his new book, We’ve Got to Try: How the Fight for Voting Rights Makes Everything Else Possible, O’Rourke connects voting rights and democracy to the major issues of our time, sharing what he saw, heard, and learned while campaigning throughout the 254 counties of his home state during his Senatorial and gubernatorial runs. Join Chicago Humanities as we sit down for a conversation on just how essential it is that the sacred right to vote is protected and that we each do our part to save our democracy for generations to come.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/beto-orourke/
As Minnesota’s Attorney General, Keith Ellison prosecuted the police officers in the murder trial of George Floyd and grappled with how to deliver justice to the Floyd family while putting an end to police brutality once and for all. Now, in the face of new stories of police abuse filling the news once again, Ellison joins Chicago Humanities to ask the key question: how do we break the wheel of police violence and finally make it stop turning?
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/keith-ellison/
In April 1952 Ralph Ellison published Invisible Man, his first and only finished novel and a work that is regarded today as one of the most important American literary works of the twentieth century and a stark account of America’s racial divisions. Alongside Ellison’s notable written works survives an archive of photographs he took throughout his life, spanning the 1940s–90s. Now 29 years after his death, Ralph Ellison: Photographer is the first book dedicated to Ellison’s photography practice. Join editors Michal Raz-Russo (Gordon Park Foundation), John Callahan (Lewis & Clark College), Bethany Collins and writer Adam Bradly (UCLA) in a conversation on Ellison’s photography, career, and creative.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/ralph-ellison/
Congresswoman Katie Porter is known for challenging those in power and using her iconic whiteboard to demand answers on behalf of the American people. However, few know of her journey from Iowa farm girl to a single mom who had never run for office defying expectations by winning her seat in a historically conservative district in Orange County, California. Join Porter for an intimate conversation about her family, career, her new book, I Swear, and her upcoming run for the US Senate.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/katie-porter/
Comedian Lane Moore wrote the book on How To Be Alone but building real, healthy friendships as an adult is ten times more difficult! In her new book You Will Find Your People: How to Make Meaningful Friendships as an Adult, Moore shares everything she’s learned about how to finally make friends as an adult, how to identify your attachment style, choose better friends, become a better friend yourself, and how to handle friendship breakup grief, which can be even more brutal than most romantic breakups. Join Lane Moore and writer/actor Mara Wilson (Where Am I Now?: True Stories of Girlhood and Accidental Fame, Matilda) for a fun-filled evening full of stories, advice, and sharing as we try and figure out a better way to find our chosen family.
Come enjoy dinner and drinks at Chop Shop before or after the conversation with Lane Moore and Mara Wilson. A book signing will follow this program.
This event will have open captions, ASL Interpretation and ALDs.
https://www.chicagohumanities.org/events/attend/moore-wilson/
Rainn Wilson–beloved comedic actor, producer, writer–brings his unique perspective and humor to the traumas of our modern world. Wilson is calling for a Soul Boom, a spiritual revolution that could help us solve some of today’s biggest issues, including mental illness, racism, sexism, climate change, and economic injustice. The Office star will sit down with the Vice President of Second City, Kelly Leonard, in Chicago for a chat about spiritual thinking and profound healing, peppered with plenty of Kung Fu and Star Trek references, as only Rainn Wilson can.
A photo opportunity with Rainn Wilson will be available only for audience members who pre-order or purchase on-site pre-signed copies of Soul Boom.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/rainn-wilson/
Susanna Hoffs is a legend in the music industry. As the co-founder of the Bangles, she produced three platinum-selling albums and is the voice behind indelible pop hit after pop hit. Now, this famed songwriter has ventured into a new kind of writing with her debut novel, This Bird Has Flown, a story of music, secrets, and sex. At Chicago Humanities, Susanna will take the stage with the host of The Interview Show, Mark Bazer for an in-depth conversation about her new novel, the music business, and her illustrious life. Following the conversation, Susanna Hoffs will be taking the stage for a brief solo performance.
Come enjoy dinner and drinks at Chop Shop before or after this event.
This event will have open caption and ALDs.
https://www.chicagohumanities.org/events/attend/susanna-hoffs/
What the Constitution Means to Me is a “slyly crafted piece of persuasion and a tangible contribution to the change it seeks” (The New York Times) and a “singularly charming, politically urgent and cathartically necessary play” (Los Angeles Times) that shows “how broad concepts of law and governance effect individual lives in the most intimate ways” (The Guardian).
Fifteen-year-old Heidi earned her college tuition by winning Constitutional debate competitions across the United States. In this hilarious, hopeful, and guttingly human debate-meets-play, she resurrects her teenage self in order to trace the relationship between four generations of women—all while grappling with the founding document that, for better and worse, shapes their lives.
What the Constitution Means to Me became a sensation upon its premiere at New York Theatre Workshop in 2018 and went on to a five-month Broadway run with Schreck in the leading role, garnering Tony Award nominations for Best Play and Best Performance by an Actress in a Leading Role in a Play. A national tour—launched in 2020, paused due to the COVID-19 pandemic, and resumed in 2021—followed. The play has been filmed, again with Schreck performing, for Amazon Prime Video.
TimeOut New York declared: “Here is something that every citizen must see: It’s theater in the old sense, the Greek sense, a place where civic society can come together and do its thinking and fixing and planning.” On the heels of the reversal of the foundational Roe v. Wade ruling, What the Constitution Means to Me is bound to feel even more relevant, profound, and searing than during its original run and Broadway debut. In the end, Shreck’s personal stories reflect our own, as does her passion, her laughter, and her outrage at a document that deserves to be challenged as much as it is upheld.
Accessibility: captioning
https://timelinetheatre.com/calendar/?month=June+2023&event=27464
Join us anytime throughout the day for accessible dance events! Have fun while earning how to be more inclusive in your practice. We’ll be moving together, enjoying a showcase of works in progress, watching a short film, engaging and building community that includes dancers with disabilities.
FREE events with adjacent free parking and CTA nearby.
10:00-11:45 Everybody Can Dance inclusive movement workshop.
12:00-12:20 Informal showing of 3 works in progress.
12:20-1:45 Lunch with DIY Access stations open to provide hands on instruction for providing AI captions online.
1:45-2:30 AccepDance workshop (based on Autism Movement Therapy)
2:45-3:00 Film Showing “JMAXX and the Universal Language.”
3:00-3:30 Panel Discussion with JMAXX and the filmmaker
3:30-4:30 Adaptive Hip Hop workshop
Accessibility: ASL interpreted, audio description, captions, wheelchair accessibility
Will Rawls presents a new interdisciplinary work, [siccer], that addresses the relationship between blackness and image-making through a live performance accompanied by a video installation on the museum’s first floor.
Encompassing dance, photography, and sound, [siccer] experiments with stop-motion, a filmmaking technique in which subjects incrementally shift positions between photographs to produce the illusion of movement. Throughout the performance, an automated camera snaps an image every few seconds while the intervals between shutter clicks offer brief interludes when the camera fails to capture the dancers’ movements. As the performers improvise during these gaps between photographs, they rescript the terms through which blackness and queerness are made visible. [siccer] is also being presented as a video installation on the museum’s first floor throughout the duration of the Frictions suite, beginning on April 6.
Accessibility: captioning, ASL interpreted, audio description, assistive listening devices
Join us for a reading celebrating new book releases by Poetry Foundation staff and friends: Adrian Matejka, Maggie Queeney, Charif Shanahan, and Patricia Smith. Get to know some of the people behind the Foundation’s programs, including Poetry magazine.
This is a hybrid event, which will be offered in-person and via livestream.
Adrian Matejka is the author of six collections of poetry, most recently Somebody Else Sold the World, which was a finalist for the 2022 Rilke Prize as well as the 2022 Indiana Authors Award. Matejka’s first graphic novel, Last On His Feet, was published in February 2023. He is the editor of Poetry magazine.
Maggie Queeney is the author of In Kind, winner of the 2022 Iowa Poetry Prize, and the chapbook settler. Queeney is the recipient of the 2019 Stanley Kunitz Memorial Prize, an Individual Artists Program Grant from the City of Chicago, and a scholarship from the Ruth Stone Foundation. Her most recent work can be found in The Kenyon Review, Guernica, The Missouri Review, and The American Poetry Review. She holds an MFA in creative writing from Syracuse University and reads and writes in Chicago. She is the Library Associate at the Poetry Foundation.
Charif Shanahan is the author of two collections of poetry: Trace Evidence: poems and Into Each Room We Enter without Knowing, which was a finalist for a Lambda Literary Award for Gay Poetry, and a Thom Gunn Award. Shanahan is the recipient of a NEA Literature Fellowship, a Wallace Stegner Fellowship in Poetry, and a Fulbright Senior Scholar Grant to Morocco, among other recognitions. He is an assistant professor of English at Northwestern University, where he teaches poetry in the undergraduate and Litowitz MFA+MA graduate creative writing programs. He is a guest editor of Poetry magazine.
Patricia Smith, the 2021 recipient of the Ruth Lilly Poetry Prize from the Poetry Foundation, is the author of Unshuttered and Incendiary Art, among other collections. Smith is the winner of a Kingsley Tufts Award, a Los Angeles Times Book Prize, a NAACP Image Award, and was a finalist for the Pulitzer Prize. Her book Shoulda Been Jimi Savannah won a Lenore Marshall Prize from the Academy of American Poets, and Blood Dazzler was a National Book Award finalist. She is a creative writing professor at Princeton University, a distinguished professor for the City University of New York, a member of the American Academy of Arts and Sciences, and a chancellor in the Academy of American Poets.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. If you will not comply with this requirement, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here. https://www.eventbrite.com/e/adrian-matejka-maggie-queeney-charif-shanahan-patricia-smith-tickets-595052637457
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide. https://www.poetryfoundation.org/visit/accessibility
Join us for a reading and conversation with Renee Gladman, Eileen Myles, and Simone White as they celebrate their new book releases.
In Renee Gladman’s Plans for Sentences, Eileen Myles’s a “Working Life,” and Simone White’s or, on being the other woman, longings and plans laid bare accumulate in staccato bursts of life, almost self-generatively. Hovering between genres, these three new books vibrate with willful misdirection, fierce unknowing, and flummoxed dualities. How can the work of writing set life in motion?
This is a hybrid event, which will be offered in-person and via livestream.
Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing, and architecture. Gladman is the author of 14 published works, including a cycle of novels about the city-state Ravicka and its inhabitants, the Ravickians, as well as three collections of drawings: One Long Black Sentence, a series of white-ink drawings on black paper, indexed by Fred Moten; Plans for Sentences, an image/text-based meditation on Black futurity and other choreographies of gathering; and Prose Architectures. She makes her home in New England.
Eileen Myles is a poet, novelist, and art journalist whose practice of vernacular first-person writing has become a touchstone for the identity-fluid internet age. Pathetic Literature, which they edited, came out in Fall of 2022. Myles’s newest collection of poems, a “Working Life”, is out in April. Their fiction includes Chelsea Girls, which just won France’s Inrockuptibles Prize for best foreign novel, Cool for You, Inferno (a poet’s novel), and Afterglow. Writing on art was gathered in the volume The Importance of Being Iceland: Travel Essays in Art. They live in New York and Marfa, Texas.
Simone White is the author of the collections or, on being the other woman, Dear Angel of Death, Of Being Dispersed, and House Envy of All the World. White teaches at the University of Pennsylvania.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. If you will not comply with this requirement, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here. https://www.eventbrite.com/e/poetry-off-the-shelf-renee-gladman-eileen-myles-simone-white-tickets-595026750027
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide. https://www.poetryfoundation.org/visit/accessibility
Join us for a panel on art writing with Camille Bacon, Amarie Cemone Gipson, Daria Simone Harper, and Jessica Lynne during the weekend of EXPO CHICAGO.
Taking up the question of “poetics in practice,” the panel will consider the function and responsibility of art writing in the contemporary moment, the lineages we draw from and are in dialogue with, and what it means to build a viable writing life as writers working in a field that has historically underfunded the production and development of critical discourse. Together, we will ponder, imagine, muse, and speculate towards a reality that can better support the creation and proliferation of our work, as well as that of fellow writers.
This is a hybrid event, which will be offered in-person and via livestream.
Camille Bacon is a Chicago-based writer who is building a “sweet black writing life” as inspired by the words of poet Nikky Finney and the infinite wisdom of the Black feminist tradition more broadly. Through a practice that involves rigorous research and oration in addition to writing, she examines the material function of aesthetics and poetics. More specifically, she is interested in illuminating how aesthetics and poetics can catalyze a collective reorientation towards relation, connection, and intimacy and away from apathy and amnesia. Her work has appeared in Frieze, Cultured Magazine, Studio Magazine, Momus, and Burnaway, among other outlets. She currently manages McArthur Binion’s studio in Chicago, and formerly held positions at GRAY art gallery and the Studio Museum in Harlem.
Amarie Cemone Gipson is an art worker, DJ, and creative director. She has held curatorial positions at the Studio Museum in Harlem, the Renaissance Society, the Art Institute of Chicago, the Contemporary Austin, and the Museum of Fine Arts, Houston. Independently, her writing has been published in several journals and magazines including Artforum, ARTNews, ARTS.BLACK, Cite, ESSENCE, Gulf Coast, Houstonia, and THE SEEN. Currently based in her hometown of Houston, she created an open format dance party called PHYSICAL THERAPY where she serves as creative lead and resident DJ. As a culmination of her decade-long journey through the realms of art, music, and media, Gipson founded the Reading Room, a Black art reference library whose collection holds more than 300 publications and ephemera with an emphasis on Blackness, visual culture, and the American South.
Daria Simone Harper is a multimedia journalist and writer based in Brooklyn. She is currently Assistant Editor on the Digital Content team at David Zwirner Gallery New York. Through herstorytelling, she aims to amplify emerging Black and brown visual artists, as well as preserve the history of the trailblazing artists, thinkers, and creators who paved the way for us. Her byline is featured in publications including Artnet News, Artsy, Burnaway, CULTURED Magazine, ESSENCE, i-D, W Magazine, and more. She has interviewed and written features on established artists and cultural workers including Carrie Mae Weems, Stanley Whitney, and Antwaun Sargent, among others. Daria also hosts The Art of It All, an art and culture podcast featuring conversations amongst emerging and established artists and arts professionals of color.
Jessica Lynne is a writer and art critic. She is a founding editor of ARTS.BLACK, an online journal of art criticism from Black perspectives. Her writing has been featured in publications such as Artforum, The Believer, Frieze, The Nation, and Oxford American, where she is a contributing editor. She is the recipient of a 2020 Research and Development award from the Graham Foundation for Advanced Studies in the Fine Arts and a 2020 Arts Writer Grant from the Andy Warhol Foundation. She is the inaugural recipient of the Beverly Art Writers Travel Grant awarded in 2022 by the American Australian Association.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. If you are unwilling to comply with this requirement, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here. https://www.eventbrite.com/e/expo-chicago-poetics-in-practice-art-writers-panel-tickets-567161965707
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide. https://www.poetryfoundation.org/visit/accessibility
Shamel Pitts and the Brooklyn-based arts collective TRIBE debut an electrifying new live performance in their ongoing Red Series exploring Black multiplicity and human connection.
The new work, titled Touch of RED, is a duet for two Black men set inside a contemporary boxing ring—a space that might traditionally suggest an aggressive competition between male athletes for entertainment purposes. Yet in Touch of RED, the two dancers imbue this boxed-in site with an intense energy drawn from the power of vulnerability, effeminacy, and the healing that occurs when Black men are allowed to soften, together. During the performance audiences will be seated around the four sides of the ring, which strategically conceals or frames the action. Transforming the space into a pulsing night club dance floor, Touch of RED invites the audience to experience the anticipation, energy, and collective softening that accompanies a good party—and reframe their expectations of time, space, and normative identity.
Accessibility: ASL interpreted, assistive listening devices, audio description, captioning
To commemorate Women’s History Month, the Arts & Culture Project at Access Living is partnering to host a virtual film screening and panel discussion of the My Girl Story documentary on Saturday, March 25 from 12-2pm.
This event will explore the importance of mental health care among Black girls and resources available to them and their families.
My Girl follows the lives of two Black girls from Detroit, Monay and Shokana, who are fighting to become the girls they want to be. The documentary aims to give context to what Black girls across the country are experiencing today and to challenge the institutional and systemic barriers that prevent black girls especially those with disabilities from achieving their potential.
Register via Eventbrite to get the Zoom link:
Access Information:
Live CART captioning and ASL will be provided during the panel discussion.
Partners:
My Girl Story
Chicagoland Disabled People of Color Coalition
Access Living
Empowered Fe Fe’s
Sponsor Information: This event is brought to you by the Arts and Culture Project at Access Living, an independent living center for people with disabilities, Bodies of Work: Network of Disability Art and Culture, Shirley Ryan Abilities Lab, and the Disability Culture Activism Lab (DCAL), a teaching lab housed under the department of art therapy and counseling at the School of the Art Institute of Chicago.
Bodies of Work is a part of the Department of Disability and Human Development within the College of Applied Health Sciences at University of Illinois-Chicago. The contents of this film were developed under a grant from the National Institute on Disability, Independent Living, and Rehabilitation Research (NIDILRR grant number 90RTCP0005). NIDILRR is a Center within the Administration for Community Living (ACL), Department of Health and Human Services (HHS). The contents of this film do not necessarily represent the policy of NIDILRR, ACL, or HHS, and you should not assume endorsement by the Federal Government.
This program is partially supported by a grant from the Illinois Arts Council Agency.
LabE is a series of monthly cohort meetings addressing particular needs of disabled dance artists.
The LabE gathering on April 2nd is designed to be a safe, disability-centric space where artists can come together to share a work-in-progress, try out new ideas, workshop concepts, and experiment with new scores. Hosted by Maggie Bridger, this inclusive event is open to all artists who seek a supportive community where they can connect with peers who share similar experiences and offer and receive support, encouragement, and constructive feedback.
This gathering aims to foster community connections among Deaf, disabled, sick, neurodivergent, and Mad artists while providing a platform for artists to explore their creativity and showcase their unique perspectives.
In-progress projects will be presented by Sydney Erlikh & Deb Goodman.
If you are an artist who is interested in showcasing your art or working through new ideas, please reach out to Maggie at mbridg8@uic.edu to participate in this event.
LabE is open to all Chicago-area dance artists who self-identify as Deaf/deaf/hard of hearing, sick, mad, neurodivergent, disabled or living with a disability, and/or who have lived experience with disability or impairment. This space is particularly meant for those interested in exploring disability and impairment-informed modes of practicing dance.
Additional Access Information is available at https://highconceptlabs.org/news-2/labe-launches-at-experimental-station. For any other questions or requests regarding accessibility accommodations, please contact HCL’s Accessibility Coordinator, Yolanda Cesta Cursach Montilla (yolanda@highconceptlabs.org).
Accessibility: captioning, sensory-friendly, quiet spaces, wheelchair accessible
Charlotte Brontë’s undiscovered gem, Villette, offers a hero unlike any you’ve encountered before.
Suddenly without family, friends, or funds, Lucy travels alone to an unfamiliar land, determined to carve a path for herself. An eclectic carousel of characters (and one mysterious ghost!) soon draws Lucy into a complicated maze of multiple doorways leading towards fulfillment or peril – which door should she choose?
From the author of the captivating classic Jane Eyre, Charlotte Brontë’s Villette finds brash, honest life in this adaptation by Lookingglass Artistic Associate Sara Gmitter (In the Garden) and directed by Lookingglass Ensemble Member Tracy Walsh (The Old Curiosity Shop).
Accessibility: captioning
Don’t miss the 24th annual festival of the best independent films created by Irish filmmakers celebrating diversity and creativity through short, documentary and feature films.
The Chicago Irish Film Festival proudly presents our Opening Night feature “The Sparrow” at Theater on the Lake on March 2, starting at 6:30pm. Enjoy other films at AMC New City from March 2-5 with director chats, and virtual tickets available from March 6-16, 2023.
All virtual films will have subtitle options. In-person captioning will not be available, however is available depending on the theater.
Curb Appeal Gallery is pleased to announce their inaugural exhibition and the Chicago debut of Molly Joyce’s Perspective. Begun in 2019, Perspective is a sound and video work that captures perspectives of the disability experience. Created through interviewing over 40 participants around topics that encompass elements of disability—including care, interdependence, weakness, and cure—Joyce has composed and performed a work that invites audiences to consider the kaleidoscopic and nuanced experiences that inform what it means to be disabled. Created with disability aesthetics and accommodations in mind, Perspective features open-captioned videos, lending a sense of visual primacy to the stories of the disabled participants and their valuable perspectives. In addition to screening Perspective, Curb Appeal is delighted to host a brief conversation between Joyce and one of the project interviewees, Chicago artist Andy Slater (from 7:00-7:30pm).
Accessibility: Curb Appeal is wheelchair accessible. In addition to open captioning on the video work, we will provide ASL interpretation and CART-captioning for remarks and a brief conversation between Molly Joyce and Andy Slater. Masks are required for entry and will be provided if needed. Please note, Curb Appeal is an apartment gallery and doubles as a home to our gallery dog.
Join us for an Open Door reading with Ari Banias, Joss Barton, Alex Jane Cope, and KOKUMO, The Queen of Queer Soul. The Open Door series highlights creative relationships in Chicago, including mentorship and collaboration.
This is a hybrid event, which will be offered in-person and via livestream.
Ari Banias is the author of A Symmetry, winner of the 2022 Publishing Triangle Award for Trans & Gender Variant Literature, and Anybody. Banias’s poems have appeared in Bæst, Georgia Review, The Nation, The New Republic, Triple Canopy, Verse, Washington Square, and The Yale Review. His work has been supported by fellowships and residencies at Headlands Center for the Arts, MacDowell, the New York Foundation for the Arts, and the Fine Arts Work Center in Provincetown, among others. He lives in Chicago.
Joss Barton is a writer, journalist, and spoken word performance artist exploring and documenting queer and trans* life, love, and liberation. Barton’s work blends femme-fever dreams over the soundtrack of the American nightmare. Combining prose poetry, non-fiction confessional essays, drag artistry, and spoken word stage performances, Joss examines the myriad states of queer trans womanhoods from historical, political, and pop cultural identities of death, desires, dreams, and disco. Joss Barton’s performance will include special lighting design by Dazzler.
Alex Jane Cope is a poet and translator originally from West Michigan and currently based in Chicago; they previously lived in and around Paris, where they organized a multilingual queer and feminist reading series. Cope ran the Suppertime Writing Workshop through the PO Box Collective, which brought people together monthly for a free meal, a discussion of a few short texts, and accompanying writing prompts. Their work has appeared in publications by The Rumpus, Voicemail Poems, Asphalte Magazine, Pilot Press London, and Hooligan Magazine.
KOKUMO is The Queen Of Queer Soul! And the CEO & Founder Of Born Worthy Records! The world’s first record company dedicated to black, non-cis women, and those who support us!
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the live-stream details, please register in advance here. https://www.eventbrite.com/e/open-door-ari-banias-joss-barton-alex-jane-cope-kokumo-tickets-524709499237?lang=en-us&locale=en_US&status=30&view=listing
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide. https://www.poetryfoundation.org/visit/accessibility
Accessibility: ASL interpreter, captions
Join us for a reading and celebration of the diverse voices, rich experiences, and powerful words of poets from around the country, and the world. Poets working in the online poetry workshop and discussion, Forms & Features, will share work created in this online creative community.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide. https://www.poetryfoundation.org/visit/accessibility
Accessibility: ASL interpreter, captions
https://www.eventbrite.com/e/celebrating-the-poets-of-forms-features-online-tickets-525944653617
Join us in person for a lecture by distinguished alum Athena LaTocha followed by an audience Q&A.
Location: The Art Institute of Chicago, Fullerton Hall, 111 S. Michigan Ave.
Athena LaTocha (BFA 1992) is an artist whose massive works on paper explore the relationship between human-made and natural worlds. The artist incorporates materials such as ink, lead, earth, and wood while looking at correlations between mark-marking and displacement of materials made by industrial equipment and natural events. LaTocha’s process is about being immersed in these environments while responding to the storied and, at times, traumatic cultural histories that are rooted in place.
Presented in partnership with SAIC Alumni Engagement.
This event is free, non-ticketed and open to the general public.
This event will be live captioned by Communication Access Realtime Translation (CART) services. The auditorium is wheelchair accessible and hearing assisted devices are available. For additional access requests, visit saic.edu/access.
Accessibility: live captions, assistive listening devices, wheelchair accessible
Join us for a reading with Raquel Salas Rivera and Angel Dominguez as part of the Poetry Coalition’s annual nationwide programming series. The Poetry Coalition’s theme for 2023 is Poetry & Grief, taking inspiration from these lines in Ed Roberson’s poem “once the magnolia has blossomed:”“and so much lost you’d think / beauty had left a lesson.”
This is a hybrid event, which will be offered in-person and via livestream.
Raquel Salas Rivera’s honors include the 2023 Sundial Literary Translation Award, the 2022 Juan Felipe Herrera Award, a Lambda Literary Award for Transgender Poetry, the inaugural Ambroggio Prize, and serving as the 2018-19 Poet Laureate of Philadelphia, among others. Salas Rivera has published six poetry collections and edited Puerto Rico en mi corazón and the literary journal The Wanderer. Among his translations are The Rust of History and The Book of Conjurations. He holds a Ph.D. in Comparative Literature from the University of Pennsylvania and works as head of the translation team for The Puerto Rican Literature Project.
Angel Dominguez is a Latinx poet and artist of Yucatec Maya descent, born in Hollywood and raised in Van Nuys, CA by their immigrant family. Dominguez lives amongst the Santa Cruz Mountains in Bonny Doon, CA. They are the author of Desgraciado (the collected letters), RoseSunWater, and Black Lavender Milk. Their work has been published in BOMB Magazine, The Berkeley Poetry Review, FENCE, Prolit Magazine, SFMOMA Open Space, and elsewhere. You can find Angel in the redwoods or ocean.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide. https://www.poetryfoundation.org/visit/accessibility
Accessibility: ASL interpreter, live captions
https://www.eventbrite.com/e/poetry-grief-raquel-salas-rivera-angel-dominguez-tickets-539584039387
Join us for a conversation continuing the Poetry Foundation’s celebration of Copper Canyon Press’s 50th anniversary. Executive editor Michael Wiegers will moderate a discussion of Copper Canyon’s legacy and future in the poetry world with panelists Arthur Sze, Chris Abani, Tishani Doshi, and Alison C. Rollins.
This is a hybrid event, which will be offered in-person and via livestream. Copies of A House Called Tomorrow, Copper Canyon’s special 50th anniversary anthology, will be available for sale.
Chris Abani is a novelist, poet, essayist, screenwriter and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, received a BA in English from Imo State University, Nigeria, an MA in English, Gender and Culture from Birkbeck College, University of London and a PhD in Literature and Creative Writing from the University of Southern California. He has resided in the United States since 2001.
Tishani Doshi publishes poetry, essays and fiction. Recent books include the poetry collection Girls Are Coming Out of the Woods, shortlisted for the Ted Hughes Award, and a novel, Small Days and Nights, shortlisted for the RSL Ondaatje Prize and a New York Times Bestsellers Editor’s Choice. For fifteen years Tishani worked as a dancer with the Chandralekha group in Madras, India. A God at the Door, her fourth full-length collection, is published by Copper Canyon Press, and was shortlisted for the 2021 Forward Poetry Prize.
Alison C. Rollins was named a National Endowment for the Arts Literature Fellow in 2019. Her work has appeared or is forthcoming in American Poetry Review, Iowa Review, The New York Times Magazine, and elsewhere. A Cave Canem and Callaloo fellow, she was a 2016 recipient of the Poetry Foundation’s Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. In 2018, she was a recipient of the Rona Jaffe Writers’ Award and in 2020, the winner of a Pushcart Prize. Her debut poetry collection, Library of Small Catastrophes was a 2020 Hurston/Wright Foundation Legacy Award nominee.
Arthur Sze has published eleven books of poetry, including The Glass Constellation: New and Collected Poems; Sight Lines, which won the 2019 National Book Award for Poetry; and Compass Rose, a Pulitzer Prize finalist. Sze is the recipient of many honors, including a 2022 Ruth Lilly Poetry Prize for Lifetime Achievement from the Poetry Foundation, a Shelley Memorial Award from the Poetry Society of America, the Jackson Poetry Prize from Poets & Writers, a Lannan Literary Award, and a Guggenheim Fellowship. He is a professor emeritus at the Institute of American Indian Arts.
Michael Wiegers has been editing poetry at Copper Canyon Press for 30 years, advocating for poets at every stage of their writing lives. He is the editor of A House Called Tomorrow as well as What About This: Collected Poems of Frank Stanford.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide. https://www.poetryfoundation.org/visit/accessibility
Accessibility: ASL interpreter, live captions
https://www.eventbrite.com/e/a-house-called-tomorrow-copper-canyon-at-50-tickets-519984466537
Join us for the Chicago celebration of Copper Canyon Press’s 50th Anniversary with readings by Copper Canyon authors Chris Abani, Tishani Doshi, Alison C. Rollins, Arthur Sze, and Javier Zamora.
This is a hybrid event, which will be offered in-person and via livestream.
Chris Abani is a novelist, poet, essayist, screenwriter and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, received a BA in English from Imo State University, Nigeria, an MA in English, Gender and Culture from Birkbeck College, University of London, and a PhD in Literature and Creative Writing from the University of Southern California. He has resided in the United States since 2001.
Tishani Doshi publishes poetry, essays and fiction. Recent books include the poetry collection Girls Are Coming Out of the Woods, shortlisted for the Ted Hughes Award, and a novel, Small Days and Nights, shortlisted for the RSL Ondaatje Prize and a New York Times Bestsellers Editor’s Choice. For fifteen years Tishani worked as a dancer with the Chandralekha group in Madras, India. A God at the Door, her fourth full-length collection, is published by Copper Canyon Press and was shortlisted for the 2021 Forward Poetry Prize.
Alison C. Rollins was named a National Endowment for the Arts Literature Fellow in 2019. Her work has appeared or is forthcoming in American Poetry Review, Iowa Review, The New York Times Magazine, and elsewhere. A Cave Canem and Callaloo fellow, she was a 2016 recipient of the Poetry Foundation’s Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. In 2018, she was a recipient of the Rona Jaffe Writers’ Award, and in 2020, the winner of a Pushcart Prize. Her debut poetry collection, Library of Small Catastrophes was a 2020 Hurston/Wright Foundation Legacy Award nominee.
Arthur Sze has published eleven books of poetry, including The Glass Constellation: New and Collected Poems; Sight Lines, which won the 2019 National Book Award for Poetry; and Compass Rose, a Pulitzer Prize finalist. Sze is the recipient of many honors, including a 2022 Ruth Lilly Poetry Prize for Lifetime Achievement from the Poetry Foundation, a Shelley Memorial Award from the Poetry Society of America, the Jackson Poetry Prize from Poets & Writers, a Lannan Literary Award, and a Guggenheim Fellowship. He is a professor emeritus at the Institute of American Indian Arts.
Javier Zamora was born in La Herradura, El Salvador in 1990. In his debut New York Times bestselling memoir, Solito, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. Zamora was a 2018-2019 Radcliffe Fellow at Harvard University and holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly and Dorothy Sargent Rosenberg), Stanford University (Stegner), and Yaddo. He is the recipient of a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, and the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign. Javier lives in Tucson, AZ.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide. https://www.poetryfoundation.org/visit/accessibility
Accessibility: ASL interpreter, live captions,
https://www.eventbrite.com/e/copper-canyon-50th-anniversary-reading-tickets-519975008247
Join us in person for a lecture by artist Torkwase Dyson followed by an audience Q&A.
Location: The Art Institute of Chicago, Fullerton Hall, 111 S. Michigan Ave.
Working in painting, drawing, and sculpture, Torkwase Dyson combines expressive mark-making and geometric abstraction to explore the continuity between ecology, infrastructure, and architecture. Dyson deconstructs, distills, and interrogates the built environment, exploring how individuals—particularly Black and Brown people—negotiate, negate, and transform systems and spatial order. Throughout her work and research, Dyson seeks to confront issues of environmental liberation, envisioning a path toward a more equitable future.
This event is free, non-ticketed and open to the general public.
This event will be live captioned by Communication Access Realtime Translation (CART) services. The auditorium is wheelchair accessible and hearing assisted devices are available. For additional access requests, visit saic.edu/access.
Join us for a reading and celebration of the diverse voices, rich experiences, and powerful words of poets from around the country, and the world. Poets working in the online poetry workshop and discussion, Forms & Features, will share work created in this online creative community.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
https://www.eventbrite.com/e/celebrating-the-poets-of-forms-features-online-tickets-525887893847
Join us for an intimate look at the painter Alex Katz’s extensive collaborations with poets, followed by a poetry reading by his son, Vincent Katz. This event will feature the premiere of a video dialogue between Alex and Vincent, looking closely at some of the works on view in this exhibition. Spanning works created over the past 60 years, the exhibition includes print portfolios, editioned books, portraits of poets and unique cutouts, all centering on poets and poetry.
Organized by the Poetry Foundation with guidance from the artist and his son, and with support from GRAY, the exhibition offers a unique opportunity to experience Katz’s deep interest in an art form whose forms and tactics he considered “more stimulating than painting.”
Alex Katz Often associated with the Pop Art movement, Katz began exhibiting his work in 1954; since that time he has produced a celebrated body of work that includes paintings, drawings, sculpture, and prints. His earliest work took inspiration from various aspects of mid-century American culture and society, including television, film, and advertising.
Vincent Katz is a poet, translator, curator, and critic. Katz is the author of numerous collections of poetry, including Broadway for Paul, Southness, Swimming Home, and Rapid Departures . He is also coauthor of Fantastic Caryatids, a collaboration with Anne Waldman, and his book collaborations with artists include Alcuni Telefonini with Francesco Clemente and Judge with Wayne Gonzales, among others. Katz also edited and wrote the introduction to Poems to Work On: The Collected Poems of Jim Dine.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Join us for a virtual reading featuring the 2022 Forms & Features Visiting Teaching Artists: Cecilia Caballero, Christiana Castillo, Antoinette Cooper, Sara Elkamel, Ernest Ogunyemi, and Chessy Normile. Forms & Features is the Poetry Foundation’s series of free online creative writing workshops for adults.
Cecilia Caballero, PhD, is a poet, essayist, Ethnic Studies lecturer, and co-editor of The Chicana Motherwork Anthology. Caballero is teaching faculty with Catapult, and she has taught poetry workshops for the Puente Project, the University of Arizona, East Los Angeles College, and elsewhere. Her work appears in Dryland, Raising Mothers, The Acentos Review, among others; her honors include an Authentic Voices fellowship with the Women’s National Book Association and nominations for Rhysling, Pushcart, and Best of the Net Awards.
Christiana Castillo is a Mexican-Brasilian-American poet, educator, abolitionist, and gardener.
Antoinette Cooper is a writer and TEDx speaker committed to the liberation of Black bodies through arts, ancestral healing, social justice, and medical humanities. Born on the island of Jamaica and raised in the NYC Housing Projects, Cooper holds a Cornell BA, a Columbia MFA, and sits on the board of Narrative Medicine at CUNY School of Medicine. Her honors include a grant from Café Royal Foundation, a residency with BLKSPACE, and work in The Amistad, Intima: Journal of Narrative Medicine. www.antoinettecooper.com
Sara Elkamel is a poet and journalist living between her hometown, Cairo, Egypt, and New York City. Elkamel earned an MA in arts journalism from Columbia University and an MFA in poetry from New York University. She is author of the chapbook Field of No Justice.
Ernest O. Ògúnyẹmí writes from Nigeria. Ogunyemi’s work has appeared in or is forthcoming from AGNI, Kenyon Review, The Sun, Banshee, Mooncalves: An Anthology of Weird Fiction, among others. His debut chapbook, A Pocket of Genesis will be published in 2023. He is working toward a BA in History and International Studies at Lagos State University.
Chessy Normile is a writer from New York currently living in Madison, Wisconsin as the 2022–23 Ronald Wallace Poetry Fellow at the Wisconsin Institute for Creative Writing. Normile received an MFA in poetry from The Michener Center for Writers at University of Texas at Austin, and her first book of poems, Great Exodus, Great Wall, Great Party, was selected by Li-Young Lee for the 2020 APR/Honickman First Book Prize. She edits a zine series called Girl Blood Info.
The Zoom link will be shared with registered guests on the day of the event. Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide https://www.poetryfoundation.org/visit/accessibility
Captions, ASL Interpreter, and Virtual
Join us for our first gathering of LabE, a series of monthly cohort meetings addressing particular needs of disabled dance artists, such as studio access, development and production support, and platforms for promoting Chicago’s sick, Deaf and disabled dance artists.
During our initial meeting on February 5, we’ll gather to collectively compile a list of accessible dance studios, classes and performance spaces in Chicago. We’ll come together and build community while crowdsourcing our favorite spaces to rehearse, take class and perform in the Chicago area.
When: Sunday, February 5, 2023, 1-3pm Central
Where: This is a hybrid event. The in-person portion will take place at the Experimental Station (6100 S Blackstone Ave, Chicago, IL 60637). The online portion will take place via Zoom, with the zoom link sent out to all registrants in advance of the event. We are still experimenting with our hybrid setup and appreciate your patience and collaborative spirit in working out the kinks!
Who: Open to Chicago-area dance artists who self-identify as Deaf/deaf/hard of hearing, sick, mad, neurodivergent, disabled or living with a disability, and/or who have lived experience with disability or impairment. This space is particularly meant for those interested in exploring disability and impairment-informed modes of practicing dance.
Access Information: AI Captioning available via zoom. The first floor of Experimental Station, where the event will be held is wheelchair accessible, including accessible bathrooms.
We ask that all attendees wear masks for the duration of the event, but please note that Experimental Station is a public building and that there will likely be unmasked people in the building. For those unable to mask or to risk being in a public space, we are offering a virtual option to join the event via Zoom. Attendees will be asked to indicate whether they prefer to attend online or in-person upon registration, though the are welcome to switch their registration type and all registrants will be provided the link to attend on Zoom.
This event is intended to be relaxed, welcoming and comfortable for all in the space. We will have multiple forms of seating available, as well as a few stim tools. You are welcome to come and go, bring your own access tools, and move about the space as needed during the event.
Please refrain from wearing any scented perfume, cologne, lotion, etc.
Contact: Please reach out to Maggie Bridger at magbridger@gmail.com with any questions about access needs or requests for access services/tools not mentioned here.
Captions (virtual only), Sensory Friendly, Wheelchair Accessible, and Virtual
Chicago Opera Theater (COT) kicks off their 50th year with Albert Herring by Benjamin Britten and a libretto by Eric Crozier.
The ~Vibe~ – Finding oneself, indie film comedy, breaking societal expectations
This comedic coming-of-age story celebrates COT’s rich history of presenting Britten works including the Chicago premiere of this piece in 1979. Coming back to Chicago after 33 years, this new production will be conducted by the world-renowned Dame Jane Glover and staged by leading musical theatre director Stephen Sposito.
Envisioned by Sposito as an indie film in the vein of Wes Anderson and the Coen Brothers, we invite you to the town of Loxford, England where none of the young ladies live up to Lady Billows’ inscrutable moral standards to be crowned May Queen. In a strange twist, it turns out the grocer’s son, Albert Herring, fits the bill and a May King is crowned instead! After being mocked by his friends for receiving the honor, Albert takes his first steps into independence by embarking on a night of debauchery.
Sung in English with English subtitles.
An interactive touch tour will begin at 1 PM on the stage
COT will no longer require patrons attending performances to provide proof of full vaccination. Masks are no longer required for audience members to wear, but we strongly recommend your use of masks throughout the theater.
Captions and Touch Tour
Signed by President Franklin D. Roosevelt on February 19, 1942, Executive Order 9066 led to the incarceration of 120,000 Japanese Americans during WWII. Every year, the Japanese American community in Chicago comes together to commemorate E.O. 9066 as a reminder of the fragility of civil liberties in times of crisis and the importance of remaining vigilant in protecting the rights and freedoms of all.
The film “Resettlement: Chicago Story” tells an intergenerational story of the Yamamoto family several years after camp, as they struggle to rebuild their lives and make ends meet through their family dry cleaning business.
The film screening will be followed by a presentation of the companion learning website and Q&A. There will be a reception with complementary food and beverages following the program. The program will have ASL and CART/Live Captioning provided, the film will be presented with Open Captions and Open Audio Description.
Reception: ASL interpreter and CART
Film: Open Caption and Audio Description
On February 10th & 11th, Three Brothers Theatre will present open captioned performances of MUFFED by Zack Peercy. This text-display service is provided for any d/Deaf, Hard of Hearing, or “Captions On” audience members interested in seeing a new mockumentary comedy about Maine, community, and earmuffs. The theatre space is ADA accessible and the captions are displayed to the left of the playing space, visible from all seating areas. The production runs about 90 minutes with no intermission.
Open Captions
Join us for a celebration of University of New Mexico Press’s landmark anthology Latinx Poetics: Essays on the Art of Poetry, featuring editor Ruben Quesada and poetry readings from ten contributors. This is a hybrid event, which will be offered in-person and via livestream.
Latinx Poetics: Essays on the Art of Poetry collects personal and academic writing from Latino, Latin American, Latinx, and Luso poets about the nature of poetry and its practice. At the heart of this anthology lies the intersection of history, language, and the human experience. The collection explores the ways in which a people’s history and language are vital to the development of a poet’s imagination and insists that the meaning and value of poetry are necessary to understand the history and future of a people. The Latinx community is not a monolith, and accordingly the poets assembled here vary in style, language, and nationality. The essays not only expand the poetic landscape but extend Latinx and Latin American linguistic and geographical boundaries.
Ruben Quesada is a poet, translator, and editor. He is the author of Revelations and Next Extinct Mammal and the translator of a collection of selected poems by Luis Cernuda titled Exiled from the Throne of Night. He has served as an editor and coordinator for The Rumpus, Kenyon Review, AGNI, Pleiades, and the National Book Critics Circle board. He lives in Chicago, Illinois.
Daniel Borzutzky is a poet and translator who lives in Chicago; his most recent book is Written after a Massacre in the Year 2018. Borzutzky’s 2016 collection, The Performance of Becoming Human won a National Book Award in Poetry. He teaches in the English and Latin American and Latino Studies Departments at the University of Illinois at Chicago.
Blas Falconer is the author of three poetry collections, including Forgive the Body This Failure, and a coeditor of two essay collections, The Other Latin@: Writing Against a Singular Identity and Mentor and Muse: Essays from Poets to Poets. Falconer’s poems have been featured by Poetry, Kenyon Review, and The New York Times, and his awards include fellowships from the National Endowment for the Arts, the Tennessee Arts Commission, and Poets and Writers.
Sean Frederick Forbes is an assistant professor-in-residence of English and the director of the creative writing program at the University of Connecticut. Providencia, his first book of poetry, was published in 2013. He serves as the poetry editor for New Square, the official publication of the Sancho Panza Literary Society, of which he is a founding member. In 2017, he received first place in the Nutmeg Poetry Contest from the Connecticut Poetry Society.
Raina J. León, PhD, is Black, Afro-Boricua, and from Philadelphia. A poet and writer, she is the author of Canticle of Idols, Boogeyman Dawn, sombra : (dis)locate, and the chapbooks profeta without refuge and Areyto to Atabey: Essays on the Mother(ing) Self. León has received fellowships and residencies from Cave Canem, Obsidian Foundation, and Vermont Studio Center, among others. She also is a founding editor of the Acentos Review, an international online quarterly journal devoted to the promotion and publication of Latinx arts.
Sheryl Luna’s Magnificent Errors received an Ernest Sandeen Poetry Prize from University of Notre Dame; her other collections include Seven and Pity the Drowned Horses. Luna has received fellowships from Yaddo, Anderson Center, and CantoMundo, and she has received an Alfredo Cisneros del Moral Foundation Award, and was inducted into the Texas Institute of Letters.
Carlo Matos is the author of twelve books, including As Malcriadas or Names We Inherit and We Prefer the Damned. Matos has received grants and fellowships from Disquiet ILP, CantoMundo, Illinois Arts Council, Sundress Academy for the Arts, and La Romita School of Art. He is a founding member of the Portuguese American writers collective Kale Soup for the Soul and a winner of the Heartland Poetry Prize.
Orlando Ricardo Menes is professor of English at the University of Notre Dame, where he teaches in the MFA program and edits the Notre Dame Review. Menes is the author of seven poetry collections, including The Gospel of Wildflowers & Weeds, Memoria, and Fetish. His poems have appeared in several prominent anthologies and in such literary magazines as Poetry, Southern Review, Prairie Schooner, Yale Review, Harvard Review, and Hudson Review, among others.
Tomás Q. Morín is the author of several books, including the poetry collection Machete and the memoir Let Me Count the Ways. Morín’s work has appeared in The New York Times, The Nation, Poetry, Slate, and Boston Review. He is a Civitella Fellow and a National Endowment for the Arts Fellow, and teaches at Rice University and Vermont College of Fine Arts.
ire’ne lara silva is the author of four poetry collections, including furia and Blood Sugar Canto, two chapbooks , and a short story collection, flesh to bone, which won a Premio Aztlán. silva coedited Imaniman: Poets Writing in the Anzaldúa Borderlands with Dan Vera. Her awards include a 2021 Tasajillo Writers Grant, a 2017 NALAC Fund for the Arts Grant, a Alfredo Cisneros del Moral Award, and the 2021 Texas Institute of Letters Shrake Award for Best Short Nonfiction.
Born in Mexico, Natalia Treviño grew up in South Texas, and is the author of the poetry collections VirginX and Lavando la Dirty Laundry, which has been published in a dual-language edition in Albanian and Macdonian. Treviño’s honors include an Alfredo Cisneros del Moral Award, a Dorothy Sargent Rosenberg Poetry Prize, and a Menada Literary Award. She is a professor of English and an affiliate Mexican American studies faculty member at Northwest Vista College.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance at https://www.eventbrite.com/e/latinx-poetics-anthology-launch-celebration-tickets-470342827057
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance at https://www.eventbrite.com/e/latinx-poetics-anthology-launch-celebration-tickets-470342827057
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide https://www.poetryfoundation.org/visit/accessibility
Join us for an Open Door reading with José Olivarez, Britteney Black Rose Kapri, Vic Chávez, and Raych Jackson, celebrating the launch of Olivarez’s book, Promises of Gold. The Open Door series highlights creative relationships in Chicago, including mentorship and collaboration. This is a hybrid event, which will be offered in-person and via livestream.
José Olivarez is a writer from Calumet City, IL. He is the author of Promises of Gold and Citizen Illegal.Citizen Illegal was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize; it was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. His poems are featured alongside photographs by Antonio Salazar in the multi-disciplinary poetic work, Por Siempre.
Britteney Black Rose Kapri is a semi-retired teaching artist, writer, performance poet, and playwright from Chicago. She has been published in Poetry, Vinyl, Day One, Seven Scribes, The Offing and Kinfolks Quarterly. She is a 2015 Rona Jaffe Writers Award Recipient. Her debut book Black Queer Hoe was released in 2018 through Haymarket Books.
Rachel “Raych” Jackson is a writer, educator, and performer whose poems have gained over 2 million views on YouTube. Jackson continues to instruct workshops through the Poetry Foundation, InsideOut Literary Arts, and more. She pushes educators to implement culturally relevant poetry within their curriculum using her five years of experience teaching in Chicago Public Schools. Jackson’s work has been published by many— including Poetry, The Rumpus, The Shallow Ends, and Washington Square Review. Her debut collection Even the Saints Audition won Best New Poetry Collection by a Chicagoan from Chicago Reader in 2019. Jackson currently lives in Chicago.
Vic Chávez is a queer Mexican poet from the Chicago suburb of Berwyn. They have a BA in Creative Writing from Columbia College Chicago, where they were an assistant editor for Columbia Poetry Review and an assistant copyeditor for Hair Trigger. Their work has been published in Southside Weekly, Breakbeat Poets Vol. 4: LatiNEXT, and in Columbia College’s Poetry Review and Allium Journal. Find Vic on Twitter and IG at @_vichavez.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance at https://www.eventbrite.com/e/open-door-jose-olivarez-britteney-kapri-vic-chavez-raych-jackson-tickets-488760745547
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance at https://www.eventbrite.com/e/open-door-jose-olivarez-britteney-kapri-vic-chavez-raych-jackson-tickets-488760745547
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide at https://www.poetryfoundation.org/visit/accessibility
About the Virtual Event
Join us for a conversation with artist Martine Syms, whose solo exhibition Martine Syms: She Mad Season One is on view at the MCA through February 12.
Syms is joined by exhibition curator Jadine Collingwood, assistant curator at the MCA, and Dr. Allyson Nadia Field, professor at the University of Chicago, whose research focuses on African American film from silent-era cinema to the present. The three discuss Syms’s practice, extending their dialogue to include the past—and the present—of Black cinema and media production.
MCA Talks highlight cutting-edge thinking and contemporary art practices across disciplines. This presentation is organized by Daniel Atkinson, Manager of Learning, Adult Interpretive Programs, and the MCA’s Visual Art and Learning teams. Special thanks to Dr. Michael Anthony Turcios, Mancoch Postdoctoral Fellow at Northwestern University, for development of this program.
This event takes place on Zoom. ASL interpretation and CART captioning provided
Cost: Free or Pay What You Can
A poetic journey of a dancer/artist/father questioning the balance of his passions—art, culture, family.
From the streets of Brooklyn to Russia’s ballet training studios, Antonio struggles to reconcile multiple ethnic identities. He wrestles with the legacy of stereotypes of masculinity while discovering the beauty of becoming a father. Powerful poetry is intermixed with original movement, music and projected imagery to create an evocative, wholly unique performance.
This performance offers captioning.
A young violinist and her song collector boyfriend flee the confines of their Brooklyn apartment to the mountains of North Carolina, where the Appalachian music of Mira’s childhood is just the authentic inspiration they’re searching for. When they descend on her old family home, and an estranged grandfather she’s never mentioned, the unexpected complexity of past pain, prejudice, joy, and discovery reveals itself through the music that binds them. Featuring bluegrass favorites and the foot-stomping, hand-clapping finest of American roots music.
This performance includes ASL interpretation and open captions. If you would like a good view of the ASL interpreters, please contact Community Engagement Manager Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 as the placement of the interpreters will vary from show to show.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
The groundbreaking pop-culture musical sensation is reimagined in a new production.
Myth and spectacle combine in a fresh reinvention of The Who’s exhilarating 1969 rock concept album, Tommy—including the unforgettable anthems “I’m Free,” “See Me, Feel Me,” “Sensation” and “Pinball Wizard.” After witnessing his father shoot his rival, the young Tommy Walker is lost in the universe, endlessly and obsessively staring into the mirror. An innate knack for pinball catapults him from reticent adolescent to celebrity savior. Tony Award-winning composer Pete Townshend and Tony Award-winning original director Des McAnuff find powerful resonance reexamining this classic story for today.
https://www.goodmantheatre.org/show/the-whos-tommy/
Accessibility: captioning
A young violinist and her song collector boyfriend flee the confines of their Brooklyn apartment to the mountains of North Carolina, where the Appalachian music of Mira’s childhood is just the authentic inspiration they’re searching for. When they descend on her old family home, and an estranged grandfather she’s never mentioned, the unexpected complexity of past pain, prejudice, joy, and discovery reveals itself through the music that binds them. Featuring bluegrass favorites and the foot-stomping, hand-clapping finest of American roots music.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.
https://northlight.org/events/the-porch-on-windy-hill-a-new-play-with-old-music/
Accessibility: audio description, touch tour, open captions
Hailed as the “Godmother of Rock ‘n Roll,” Sister Rosetta Tharpe influenced rock icons from Elvis Presley to Jimi Hendrix. Bringing fierce guitar playing and sizzling swing to gospel music, Rosetta was a trailblazer, a young Black woman singing at church in the morning and the Cotton Club at night. This play with music chronicles Rosetta’s first rehearsal with a young protégée, Marie Knight, as they prepare for a tour that would establish them as one of the great duet teams in musical history.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.
https://northlight.org/events/marie-and-rosetta/
Accessibility: audio description, touch tour, open captioning
Hailed as the “Godmother of Rock ‘n Roll,” Sister Rosetta Tharpe influenced rock icons from Elvis Presley to Jimi Hendrix. Bringing fierce guitar playing and sizzling swing to gospel music, Rosetta was a trailblazer, a young Black woman singing at church in the morning and the Cotton Club at night. This play with music chronicles Rosetta’s first rehearsal with a young protégée, Marie Knight, as they prepare for a tour that would establish them as one of the great duet teams in musical history.
This performance includes ASL interpretation and open captions. If you would like a good view of the ASL interpreters, please contact Community Engagement Manager Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 as the placement of the interpreters will vary from show to show.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
https://northlight.org/events/marie-and-rosetta/
Accessibility: ASL interpreted, open captioning
Raven Theatre presents a new play about privacy in the digital age. Closed Captioning will be included in this performance for those who need it, but be sure to contact us ahead of time to reserve your device.
The internet never forgets, and Derril Lark’s mistake at 17 haunts him online a decade later. Desperate for a normal life, he goes to extraordinary lengths to erase his indiscretion. But freedom of information is a big business, and the tech companies aren’t going down without a fight. Secrets, lies, and political backstabbing abound in this riveting new drama about one man’s fierce battle to reclaim his privacy by Primus Prize winning playwright Sharyn Rothstein (By the Water, Northlight Theatre). Don’t miss this striking Chicago premiere about human forgiveness in the age of the internet.
Livestream with captioning available.
Dance-maker Cat Mahari shares a new performance process, Blk Ark: the Impossible Manifestation, which ruminates on ties, binding, and community. Through Mahari’s movement practice of anarcho-choreographic hip-hop, Blk Ark asks: “What will it take to get free?” and “Can we see a new world from here?”
In Progress is a series designed to give artists, thinkers, and curators a platform for developing new works with input from audiences, and to give patrons a glimpse into the creative process. This program is organized by Tara Aisha Willis, Curator.
Livestream with captioning available.
Dance-maker Cat Mahari shares a new performance process, Blk Ark: the Impossible Manifestation, which ruminates on ties, binding, and community. Through Mahari’s movement practice of anarcho-choreographic hip-hop, Blk Ark asks: “What will it take to get free?” and “Can we see a new world from here?”
In Progress is a series designed to give artists, thinkers, and curators a platform for developing new works with input from audiences, and to give patrons a glimpse into the creative process. This program is organized by Tara Aisha Willis, Curator.
Chicago’s Pullman neighborhood is filled with an abundance of cultural and historical knowledge and is surrounded by a diverse community and innovative history that is often overlooked. In this talk, Pullman artists F.A.B.L.E, Joe Nelson, Steve Soltis, and Nailah Stevenson gather for a conversation moderated by Otez Gary, Community Engagement Manager at the MCA. All four artists are awardees of Pullman: Laboring Together, an initiative of the Chicago arts alliance Voice of the City, which aims to bring Pullman residents together in dialogue around the work of the neighborhood’s artists. The 2022 series is themed around the past, present, and future of Pullman, and in this final event—titled “Where We Are Going?”—the artists reflect on the work, community, diversity, art, and culture of Pullman, and what it meant to be laboring together through each phase of the yearlong project.
The talk is free to the public and takes place at Greenstone United Methodist Church, located at 11211 S St Lawrence Ave, Chicago, IL, 60628, and online via Facebook Live. If you are attending the in-person person, enjoy some refreshments beforehand, from 4 to 4:25 pm. Then stay afterwards for a reception sponsored by the MCA Community Engagement Team from 5:30 to 6:30 pm.
Voice of the City was awarded a Neighborhood Access Grant by the Department of Cultural Affairs for Pullman: Laboring Together.
This talk is organized by Community Engagement Manager Otez Gary and the Community Engagement team in collaboration with Dawn Marie Galtieri and Christopher E Ellis from Voice of the City.
ASL interpretation and captioning are available.
A family verges on bankruptcy while their country stands on the brink of revolution.
Endings and beginnings. Bittersweet departures. The comedy of life. When Madame Ranevskaya returns to her heavily-mortgaged estate on the eve of its auction, the aristocratic widow finds that the fate of much more than her beloved orchard hangs in the balance. Anton Chekhov’s canonical masterpiece is an exploration of loss, love and how to live in a society that’s changing fast. Following his critically-acclaimed productions of Three Sisters, The Seagull and Uncle Vanya, director Robert Falls takes on the last of Chekhov’s four major plays.
Captioning will be provided for this performance.
About the Event
Chicago’s Pullman neighborhood is filled with an abundance of cultural and historical knowledge and is surrounded by a diverse community and innovative history that is often overlooked. In this talk, Pullman artists F.A.B.L.E, Joe Nelson, Steve Soltis, and Nailah Stevenson gather for a conversation moderated by Otez Gary, Community Engagement Manager at the MCA. All four artists are awardees of Pullman: Laboring Together, an initiative of the Chicago arts alliance Voice of the City, which aims to bring Pullman residents together in dialogue around the work of the neighborhood’s artists. The 2022 series is themed around the past, present, and future of Pullman, and in this final event—titled “Where We Are Going?”—the artists reflect on the work, community, diversity, art, and culture of Pullman, and what it meant to be laboring together through each phase of the yearlong project.
The talk is free to the public and takes place at Greenstone United Methodist Church, located at 11211 S St Lawrence Ave, Chicago, IL, 60628, and online via Facebook Live. If you are attending the in-person person, enjoy some refreshments beforehand, from 4 to 4:25 pm. Then stay afterwards for a reception sponsored by the MCA Community Engagement Team from 5:30 to 6:30 pm.
Voice of the City was awarded a Neighborhood Access Grant by the Department of Cultural Affairs for Pullman: Laboring Together.
This talk is organized by Community Engagement Manager Otez Gary and the Community Engagement team in collaboration with Dawn Marie Galtieri and Christopher E Ellis from Voice of the City.
This event is free and open to the public. Attend in person at Greenstone UMC, located at 11211 S St Lawrence Ave in Chicago, or virtually via Facebook Live.
ASL interpretation and CART captioning provided
What is the Caribbean? What does Caribbeanness mean to artists of the Caribbean diaspora?
On opening day of the MCA exhibition Forecast Form: Art in the Caribbean Diaspora 1990s-Today, join Marilyn and Larry Fields Curator Carla Acevedo-Yates and artists Christopher Cozier, Teresita Fernández, and María Magdalena Campos-Pons for a roundtable discussion. Building upon an in-depth conversation included in the catalog accompanying this exhibition, the curator and artists explore ideas behind the exhibition, how they see themselves as artists, and how they work within certain parameters, frameworks, and structures of the art world.
MCA Talks highlight cutting-edge thinking and contemporary art practices across disciplines. This presentation is organized by Daniel Atkinson, Manager of Learning, Adult Interpretive Programs, and the MCA’s Visual Art and Learning teams.
This program includes ASL interpretation and captioning.
https://visit.mcachicago.org/events/talk-on-thinking-and-being-caribbean-a-roundtable-discussion/
After a nearly 3-year hiatus due to COVID-19, the A.B.L.E. ensemble is producing their first ever full-day festival in partnership with Chicago Shakespeare Theater. RECONNECT will feature the work of 58 members of the A.B.L.E. community – 33 performers with disabilities, 17 volunteer facilitators, and 8 Teaching Artists.
Over the course of a 10 week rehearsal process, each of A.B.L.E.’s 3 ensembles have collaborated to develop original monologues, scenes, movement pieces, and songs inspired by their own lives and experiences with connection. Pieces range from touching letters to loved ones we’ve lost, to celebrations of our closest friends, to humorous dream dates, to meditations on the good and bad of social media, as well as poignant reflections on the fears and miscommunications that get in the way of true connection. They are sharing their work in two distinctive multimedia shows, blending live performances with filmed content from A.B.L.E.’s virtual ensemble.
Between the shows, the public is invited to participate in an interactive workshop with A.B.L.E.’s Creative Associates and Teaching Artists to experience how A.B.L.E. brings their ideas to the stage.
You can buy a ticket for one, two, or all three events. How do you want to RECONNECT?
Event Details:
Saturday November 19, 2022
Upstairs at Chicago Shakespeare Theater
800 East Grand Avenue
Chicago IL 60611
Event Schedule:
11am: Performance by the Sunday ensemble with members of the Virtual Ensemble
2pm: Public Workshop
7pm: Performance by the Monday ensemble with members of the Virtual Ensemble
Tickets:
All tickets are pay-what-you-can general admission starting at $15
Online: ableensemble.com/reconnect
Phone: 312.595.5600
In person: at the Chicago Shakespeare Theater box office
Access: All 3 events are live captioned, and the 11am and 7pm performances will be ASL interpreted.
COVID Policies: To ensure A.B.L.E.’s immunocompromised performers and community members feel safe and welcome, all audience members must remain masked for the duration of their time in the theater complex.
PLAID AS HELL is an honest, slightly raunchy, queer comedy which introduces us to Cass, who is hoping her annual camping trip will go well this year. But with her best friend Emilie sniping at Cass’s new girlfriend Jessica, not to mention the serial killer on the loose, the weekend is off to a rocky start.
https://babeswithblades.org/fall-2022-plaid-as-hell/
This event is a collaboration between the MCA Chicago and the Chicago Humanities Festival.
Join us for a conversation with one of the great literary voices of our time, Elizabeth Alexander.
In her latest book The Trayvon Generation, Alexander tenderly writes about the young people whose worldview has been indelibly shaped by persistent and visible racially motivated violence and asserts the unresolved problem of the color line at the center of the American experience. Join Alexander for a wide-ranging discussion about the power of art and culture to understand and confront issues of race, class, and injustice, and the ways in which Black artists, scholars, and activists have always revealed the “problem, the hope, and the possibility of America.” Moderated by Romi Crawford, Professor of Visual and Critical Studies at the School of the Art Institute of Chicago.
This Dialogue presentation is organized by Daniel Atkinson, Manager of Learning, Adult Interpretive Programs, and Otez Gary, Curatorial Assistant, in collaboration with the Chicago Humanities Festival.
This event will be ASL interpreted and captioned.
https://visit.mcachicago.org/events/dialogue-keynote-elizabeth-alexander-on-the-trayvon-generation/
Set on the night in 1940 that Hattie McDaniel made history at the Oscars, a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood.
IT IS FEBRUARY 29, 1940, the night of the Academy Awards in Hollywood, California. Bartender Arthur Brooks, an ambitious Black man from rural Alabama, dreams of becoming a movie director. His best friend, Dottie Hudson, is a maid at the Ambassador Hotel who finds herself to be a cynic of all dreams. But when the actress Hattie McDaniel stops in at the bar and decides not to attend the biggest event in show business, Arthur and Dottie must do everything in their power to convince her to go and claim her historic win—all while confronting their dark past and making their own dreams come to life.
This play about race, class, gender, and the ever-changing landscape of Hollywood has previously had public readings at The Echo Theatre Company (featuring TimeLine Company Member Mildred Marie Langford) and Morgan-Wixson Theatre’s New Works Festival. TimeLine’s production will be its world premiere.
by LaDarrion Williams
directed by Malkia Stampley
This event includes captioning.
A cutting yet humorous behind-the-curtain drama that examines pervasive racial dynamics within the American theatre and the tolls of superficial representation on stage.
ACCLAIMED BY THE NEW YORK TIMES as “a rich, unsettling play that lives up to its title [and] lingers in one’s memory long after its conclusion.”
At a Broadway theater in New York City in the mid-1950s, a group of actors has gathered for their first day rehearsing a new play called Chaos in Belleville, an anti-lynching Southern drama. But as the cast rehearses, tensions flare between Wiletta, the Black actress in the starring role, and her white director about his interpretation of the play. What emerges is an explosive investigation of interracial politics and the need for a cultural shift in theatre and America.
Written by Alice Childress—the first Black woman to have a play professionally produced in New York City—Trouble in Mind recently enjoyed an acclaimed Broadway production nominated for four 2022 Tony Awards, including Best Revival of a Play. The critics raved that this “masterpiece of astonishing power” (New York Magazine) is “the play of the moment” (The New York Times) and “will take your breath away” (Associated Press).
by Alice Childress
directed by Ron OJ Parson
Open Captioning available.
The County Fair is coming, and the grand prize in the talent competition is a trampoline! Duck wants that prize, but with Farmer Brown watching around every corner, how will he hold singing and dancing rehearsals for Cow, Pig and Ewe? Hop aboard Farmer Brown’s truck and travel to the fair with this hit musical about sharing your talents and reaching for your dreams. From the team that brought you Giggle, Giggle Quack and Duck for President.
Open captioning is available.
Based on the popular bestseller by Doreen Cronin, illustrated by Betsy Lewin
Adapted by James E. Grote
Music and Lyrics by George Howe
Directed by Heather Currie
Presented in collaboration with the Metropolitan Opera Guild
Mozart’s The Magic Flute demonstrates the incredible effect of contrast, whether good vs. evil, order vs. chaos, or indulgence vs. sacrifice. The composer’s final opera is heavily inspired by folk traditions and his involvement in freemasonry. Join the Met Opera Guild to watch clips and learn more about this Enlightenment-era piece, which contains many beloved characters and some the highest and lowest notes sung in all of opera!
This event is part of Lincoln Center Moments, a free performance-based program specially designed for individuals with dementia and their caregivers.
Virtual programs are 90 minutes long, including live and recorded performances and activities facilitated by educators and music therapists that explore the work through discussion, movement, music, and art-making. These programs are open to audiences impacted by dementia anywhere in the country with access to Zoom.
If you have any questions about this event, please contact the Access Team at 212-875-5375 or access@lincolncenter.org.
Presented in collaboration with the Metropolitan Opera Guild
Mozart’s The Magic Flute demonstrates the incredible effect of contrast, whether good vs. evil, order vs. chaos, or indulgence vs. sacrifice. The composer’s final opera is heavily inspired by folk traditions and his involvement in freemasonry. Join the Met Opera Guild to watch clips and learn more about this Enlightenment-era piece, which contains many beloved characters and some the highest and lowest notes sung in all of opera!
This event is part of Lincoln Center Moments, a free performance-based program specially designed for individuals with dementia and their caregivers.
Virtual programs are 90 minutes long, including live and recorded performances and activities facilitated by educators and music therapists that explore the work through discussion, movement, music, and art-making. These programs are open to audiences impacted by dementia anywhere in the country with access to Zoom.
If you have any questions about this event, please contact the Access Team at 212-875-5375 or access@lincolncenter.org.
Presented in collaboration with the Metropolitan Opera Guild
Mozart’s The Magic Flute demonstrates the incredible effect of contrast, whether good vs. evil, order vs. chaos, or indulgence vs. sacrifice. The composer’s final opera is heavily inspired by folk traditions and his involvement in freemasonry. Join the Met Opera Guild to watch clips and learn more about this Enlightenment-era piece, which contains many beloved characters and some the highest and lowest notes sung in all of opera!
This event is part of Lincoln Center Moments, a free performance-based program specially designed for individuals with dementia and their caregivers.
Virtual programs are 90 minutes long, including live and recorded performances and activities facilitated by educators and music therapists that explore the work through discussion, movement, music, and art-making. These programs are open to audiences impacted by dementia anywhere in the country with access to Zoom.
If you have any questions about this event, please contact the Access Team at 212-875-5375 or access@lincolncenter.org.
DIRECTED BY Klaus Härö
RUN TIME 103 minutes
SYNOPSIS
Concerned for the welfare of her irascible father (James Cosmo), a retired sea captain, harried nurse Grace (Catherine Walker) hires local widow Annie (Brid Brennan) as his housekeeper. When the pair embark on an unexpected romance, Grace is forced to face the feelings of resentment and hostility she’s harbored since childhood. As old wounds and closely guarded secrets come to light, the future of Howard and Annie’s budding relationship is threatened. Can the love between them flourish amid Grace’s accusations of betrayal? Acclaimed Finnish filmmaker Klaus Härö (Letters to Father Jacob, The Fencer) makes his English-language debut with a sensitively observed, beautifully crafted drama about wrestling with the weight of family obligation and finding love in the twilight of life.
DIRECTED BY Álfrún Örnólfsdóttir
RUN TIME 87 minutes
SYNOPSIS
If This Is Spinal Tap had been centered on an all-female group of Icelandic performance-artist musicians, it would look a lot like Band. singer-turned-filmmaker Álfrún Örnólfsdóttir’s hilarious and poignant portrait of the misadventures of her Post Performance Blues Band. Renowned in the underground Reykjavik music scene since 2016 for their electro-punk sound and spandex-clad modernist dance moves, Álfrún and her friends Saga and Hrefna, nearing 40, double down on their artistic pursuits: They give themselves one year to become avant-garde pop stars—or relinquish their ambitions once and for all. Filled with absurdist humor and hard-to-believe-it’s-real moments, Band is a colorful, zany, and subversively heartfelt celebration of adult friendship and an ode to boldly, if also somewhat recklessly, pursuing your dreams.
The Visitors Návštěvníci
DIRECTED BY Veronika Lišková
RUN TIME 85 minutes
SYNOPSIS
After a young Czech anthropologist, Zdenka, moves with her family to the Norwegian archipelago of Svalbard to study how life is changing for this unique polar community, she quickly falls in love with her new home. But all is not sweeping Arctic beauty and quiet serenity in one of the world’s northernmost inhabited areas. Besides the threat of melting glaciers and thinning permafrost, Zdenka soon discovers a central tenant of Svalbard’s social policy—which allows citizens from all over the world to work there without a visa—is fueling deep-seated tensions in the area. With a mixture of beautiful Nordic vistas and icy psychological conflict, The Visitors is a remarkably prescient and humanistic story illuminating how the climate crisis, economics, and immigration are inextricably intertwined.
DIRECTED BY Mercedes Kane
RUN TIME 88 minutes
SYNOPSIS
Art Johnston and Pepe Peña are civil rights leaders whose celebrated gay bar Sidetrack has helped fuel movements and create community on Chicago’s Halsted Street for decades. Bringing together a wealth of archival video footage, photographs, and lively animated sequences, Art and Pep chronicles the story of Sidetrack, beginning with its humble origins in 1982 as a single storefront, and the lives of its proprietors. The couple fought on the frontlines of the AIDS crisis, helped co-found Equality Illinois, and have continued to serve as a beacon for equal rights through the pandemic and beyond. Mercedes Kane (2015 Festival hit Breakfast at Ina’s) returns with another loving tribute to an iconic Chicago establishment and the individuals who have transformed the site into a haven of joy and solidarity.
DIRECTED BY Alex Heller
RUN TIME 95 minutes
SYNOPSIS
Making her darkly funny assured feature debut, Chicago filmmaker Alex Heller writes, directs, and stars as a defiantly independent woman struggling to get her life back on track. Kicked out of college for bad behavior, cranky and acerbic Clemence returns to her suburban Chicagoland home where she learns she has bipolar disorder. Clashing with her loved ones and trying to hold down a job, Clemence strives to find a new equilibrium in life—with uneven results. Featuring memorable supporting performances from Steve Buscemi and J. Smith-Cameron (Succession) as Clemence’s parents, The Year Between deftly balances biting humor with the serious realities of mental illness to create a sharply comic and fiercely honest portrait of early adulthood.
DIRECTED BY Christopher Burke
RUN TIME 82 minutes
SYNOPSIS
Chicago power-couple Brian Wallach and Sandra Abrevaya, who met and fell in love during the 2008 Obama campaign, found their world upended by Brian’s diagnosis of ALS when he was only 37. Given just six months to live, the otherwise healthy former athlete and lawyer at the U.S. Attorney’s Office in Chicago forms an awe-inspiring partnership with his wife to challenge the broken medical establishment and take to the halls of D.C. to fight for his life. No Ordinary Campaign follows Brian and Sandra as they move with astonishing speed to build a patient-led revolution and show us that victory is possible even in the face of seemingly impossible odds.
Join us in person for a lecture by art critic Holland Cotter followed by an audience Q&A.
Location: The Art Institute of Chicago, Fullerton Hall, 111 S. Michigan Ave. (doors open at 5:45pm)
Holland Cotter is co-chief art critic and a senior writer at the New York Times. He has received the Pulitzer Prize for Criticism, the Distinguished Lifetime Achievement Award for Writing on Art from the College Art Association, and the inaugural award for Excellence in Criticism from the International Association of Art Critics. Cotter is a Fellow of the American Academy of Arts and Sciences.
This event will be live captioned by Communication Access Realtime Translation (CART) services. For additional access requests, visit saic.edu/access.
The Notebook is a new musical based on the bestselling novel that inspired the iconic film. Allie and Noah, both from different worlds, share a lifetime of love despite the forces that threaten to pull them apart, in a deeply moving portrait of the enduring power of love.
Broadway directors Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, Motown the Musical) team up with multi-platinum singer-songwriter Ingrid Michaelson on music and lyrics, book by playwright Bekah Brunstetter (writer and producer on NBC’s This Is Us), and choreography by Katie Spelman.
A surprising new play about how families fall apart—and find each other again—amidst turbulent global and social change.
In 2003, newly-wed Layal and her family prepare to immigrate from Baghdad, Iraq, to a Chicago suburb. Seventeen years later, Layal’s life looks unimaginably different from what she had envisioned two decades prior, as she and her siblings explore queerness, face their grief, and discover what it takes to make home in a new place. Don’t miss this moving, powerful new play’s world premiere on the Owen Stage—fresh from Goodman’s New Stages and Future Labs programs.
Captioning is available.
The Gift Theatre presents the world premiere of The Locusts at Theater Wit.
When a serial killer frightens Ella’s small hometown of Vero Beach, Florida, she’s called down from FBI headquarters in Washington D.C. to come help. At home, she’s confronted by the life she left behind: her struggling family and the dark events of her childhood. A play that explores how lost souls manage their fear, and their desperate search for a way to survive in a world that threatens their existence.
Performing at Theater Wit-1229 w. Belmont, Chicago, IL 60657
Tickets available at theaterwit.org or by calling 773-975-8150
https://thegifttheatre.org/shows-events/the-locusts
Tickets: Previews $25. Regular run $38 – $45. Students $25. Seniors $35. Tickets are currently available at www.thegifttheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office.
Captioned performances: Saturday, November 12 at 7:30 pm and Sunday, November 13 at 3 pm
Play ball! The sensational true story of the first woman to play professional baseball knocks it out of the park as a can’t-miss theatrical event.
Toni Stone is an encyclopedia of baseball stats. She’s got a great arm. And she doesn’t understand why she can’t play with the boys. Rejected by the All-American Girls Professional Baseball League because of her race, Toni sets out to become the first woman to play in baseball’s Negro Leagues. Challenges on and off the field—from hostile crowds to players who slide spikes-first—only steel her resolve to shatter racist and sexist barriers in the sport she’s loved since childhood. An original play inspired by the book Curveball, The Remarkable Story of Toni Stone by Martha Ackmann, this New York Times Critic’s Pick will have you cheering along.
Captioning is available.
A family responds to injustice and a daughter reckons with her political inheritance in this new play by “a poet, a playwright to pay attention to” (Variety).
Janice’s parents are prominent activists fighting for the integration of public swimming pools in 1960s Kansas. As injustice penetrates the warm bubble of her childhood, Janice grows apart from her family and starts a new life far away. When she receives a call asking her to speak at a ceremony honoring her father, she must decide whether she’s ready to reckon with her political inheritance—and a past she has tried to forget.
A Co-Production with Berkeley Repertory Theatre.
Captioning is available.
In 1976, the artist Andy Warhol, having re-invented himself as the portrait painter of the rich and famous, travels to Tehran to take Polaroids of the Shah of Iran’s wife. Amidst taking in the Crown Jewels and ordering room service caviar, Warhol encounters a young revolutionary who throws his plans into turmoil, and opens the pop icon’s eyes to a world beyond himself.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.