Once again, we will spend the Saturday morning before the Academy Awards “digging deeper” into some of this year’s most provocative nominees. This year, Oscar’s ballot aligns closely with ChicagoIFF’s programming, not just by sharing several titles in common but by showcasing a lively diversity of international cinema as well as English-language films that dwell in complex ways on ideas of nation and nationality. After an hour or so of clips and commentary, we will shift into 20 minutes of Q&A. Attendees will vote on their own favorites, with winners announced at the end of the session.
Recommended viewing: The Brutalist (in cinemas), Emilia Pérez (Neflix), Flow (multiple streaming services), or The Girl with the Needle (multiple streaming services)
Please note: The discussion does not include screenings of films.
Accessibility: captioned
https://www.chicagofilmfestival.com/event/diggingdeeper-oscars/
Join award-winning screenwriter and playwright Virgil Williams (The Piano Lesson, Mudbound) in a Master Class on writing for film and television. Moderated by screenwriter Tracey Scott Wilson (The Americans, Respect). Networking event to follow (with cash bar).
A veteran television writer and producer, Williams’ extensive credits include last year’s critically acclaimed adaptation of The Piano Lesson. Other credits include ground-breaking dramas ER and 24, as well as six seasons of CBS’s long-running procedural drama Criminal Minds. In November of 2017, Williams celebrated the release of his feature film debut, Mudbound. He also served as Executive Producer and originally adapted the script from the novel by Hilary Jordan. The critically acclaimed film was named the ‘Best Film of 2017’ by the Los Angeles Times and the Washington Post and has earned numerous awards and accolades, including an Academy Award Nomination for Williams and cowriter/director Dee Rees for Best Adapted Screenplay. He also adapted Pulitzer Prize-winner Dana Canedy’s bestselling memoir A Journal for Jordan for director Denzel Washington and starring Michael B. Jordan. Williams was born and raised in Chicago, and his scripts often draw from his experiences growing up as a bi-racial kid in a city with a long history of racial tension.
Moderator
headshot: Tracey Scott WilsonTracey Scott Wilson wrote the teleplay for MGM’s film Respect; served as a co-executive producer and writer on Fosse/Verdon; and was a co-executive producer on FX’s award-winning series The Americans, where she wrote for five seasons and received two WGAE awards, two Peabody awards, and a Golden Globe. Tracey is also a renowned playwright (Buzzer, The Good Negro, The Story), and has received several distinctions, including the 2003 AT&T Onstage Award, the 2007 Weissberger Playwriting Award as well as the 2007 Time Warner Storytelling Fellowship. Currently, she is the Barbara Berlanti Professor in LGBTQ Writing for the Stage and Screen in the Department of Radio/Television/Film at Northwestern University.
Please note the film following the talk will not feature captions.
Accessibility: captions for the discussion only
https://www.chicagofilmfestival.com/event/cixlab-virgilwilliams/
On Friday, February 7, Full Spectrum Features presents a selection of contemporary trans short films from Ireland presented in person by Dublin-based curator James Hudson: from an artist’s self-destructive spiral to giallo-inspired rape revenge by way of a surreal techno-horror, to a multidimensional dramedy starring an up-and-coming stand-up comedian and more.
James Hudson is a Dublin-based programmer at the forefront of trans Irish cinema, both showcasing international trans filmmaking in Ireland and bringing Irish-made trans films to the world stage. He is traveling to Chicago specifically for this one-night-only event, part one of a trans cinema cultural exchange between Chicago and Dublin.
The shorts program will be followed by a post-screening discussion with curator James Hudson, moderated by Henry Hanson.
Accessibility: All films will be presented with open captions. The post-screening Q&A will have live CART captioning.
Note on wheelchair accessibility: The building and theater are accessible via ramps. The bathrooms are accessible via a heavy door, have a larger stall with grab bars, but are not fully wheelchair accessible.
https://facets.org/programs/hard-done-by-contemporary-irish-trans-films/
Following critically acclaimed runs in New York City and London, TimeLine will create a site-specific, immersive Chicago premiere of the american vicarious’ imagining of the historic debate between James Baldwin and William F. Buckley Jr., on the occasion of the event’s 60th anniversary.
“Is the American Dream at the expense of the American Negro?” This was the topic on February 18, 1965 when an overflow crowd packed the Cambridge Union in Cambridge, England, to bear witness to a historic televised debate between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., a fierce critic of the movement and America’s most influential conservative intellectual. The stage was set for an epic confrontation that pitted Baldwin’s call for a moral revolution in race relations against Buckley’s unabashed elitism and implicit commitment to white supremacy. This historic clash reveals the deep roots and lasting legacy of racial conflict that continues to haunt America.
Debate: Baldwin vs. Buckley will feature Teagle F. Bougere as Baldwin and Eric T. Miller as Buckley in the cast. Additional casting and production team members are to be announced.
Following critically acclaimed runs in New York City and London, TimeLine will create a site-specific, immersive Chicago premiere of the american vicarious’ imagining of the historic debate between James Baldwin and William F. Buckley Jr., on the occasion of the event’s 60th anniversary.
“Is the American Dream at the expense of the American Negro?” This was the topic on February 18, 1965 when an overflow crowd packed the Cambridge Union in Cambridge, England, to bear witness to a historic televised debate between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., a fierce critic of the movement and America’s most influential conservative intellectual. The stage was set for an epic confrontation that pitted Baldwin’s call for a moral revolution in race relations against Buckley’s unabashed elitism and implicit commitment to white supremacy. This historic clash reveals the deep roots and lasting legacy of racial conflict that continues to haunt America.
Debate: Baldwin vs. Buckley will feature Teagle F. Bougere as Baldwin and Eric T. Miller as Buckley in the cast. Additional casting and production team members are to be announced.
This performance features narration about visual elements of the production around the dialogue, available for individual patrons via headphones.
Please note: Touch Tours can be arranged for patrons attending the audio described performance of Debate. Please reach out to Kellyn Henthorn at kellyn@timelinetheatre.com to request a Touch Tour.
Following critically acclaimed runs in New York City and London, TimeLine will create a site-specific, immersive Chicago premiere of the american vicarious’ imagining of the historic debate between James Baldwin and William F. Buckley Jr., on the occasion of the event’s 60th anniversary.
“Is the American Dream at the expense of the American Negro?” This was the topic on February 18, 1965 when an overflow crowd packed the Cambridge Union in Cambridge, England, to bear witness to a historic televised debate between James Baldwin, the leading literary voice of the civil rights movement, and William F. Buckley Jr., a fierce critic of the movement and America’s most influential conservative intellectual. The stage was set for an epic confrontation that pitted Baldwin’s call for a moral revolution in race relations against Buckley’s unabashed elitism and implicit commitment to white supremacy. This historic clash reveals the deep roots and lasting legacy of racial conflict that continues to haunt America.
Debate: Baldwin vs. Buckley will feature Teagle F. Bougere as Baldwin and Eric T. Miller as Buckley in the cast. Additional casting and production team members are to be announced.
Join us for an evening that brings the soul of Chicago’s neighborhoods to the big screen! Experience the powerful stories of our community through the lens of three talented Chicago residents from the 2023-24 Community Storytellers program:
Alexie Young
Take 290 (15:53; North Lawndale, Westside)
Directed by Sanicole
Written by George Ellzey Jr.
A defeated artist from the Westside of Chicago finds inspiration in the common ground she discovers through a spontaneous interaction with an art curator from the Southside.
Laura Sáenz
Artista (11:23; Little Village)
Directed by Juan Linares
Written by Christian Mejia
An immigrant child uncovers a world of magic and possibility through the arts at their school.
Brian Herrera
Ask A Punk (15:28; Little Village)
Directed by Kevin Contento
Written by Teri Carson
A non-binary queer teen cultivates community, individuality, and resilience through the subculture of the DIY punk scene in Little Village.
From the spirited journey of an artist finding connection in the city, to the magical exploration of a young immigrant’s discovery of art, and the vibrant resilience within the DIY punk scene, these shorts illuminate the unique experiences and voices that shape our communities.
This event not only showcases these compelling narratives but also fosters a sense of belonging and community connection. Join us for a moderated conversation following the screening, featuring all three Storytellers and key members from their film’s respective casts and crews, including:
Sanicole Young (Director, Take 290)
Dayeliz Richardson (Lead Actor, Artista)
Teri Carson (Screenwriter, Ask A Punk)
Together, we’ll dive deeper into the creative process and the importance of telling stories that reflect our neighborhoods.
Please note: Registration does not guarantee entry. Seats will be allocated on a first-come, first-served basis. We encourage you to arrive early for prime seating and to engage with fellow attendees, as we celebrate and honor the vibrant narratives that define our community!
Accessibility: The venue entrance has push-button doors. The theater features 3 accessible seats which are paired with companion seats, if needed, and have been set aside next to each wheelchair-accessible area. CART captioning, live English audio description, and Spanish interpretation will be available. For additional accommodation requests, we encourage you to complete your registration at least 72 hours before the event to help ensure we can accommodate them.
Robert Hood, an acclaimed techno originator and founding member of Detroit’s Underground Resistance (UR) who created the commissioned soundtrack for artist Arthur Jafa’s APEX (2013), joins Jafa in conversation. They discuss the social, aesthetic, and technological relationships between techno and what Jafa refers to as a desire to create “a cinema capable of matching the power, beauty, and alienation of Black music.” The conversation is moderated by DeForrest Brown Jr., musician, representative of the campaign to Make Techno Black Again, and author of Assembling a Black Counter Culture (Primary Information, 2022), a comprehensive history of techno through a Black theoretical framework.
That evening, the MCA partners with smartbar to present a full DJ set by the legend himself: Robert Hood. Tickets are available through smartbar.
CART captioning in English and Spanish is provided for this talk.
Politics of Poetics is a series of readings and workshops that highlights influential contemporary poets whose practices traverse the political through writing, teaching, and activism. This fall, poet Heid E. Erdrich reads new work and selections from her award-winning book of poetry, Little Big Bully (2020) and Curator of Ephemera at the New Museum of Archaic Media (2017). Following the reading, Erdrich is joined in conversation with artist Andrea Carlson, whose work provides the cover art for Little Big Bully, and is the current artist in our Chicago Works series.
Prior to the talk, Erdrich gives an intimate poetry workshop at the Center for Native Futures. Registration for the workshop is required; tickets are available through the Center for Native Futures.
ASL interpretation and English CART captioning are provided for the talk.
Join Chicago-based performance artist Joseph Lefthand for a sharing session exploring the concepts of grief, repair, and renewal. The event begins with an introduction to Lefthand’s performance and research practice and participants are invited to join them in the Commons to exchange ideas around personal and cultural expressions of reparation. The evening concludes with a work-in-progress performance by Lefthand, followed by an open circle where people may share and reflect together.
English CART captioning is provided for the pre- and post-show portions of the event.
https://visit.mcachicago.org/events/live-arts-joseph-lefthand/
Written by Chicago poet Timothy David Rey, Zip! is a prophetic and ghostly timewarped drama about Nancy Reagan’s fervor for astrology, interlaced with a Black gay love story, set on the eve of the AIDS epidemic and the Reagan assassination attempt. The play runs approximately 90 minutes with no intermission.
Zip! is a 2023 semi-finalist for the Eugene O’Neill National Playwrights Conference. Further development occurred during the author’s time as a 2022 fellow in the playwriting cohort of the Lambda Literary Writers Retreat for Emerging LGBTQ+ Writers-Faculty Advisor, Jewelle Gomez. Zip! was given its second table-read as part of the 2021 End Of Play Program (hosted by the Dramatist Guild of America/ The 24 Hour Plays NYC).
Some of Rey’s other plays include White/House (Finalist, eta New Play Initiative, 2020), Gloria, The (Almost) Last Picture Show, and The Monologue Play: An Ongoing Work Exploring Race, Sex, Identity…And The American Myth (‘22,‘23 Changing Worlds/ Arts Work Fund Award Recipient).
Director: Roger Ellis
Cast: David Goodloe, Caren Skibell, Stephen Glaspie, Wannapa Pimtong Eubanks, Anniela Hubidoro, Saleem Hue Penny, and Donovan Session.
Production Team: Opening Graphic-Rob Riutta/ Ross Parsons, Choreography-Ayako Kato, Props-Julie Williams, Sound-Ayme Frye.
Murmurs from ZIP!:
NANCY: I tell you I’ve been honing my foresight over the past few months, ever since my husband’s inauguration, and it’s getting stronger every
day.
— Timothy David Rey, from ZIP!
This event is part of the Poetry Foundation’s fall 2024 season, Murmuring Americas. All Poetry Foundation events are completely free of charge and open to the public, though advanced registration is encouraged. The performance space is ADA-compliant and wheelchair-accessible, and the program will feature CART captioning and ASL interpretation. Please note, this event will not be livestreamed. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Edgar Arceneaux is a contemporary artist working in Los Angeles, whose primary materials are histories and memories marred by gaps in logic, clichés, and erasures. Working within these gaps, Arceneaux applies a surreal, dream-like lens to pry open the messy contents of history, and pull what we think we already know into new shapes.
Arceneaux’s live performance Until, Until, Until . . . restages Broadway legend Ben Vereen’s infamous 1981 blackface performance at Ronald Reagan’s inaugural gala, and its aftermath. As an homage to vaudevillian Bert Williams, one of America’s first mainstream Black entertainers, Ben Vereen performed a moving tribute to Williams on national television, donned in blackface make up, as was required of Black vaudevillian performers in the early 20th century. In the first half of his performance, Vereen performed a song and dance routine in the vaudevillian style. The second half of his show contained biting commentary about the history of Black performance in the US, assimilation into white norms, and white supremacy, but woefully, that section was edited out of the national broadcast, leading to a national outrage and Vereen’s career derailment. Vereen was never allowed to tell his side of the story . . . until now.
A multilayered, abstract fever dream of a play, Arceneaux’s Until, Until, Until . . . invites audiences to directly experience Vereen’s censored performance, deemed too dangerous to air on national television.
Edgar Arceneaux’s Until, Until, Until . . . was commissioned by Performa and MIT’s Vera List Visual Arts Center for the Performa 15 Biennial. Now, 10 years since its debut, this restaging is an opportunity to reflect on what’s changed in the years since.
The MCA presentation is organized by Laura Paige Kyber, Assistant Curator of Performance.
Note: This performance begins with a cocktail hour inside the theater.
Immerse yourself in the world of the performance while listening to a vaudeville-era playlist. Audience members are welcome to arrive up until the performance officially kicks off at 8:30 pm. Light snacks and drinks for audiences age 21 and over are available for purchase. The performance has a run time of 50 minutes.
Accessibility includes: CART caption and audio description for October 19th performance.
https://visit.mcachicago.org/events/edgar-arceneaux-until-until-until/
It has been twenty-five years since publication of bestseller, The Tipping Point. Let’s join Malcolm Gladwell as he reveals a fresh reframing of his groundbreaking first book in a startling new light. Hear the always provocative Gladwell revisit the phenomenon of social epidemics and the ways in which we have learned to tinker with and shape the spread of ideas, viruses, and trends—sometimes with great success, sometimes with disastrous consequences. Don’t miss this thought-provoking discussion skating on the double-edged sword of viral phenomena in our world.
This event will have Open Captions and ALDs onsite.
https://www.chicagohumanities.org/events/attend/malcolm-gladwell/
Spend the day with us at UIC Forum! Check out the event link to see the full festival lineup. Please note that ticket prices and accessibility offerings vary by event; visit our event pages or call our box office for specific details.
https://www.chicagohumanities.org/events/?sort=venue&view=day&fromDate=2024-10-05
Join us for a thrilling evening with two-time Emmy Award-winning comedian Kate McKinnon as she unveils her debut novel and a new series for quirky tweens and young adult readers aged 8-12, The Millicent Quibb School of Etiquette for Young Ladies of Mad Science. The former SNL cast member, no stranger to creating wonderfully wild characters, digs into her creative process and how her childhood love of adventure and the natural world inspired this years-in-the-making imaginative literary expression. Don’t miss this uproarious opportunity to witness Kate’s hilarious intersection of maniacal genius and proper etiquette!
This event will have open captions and ALDs onsite.
https://www.chicagohumanities.org/events/attend/kate-mckinnon/
Summer Screenings is Cinema/Chicago’s annual free film series that casts a spotlight on a different country’s national cinema each week all summer.
These shorts, all featured at past Festivals, display the brilliance and variety of our city’s incredible filmmakers. They explore a friendship in crisis (A Real One), the sisterhood bonds (Video Funeral), the inherent comedy of an overprotective mother (Grizzlies), a meditative cab ride (Saya), the meaning of success (Winning in America) and a supernatural animation (Step Into the River).
DIRECTED BY McKenzie Chinn, Linh Tran, Fawzia Mirza, Anam Abbas, Alex Heller, Weijia Ma, and Amrita Singh
Accessibility includes open captions and wheelchair accessibility.
cat mahari’s blk ark: the impossible manifestation is an interactive performance and installation, with live, semi-improvisational sound, hip-hop and house dance, and film. By exploring improvisational and Black cultural strategies of play, learned from joanin’ and the soul clap, mahari presents modes of survival and liberation, revealing questions about what it will take to find freedom and map the road ahead for our collective futures.
While the audience is encouraged to interact with the installation before or after attending the performance, the installation and performances may be experienced individually, offering two modes of engaging the ideas central to the project.
Accessibility: English CART captioning is available for the performance on Sunday, September 29, and wheelchair accessible.
https://visit.mcachicago.org/events/cat-mahari-blk-ark-the-impossible-manifestation/
Lykanthea is a multidisciplinary collective led by artist Lakshmi Ramgopal, whose performances and installations use pop idioms to experiment with traditional South Asian art forms. Her latest work, Some Viscera, is a collection of song and movement accompanied by immersive stage design that explores childhood, kinship, and memory in the contemporary Indian-American diaspora. The project features a multidisciplinary core ensemble starring Asha Rowland, Erica Miller, Johanna Brock, and Ben Zucker. Together, they integrate elements of Carnatic music, Bharatanatyam dance, Sanskrit and Tamil poetry, Baroque chamber music, and free improvisation to perform rich, intimate dance theater.
The premiere of Some Viscera occurs within the frame of the arangetram, a Tamil word meaning “ascending the stage.” It describes the arduous, long-form, solo performance through which students of classical Indian dance and music debut as mature artists—a celebrated but fraught rite of passage. The arangetram of Some Viscera consists of four principal movements. Each invokes avian and floral motifs from sources that include ancient classical dance and music, medieval Sanskrit poetry, the literary culture of India’s independence movement, and Indian films of the late 1990s. By creating this fanciful world, the movements reflect on cultural knowledge and breakdown.
Lykanthea presented an early iteration of Some Viscera in 2019 as a part of the MCA’s In Progress series.
Masks must be worn during the performance per the artist’s request.
English CART captioning is available for the performance on Friday, September 27.
Live plants, including roses and marigolds, are present during the performance. If you are concerned about allergies, please call the MCA Box Office for more information.
Accessibility includes CART captioning (Sept 27th performance only), wheelchair accessibility.
Millennium Park Summer Music Series features a wide variety of music from established and emerging artists at the iconic Jay Pritzker Pavilion.
Béla Fleck
Few musicians in any category seem as uncategorizable as Béla Fleck. After initially making his mark with the progressive bluegrass group New Grass Revival, Fleck proceeded to take his instrument, as New York Times critic Jon Pareles noted, “to some very unlikely places.” He formed the Flecktones, a groundbreaking group whose repertoire ranged from fusion to Bach; the group celebrates its 46th anniversary this year. In addition, he has played jazz with Chick Corea, American roots with his partner, banjoist Abigail Washburn, written concertos for banjo and orchestra, and created a documentary film and album, Throw Down Your Heart, that examined the banjo’s African roots. Along the way, he has won 18 Grammys across 10 categories.
Zakir Hussain
The pre-eminent classical tabla virtuoso of our time, Zakir Hussain is appreciated as one of the world’s most esteemed and influential musicians, one whose mastery of his percussion instrument has taken it to a new level, transcending cultures and national borders. A child prodigy, accompanying India’s greatest musicians and dancers from his early years, and touring internationally while still in his teens, Zakir has been at the helm of many genre-defying collaborations including Shakti, Remember Shakti, Masters of Percussion, Diga, Tabla Beat Science, CrossCurrents, Sangam and Grammy-award winners Planet Drum and Global Drum Project. A revered composer and educator, Zakir is the recipient of countless honors, most recently the 2022 Kyoto Prize in Arts and Philosophy, the 2022 Aga Khan Music Award for Lifetime Achievement, and in January, 2023, the title of Padma Vibhushan, India’s second highest civilian award.
Edgar Meyer
Aptly described by The New Yorker as “the most remarkable virtuoso in the relatively un-chronicled history of his instrument,” double bassist and composer Edgar Meyer is at home in a broad spectrum of musical styles. A MacArthur Fellow and Avery Fisher Prize winner, he is eminently at home within classical music, both performing traditional works and also his significant catalog of original solo, chamber, and orchestral pieces. His 30-year relationship with Yo-Yo Ma has yielded seven recordings together, and his upcoming projects include a duo recording with jazz bassist Christian McBride and a recording of all four of his concertos with the Knights and the Scottish Ensemble, produced by Chis Thile.
Rakesh Chaurasia
Like Zakir Hussain, Rakesh Chaurasia comes from Indian classical music royalty. His uncle, Pandit Hariprasad Chaursia, is widely considered the greatest bansuri player in India, and Rakesh — who started playing at age five — is deemed his most brilliant student. Not only has he mastered the techniques of Indian classical music, he has developed additional techniques allowing him to venture into other styles of playing, particularly with his crossover band Rakesh and Friends. A composer as well as flautist, he has written and performed on numerous Indian movie soundtracks, and in 2007 was awarded the Indian Music Academy Award.
This event includes ASL interpretation, wheelchair accessibility, assistive listening devices, captioning, open captioning, digital programs, and large print programs.
https://www.chicago.gov/city/en/depts/dca/supp_info/millennium_park9.html
This summer, DCASE is pleased to present the Millennium Park Summer Film Series, presented by Pluto TV, on Tuesdays from July 16 through August 20. Films start at 6:30pm (with the exception of the double feature starting at 6pm). All films are open caption. Gates open at 5pm.
Guests may take a seat at the Jay Pritzker Pavilion or lounge on the Great Lawn as crowd-pleasing movies are presented on the state-of- the-art, 40-foot LED screen. Address for Paratransit is 201 E. Randolph St, Chicago, IL 60601. For more information about accessibility at Millennium Park visit https://www.chicago.gov/city/en/depts/dca/supp_info/millennium_park1.html.
In partnership with the Chicago Alliance of Film Festivals (CAFF), each screening will also showcase one of the many independent film festivals that are a part of Chicago’s vibrant film community.
August 13 – Wonka
(116 minutes, PG)
Highlighting the 40th anniversary of Chicago International Children’s Film Festival
Starring Timothée Chalamet, this 2023 musical fantasy film tells the origin story of Willy Wonka, a character in the 1964 novel “Charlie and the Chocolate Factory” by Roald Dahl, depicting his early days as an innovative chocolatier.
This event includes wheelchair accessibility, assistive listening devices, accessible seating, open captioning, and large print programs.
https://www.chicago.gov/city/en/depts/dca/supp_info/millennium_park7.html
This summer, DCASE is pleased to present the Millennium Park Summer Film Series, presented by Pluto TV, on Tuesdays from July 16 through August 20. Films start at 6:30pm (with the exception of the double feature starting at 6pm). All films are open caption. Gates open at 5pm.
Guests may take a seat at the Jay Pritzker Pavilion or lounge on the Great Lawn as crowd-pleasing movies are presented on the state-of- the-art, 40-foot LED screen. Address for Paratransit is 201 E. Randolph St, Chicago, IL 60601. For more information about accessibility at Millennium Park visit https://www.chicago.gov/city/en/depts/dca/supp_info/millennium_park1.html.
In partnership with the Chicago Alliance of Film Festivals (CAFF), each screening will also showcase one of the many independent film festivals that are a part of Chicago’s vibrant film community.
July 30 – Barbie
(114 minutes, PG-13)
Highlighting the one-year anniversary the launch of Chicago Alliance of Film Festivals
Nominated for eight Academy Awards, Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they soon discover the joys and perils of living among humans.
This event includes wheelchair accessibility, assistive listening devices, accessible seating, open captioning, and large print programs.
https://www.chicago.gov/city/en/depts/dca/supp_info/millennium_park7.html
This summer, DCASE is pleased to present the Millennium Park Summer Film Series, presented by Pluto TV, on Tuesdays from July 16 through August 20. Films start at 6:30pm (with the exception of the double feature starting at 6pm). All films are open caption. Gates open at 5pm.
Guests may take a seat at the Jay Pritzker Pavilion or lounge on the Great Lawn as crowd-pleasing movies are presented on the state-of- the-art, 40-foot LED screen. Address for Paratransit is 201 E. Randolph St, Chicago, IL 60601. For more information about accessibility at Millennium Park visit https://www.chicago.gov/city/en/depts/dca/supp_info/millennium_park1.html.
In partnership with the Chicago Alliance of Film Festivals (CAFF), each screening will also showcase one of the many independent film festivals that are a part of Chicago’s vibrant film community.
July 23 – Coco
(105 minutes, PG) (Played in English audio with Spanish subtitles)
Highlighting the 40th anniversary of Chicago Latino Film Festival
From Pixar Animation Studios and Walt Disney Pictures, Miguel dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz, despite his family’s baffling generations-old ban on music. Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead. Along the way, he meets charming trickster Hector, and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.
This event includes wheelchair accessibility, assistive listening devices, accessible seating, open captioning, Spanish captioning, and large print programs.
https://www.chicago.gov/city/en/depts/dca/supp_info/millennium_park7.html
Join us in celebration of Chicago Works | Andrea Carlson: Shimmer on Horizons with a conversation between the artist and Curatorial Associate Iris Colburn, who organized the exhibition.
English CART captioning and American Sign Language (ASL) are available.
Vocalist Michelle Coltrane, daughter of Alice Coltrane, and harpist Brandee Younger come together for An Oral History of Alice Coltrane. Part conversation, part performance, the event features oral histories and biographical stories of Alice Coltrane interwoven with performances and demonstrations from Brandee Younger, bringing the stories to life.
Through creative works and masterful performances, Alice Coltrane’s pioneering practice has changed the music world. She grew up playing music in her Baptist church, and by the 1950s established herself as a proficient bebop pianist in the Detroit scene. She met John Coltrane in 1963 and was his primary musical collaborator until his death in 1967. Prolific in her creation, Alice’s innovative style incorporated both gospel and jazz, leading to iconic works like Journey in Satchidananda (one of Rolling Stone’s 500 greatest albums). Once a profound musician, beloved spiritual leader, and pragmatic businesswoman, Alice Coltrane is now remembered as deeply giving human, known for her emphasis on charity work, education, and spiritual guidance.
MCA Music Talks pair powerhouse musicians with artists, activists, writers, and thinkers to take on big ideas in art and culture. These intimate evenings of performance and conversation reveal art world anecdotes, shared ideas, and creative inspirations.
This program is organized by Laura Paige Kyber, Assistant Curator of Performance, in partnership with The John & Alice Coltrane Home.
English CART Captioning and ASL are provided.
https://visit.mcachicago.org/events/music-talk-an-oral-history-of-alice-coltrane/
Vocalist Michelle Coltrane, daughter of Alice Coltrane, and harpist Brandee Younger come together for An Oral History of Alice Coltrane. Part conversation, part performance, the event features oral histories and biographical stories of Alice Coltrane interwoven with performances and demonstrations from Brandee Younger, bringing the stories to life.
Through creative works and masterful performances, Alice Coltrane’s pioneering practice has changed the music world. She grew up playing music in her Baptist church, and by the 1950s established herself as a proficient bebop pianist in the Detroit scene. She met John Coltrane in 1963 and was his primary musical collaborator until his death in 1967. Prolific in her creation, Alice’s innovative style incorporated both gospel and jazz, leading to iconic works like Journey in Satchidananda (one of Rolling Stone’s 500 greatest albums). Once a profound musician, beloved spiritual leader, and pragmatic businesswoman, Alice Coltrane is now remembered as deeply giving human, known for her emphasis on charity work, education, and spiritual guidance.
MCA Music Talks pair powerhouse musicians with artists, activists, writers, and thinkers to take on big ideas in art and culture. These intimate evenings of performance and conversation reveal art world anecdotes, shared ideas, and creative inspirations.
This program is organized by Laura Paige Kyber, Assistant Curator of Performance, in partnership with The John & Alice Coltrane Home.
English CART Captioning and ASL are provided.
https://visit.mcachicago.org/events/music-talk-an-oral-history-of-alice-coltrane/
Cripping the Galleries is a series of live public programs featuring local artists activating museums through the lens of crip culture, access, and belonging.* Cripping the Galleries is hosted by the Museum of Contemporary Art, in close collaboration with Bodies of Work: A Network of Disability Art and Culture.
For this edition of Cripping the Galleries, artist Janhavi Khemka performs Impress/ion, 2024. During this intimate, participatory performance, Khemka invites audience members to sit with her, three at a time, as she asks each audience member to “teach her” their individual first names. Depending on vision and vibrations perceivable through touch, participants can expect to spend a total of four minutes each until the group reaches a consensus on each learned name. The performance lasts three hours, until the artist is depleted of energy.
Please note: While this is a participatory performance, we invite audience members to choose to engage with it or remain a viewer of the work.
American Sign Language (ASL) and English CART captioning are available for this event.
https://visit.mcachicago.org/events/cripping-the-galleries-janhavi-khemka/
Vocalist Michelle Coltrane, daughter of Alice Coltrane, and harpist Brandee Younger come together for An Oral History of Alice Coltrane. Part conversation, part performance, the event features oral histories and biographical stories of Alice Coltrane interwoven with performances and demonstrations from Brandee Younger, bringing the stories to life.
Through creative works and masterful performances, Alice Coltrane’s pioneering practice has changed the music world. She grew up playing music in her Baptist church, and by the 1950s established herself as a proficient bebop pianist in the Detroit scene. She met John Coltrane in 1963 and was his primary musical collaborator until his death in 1967. Prolific in her creation, Alice’s innovative style incorporated both gospel and jazz, leading to iconic works like Journey in Satchidananda (one of Rolling Stone’s 500 greatest albums). Once a profound musician, beloved spiritual leader, and pragmatic businesswoman, Alice Coltrane is now remembered as deeply giving human, known for her emphasis on charity work, education, and spiritual guidance.
MCA Music Talks pair powerhouse musicians with artists, activists, writers, and thinkers to take on big ideas in art and culture. These intimate evenings of performance and conversation reveal art world anecdotes, shared ideas, and creative inspirations.
This program is organized by Laura Paige Kyber, Assistant Curator of Performance, in partnership with The John & Alice Coltrane Home.
English CART Captioning and ASL are provided.
For Tickets: https://visit.mcachicago.org/events/music-talk-an-oral-history-of-alice-coltrane/
Accessible Juneteenth 2024
Tuesday, June 18th, 2024
4pm to 7:30pm
Welcome and Announcements at 4:30pm
Open Mic & Showcase at 5:30pm
Place: the UIC Quad (behind UIC Student Center East); 750 S. Halsted St., Chicago, IL. See the map at https://go.uic.edu/2024_AccessibleJuneteenth_Map for more details on where the Quad is located, which public transportation stops and garages are nearby, and where paratransit and rideshare can pick/drop you off.
Date and Time: Tuesday, June 18th, 2024 from 4pm to 7:30pm
Come and celebrate our fourth Juneteenth, when we celebrate the black disability community and the victories we accomplished! We want to make Juneteenth a fun and essential accessible experience for all, including disabled people in the African Diaspora. The theme for the 4th Annual Accessible Juneteenth celebration is Black National Anthems.
This year, we will have a DJ who will bless us with music fit for our Accessible Juneteenth celebration. We will kick the evening of performances off with Domo Moons’ rendition of “Lift Every Voice and Sing.” We will host an open mic where you can share your talents in singing, spoken word, playing instruments, and more! Sign up for the open mic at go.uic.edu/OpenMicJuneteenth or at the event in-person. But hurry, because spots are limited! Don’t miss feature performances from RISE, DomoMoon, Victoria Boateng, Cherlnell Lane, Complex Theory and MORE Special Guests.
There will be food, giveaways, and resources given out by vendors, including those from Black-owned and disability-owned/friendly organizations and businesses.
ASL and captioning will be provided for the open mic and showcase portion. In care of immunocompromised people in our community, masking is required for our indoor spaces. We’ll have extras on hand!
If you cannot attend the celebration in person, that is okay! Watch the live stream on Chicagoland DPOCC’s Facebook page (@ChiDPOCC) on June 18th.
This event is brought to you by:
Chicagoland Disabled People of Color Coalition
The Institute on Disability and Human Development
UIC Disability Cultural Center
UIC Black Studies
UIC Black Cultural Center
Access Living
NIDILRR : National Institute on Disability, Independent Living, and Rehabilitation Research
DCAL : The Disability Culture Activism Lab
Shirley Ryan Ability Lab
UIC Black Cultural Center
Raising Cane’s
IPlayGames
Cook It Mama
MORE Sponsors and Vendors to be announced, stay tuned!
In these short films from the queer underground, unruly rebels trespass, shoplift, scheme, skate, surf, fuck, and joyfully plot their revenge on a society which seeks to punish deviance. Featuring a live DJ set by easygoingtech at 9pm.
America loves outlaws. Curious paradox: a police state which valorizes those who don’t fall in line, provided they have the right combination of individualism and normative appeal. Our ideal outlaws can transgress for themselves, for family, maybe for a love interest—but never for a group. Never for a community. Above all, our mythic outlaw, whatever his motivations, works alone. The valorized American outlaw-hero could either be a criminal living in bold defiance of the law or an upright citizen forced to tragically buck the rules of society due to unusual circumstances. But what about those who can neither disregard the law nor take temporary hiatus from its approval? Those for whom adhering to the rules of society means destruction?
Stealing testosterone to redistribute to trans men, trespassing to dance, shoplifting to feed your friends, defiling a colonizer’s grave, assassinating a billionaire: these short films find in criminality the potential for new social forms, beautiful acts of love, and collective liberation. The rules are fucked up. Why not break them?
7:30pm show will be followed by a Q&A with “The Beach Boys” writer/director Milo Talwani, moderated by program curator Henry Hanson with Live CART captioning.
THE FILMS
Hormonal (Maz Murray, 2023) 12:22, UK
Young trans guy Gary catches eyes with brooding trans geezer Ian across the square of their Essex hometown, and unwittingly walks into a testosterone heist plot… (Instagram: @maz_murray @chazzamnazza_makesstuf)
Cicada (FRANK/ie CONSENT, 2021) 6:30, USA
A single-take dance video shot in an abandoned industrial lot, set to a radio broadcast switching between music and Trump-era punditry. Used tires, hula hoops, cereal, chalk circles, and a burning mattress. (Instagram: @soysage)
Skate Bitches (Samuel Shanahoy, 2012) 17:10, Australia
A DIY film about an all-girl skate gang who steal each other candy, terrorize the streets and are BFF’s. Will the gang survive the drama of a new girl on the block? (Instagram: @teeveedinner)
FUCK THE FASCISM – The Crossroad of Two Worlds (MariaBasura, 2020) 9:35, Chile
A group of queer activists take revenge on colonizers past and present through guerilla pornography. (Instagram: @basurapandemicx_2.0)
Play Structure (FRANK/ie CONSENT, 2020) 2:28, USA
In this mixed-media music video combining live action and various animation styles, mischief-makers dance in the burning streets of Atlanta. (Instagram: @soysage)
The Beach Boys (Milo Talwani, 2024) 20:32, USA
Two trans surfer bros are on a mission to suicide bomb Jeff Bezos…but not before spending one last, perfect day riding epic waves and smoking dank kush. (Instagram: @autobimbophilia)
https://facets.org/programs/disorderly-conduct/
This Mother’s Day weekend, celebrate the art of composers with disabilities from around the world! This program, presented in collaboration with the UIC Disability Cultural Center, is free and open to everyone. It includes the world premiere of “Consolation of Persephone,” created in collaboration with Momenta Dance Company, with choreography commissioned of Connor Cornelius, music commissioned of Karen Brown, and danced by Laddona Freidheim and her daughter Hana Javed! Hear also the world premiere of “In B-Flat” by Brazilian composer Andersen Viana, plus music by composers from Haiti, the UK, South Africa, and the US, including music from the amazing talents of Thomas “Blind Tom” Wiggins, arranged for Crossing Borders Music by AJ Isaacson-Zvidzwa!
Momenta Dance Company cultivates and presents repertory and contemporary dance works that strive to educate, innovate and amplify the artistry of students and professionals, inclusive of artists with disabilities. Momenta was founded by Stephanie Clemens, Larry Ippel and James Tenuta in 1983, and in 2003 expanded its repertory to include physically integrated works for dancers with and without disabilities. Learn more at momentadances.org
Ladonna Freidheim, founder of ReinventAbility, is passionate about inclusion, dance, science, and joy! An award winning leader in the arts, disability inclusion specialist, and formally trained dancer; Ladonna grew up a bun-headed baby ballerina dancing around Chicago. After a degenerative disability ended her ballerina life, she recovered from surgeries with future paralympic athletes who introduced her to disability culture. With the aid of braces and a cane or crutches she is able to navigate the world much of the time, but it is Ladonna’s wheelchair that has restored her dancers soul. She currently performs with the MOMENTA Dance Company. Ladonna is honored to have received a 2023 Leadership in Dance Award and the Rhythm Within Award and has been nominated for 3Arts Awards in dance and education. Ladonna has served on a number of Boards of Directors, currently for See Chicago Dance, and is on the Chicago ArtsEd Leadership Committee.
Hana Angelina Freidheim Javed is a formally trained singer, dancer, and writer who attends the University of Chicago Lab High School. At only 17 years of age, she has performed extensively at the Civic Opera House, Symphony Center, Harris Theater, Navy Pier, Ravinia and Millennium Park music festivals with the Lyric Opera, Chicago Symphony Orchestra, MOMENTA Dance Company, and the Chicago Opera Theater. Hana is the much beloved only child of Ladonna Freidheim, an Irish-Catholic Chicago born arts professional (bio above), and Adil Javed, a Pakistani-Muslim born into abject poverty who immigrated to the US at ten years old, going on to earn both an MD and PhD. Hana’s background and status as a person with a disability (a degenerative condition) inform and enrich her arts practice.
Covid safety: Masking is encouraged, and we will have extra masks available. More masking means more safety for immunocompromised members of our community.
Access information:
This season of Crossing Borders Music performances is made possible through the support of the Paul M Angell Family Foundation, the National Endowment for the Arts, the New Music USA Organizational Development Fund, the John R Halligan Fund, and CliffDwellers Foundation. Crossing Borders Music acknowledges the support of the Illinois Arts Council. Generous support provided by the UIC Disability Cultural Center through Cripping the Arts, a University of Illinois Presidential Initiative for Expanding the Impact of the Arts and the Humanities.
Pictured: Momenta Dance Company’s Facebook profile picture of two women wearing flowing white dresses, both in wheelchairs, facing one another with arms gracefully lifted.
“The moment we choose to love we begin to move against domination, against oppression. The moment we choose to love, we begin to move toward freedom, to act in ways that liberate ourselves and others. That action is the testimony of love as the practice of freedom.”
—bell hooks
Liberation is defined as the act of being freed from imprisonment, slavery, or some type of captivity. Love and liberation are two things that go hand in hand. One cannot exist without the other. There are different kinds of love: self, familial, platonic, romantic, community, cultural–– the bounds are limitless. How has love acted as a liberating force in your life? Contributing youth artist are asked to consider the theme of “Love and Liberation” broadly and to interpret this prompt creatively in their submissions.
ASL and CART captioning are provided.
https://visit.mcachicago.org/events/21minus-love-and-liberation/
For the opening of Arthur Jafa: Works from the MCA Collection, Arthur Jafa is joined onstage by long-time friend, colleague, and renowned artist Theaster Gates, whom he first met at Gates’s Black Artists Retreat (B.A.R.), an annual convening of Black visual artists held in Chicago. Join us to take part in a rich conversation between these influential artists who each uniquely engage Black archives, spiritual traditions, and aesthetics.
English and Spanish CART captioning and American Sign Language (ASL) are available.
https://visit.mcachicago.org/events/talk-arthur-jafa-theaster-gates/
A multi-genre storytelling project about the life journey of a lyricist, Prophet: The Order of the Lyricist illuminates the distinctive practices, systems, philosophies, and political ideologies that have shaped hip-hop’s emcees and lyricists. Combining craft, prose, oration, and exposé, the work presents the coming-of-age story of an emcee, immersing audiences in a world of courage, self-determination, and devotion. Using text, sound, film, and performance, Prophet stands as a critical and embodied offering to the scholarly, civic, and ancient bodies of radical Black expression.
The MCA’s presentation of Prophet, represents the culmination of a year of relationship-building with organizations, artists, and archives. It features audio clips from the Sun Ra Archive within the Experimental Sound Studio.
This performance is part of On Stage: Resonance, organized by Tara Aisha Willis, former Curator in Performance, with Laura Paige Kyber, Assistant Curator of Performance.
Run time: 60 min.
Stay after the May 11 performance for a conversation and Q&A with the artists, moderated by Tara Aisha Willis, Former MCA Curator of Performance.
The Saturday, May 11, performance features Audio Description and CART captioning.
https://visit.mcachicago.org/events/prophet-the-order-of-the-lyricist/
Days after the February 1848 revolution, Fryderyk Chopin is teaching a piano lesson in Paris. Set in the Polish pianist-composer’s intimate salon, Chopin shares with his students secrets about the piano and secrets about himself—as well as playing some of his most beautiful and enduring compositions. In a tour de force performance, virtuoso actor/pianist Hershey Felder brings to life the romantic story and music of the man once called the “Poet of the Piano.”
https://www.writerstheatre.org/hershey-felder-s-chopin-in-paris
Watch the city breathe life into the stories of ten local young filmmakers. From documentaries to music videos, this program represents the city’s long-term love affair with art and culture.
Please note: Films in this program contain themes, images, and language that may not be suitable for all ages.
Virtual Screening
Available to stream globally April 22 @ 12:00pm CT through April 28 @ 11:59pm CT for a 48-hour watch window with Closed Captions.
https://www.chicagofilmfestival.com/film/cineyouth2024-chicagolens/
In partnership with former Technical Director Glenn B. Rust’s Graduate Thesis Project, Keep it Going presents an afternoon of new works that you can watch in the theatre or from the comfort of your own home!
Beginning the afternoon we will have Interrobang by Resident Playwright Arlene Malinowski followed by the final performance of Access Fellow Deb Stein’s HAND, Foot, HAND. Following the performances there will be a thirty-minute talkback and an afterparty!
Keep it Going is designed to highlight technologies and practices that allow for more accessible theatre.
-You can join us at the Russ Tutterow Theatre to see the performances in person or virtually at https://www.youtube.com/@chicagodramatists6747
-Live captions will be provided for both in-person and virtual audiences.
-Additional seating will be available both in the house and on the stage including wheelchair accessible seating.
-The event will be a relaxed performance. House lights will remain at half. Audience members are welcome to exit and reenter the space at any point for any reason. We will asked phones be silenced, but texting is allowed. Audience reaction is also encouraged. If something stirs a response out of you, or if you need to ask a question of the folks you’ve come with, feel free!
-Scent & Allergen Free Space
-Masking Recommended
The in-person performance is Pay What You Will with all payments made going to support the Access Fellowship. The Chicago Dramatists Access Fellowship for Deaf & Disabled Artists is in honor of Charles and Dorothy Malinowski, who were revered storytellers in the Deaf Community. Fellows receive two free classes, one free Script Lab, and more!
The virtual performance is completely free!
Whether you’ll be joining us at the Russ Tutterow Theatre or logging in on our YouTube channel to join the talkback in the chat, we cannot wait to see you there!
Accessibility: All-Gender Restrooms, Captioning, Sensory Friendly, and Wheelchair Accessible.
https://chicagodramatists.app.neoncrm.com/np/clients/chicagodramatists/event.jsp?event=2064&
Set sail for an adventure like no other, full of twists and turns. Together we’ll meet indulgent Lotus Eaters and seductive Sirens who test our focus, and face terrifying monsters who test our wit and our courage. As we follow Odysseus on his Journey, the ensemble reflects on choice and agency and the hero in all of us…
A.B.L.E.—Artists Breaking Limits & Expectations—a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome and other intellectual and developmental disabilities (I/DD), is thrilled to return to Chicago Shakespeare Theater this spring with a re-imagining of the epic classic The Odyssey.
A.B.L.E’s production weaves music, movement, shadow puppetry, and scenes devised by the group into a powerful and joyful celebration of the choices we make, and the challenges we face along our journey. The vibrant adaptation features a neurodiverse cast of 44 performers, including 24 actors with intellectual and developmental disabilities. The performance in the Courtyard Theater on May 11, 2024 at 2pm will mark the two companies’ 7th collaboration, most recently having co-produced A Midsummer Night’s Dream last spring.
Accessibility: Sensory Friendly, ASL, captions
Love is a universal language; it transcends identity and culture. Love is more than a feeling; it is a tough invitation that encourages sacrifice and commitment. Love is a never-ending journey that is always beginning. But what is love in the absence of compassion and wonder?
#OTVTonight, your favorite intersectional Late Show, returns to MCA Chicago for an intimate evening filled with care and admiration for the stories that help us to cultivate a bond that is strong enough to heal, prepare, and transform unstable foundations.
Join us in the Edlis Neeson Theater for the premiere of handpicked titles inviting us to open a window into love, interspersed with artist interviews, live DJ sets, pop-up performances and more — all hosted by OTV’s Co-Founder and Executive Diva, Elijah McKinnon. Remember, the future of television is intersectional. If you don’t believe it, let OTV show you.
For live updates on #OTVTonight: A Window Into Love, visit bit.ly/otvtonight.
Accessibility: Sensory Friendly, ASL, English and Spanish captions, quiet spaces
https://visit.mcachicago.org/events/otvtonight-a-window-into-love/
About Bodies of Work
Bodies of Work is a consortium of four programs at three Chicago organizations that share a commitment to programming that is distinguished by its integration of disability artistry, academics, and activism:
Program on Disability Art, Culture, and Humanities and the Disability Cultural Center at the University of Illinois at Chicago;
Disability Culture Activism Lab at the School of the Art Institute of Chicago;
Art and Culture Project at Access Living.
Along with partnering artists and organizations, Bodies of Work serves as a catalyst for the development of disability art and culture that illuminates the disability experience in new and unexpected ways.
Accessibility: ASL, captions
https://visit.mcachicago.org/events/talk-access-praxis-ariella-granados/
A journey of self-discovery leads to salvation in this major revival of the Pulitzer Prize-winner’s masterwork.
On the heels of Gem of the Ocean (2022), expert August Wilson interpreter Chuck Smith revives the second work in the famed American Century Cycle—one of Wilson’s best-loved, most compelling plays. Herald Loomis searches the country with his young daughter to find his estranged wife. But first, he must regain a sense of his own heritage and identity in this story of spiritual and emotional resurrection.
Joe Turner’s Come and Gone is recommended for ages 14+
Accessibility: ASL, OC
https://www.goodmantheatre.org/show/joe-turners-come-and-gone/
Sensory-Friendly Morning is a free program for all people who benefit from visiting the MCA without large crowds and other sensitive environmental elements. This includes visitors with sensory sensitivities, disabilities, autism, PTSD, dementia, and more. On these mornings, lighting at the museum is dimmed, sounds from artworks and environmental noise is kept at a minimum, a quiet space is available to visitors for breaks, and a Chicago-based artist facilitates a sensory-friendly art-making experience.
Sensory-Friendly Morning aims to be a welcoming space to experience contemporary art in a judgment-free environment.
Tremor is artist and composer Samita Sinha’s latest performance work. In the piece, Sinha explores what she describes as “the practice of attuning oneself to the raw material of vibration and its emergence in space, as well as unfolding the possibilities that arise from encounters between this sonic material and other individuals.” Tremor is born from Sinha’s practice of decomposing, distilling, and transforming Indian vocal traditions through the body, employing sound as a vessel that harnesses and liberates energy through oneself. Through this practice, what emerges is a new language with the potential to challenge our thinking, reconfigure our relationships, and open new forms of collaboration. In Tremor, Sinha asks how we might reactivate our relationship to life itself through our sense of vibration, despite the numbing and distorting effects of coloniality and modernity. How can our voices be vessels to repair the fabric of our interconnection and open generative possibilities? How can we relearn to listen?
Performed in relationship to a live sonic environment created by composer Ash Fure, and within a space designed by architect Sunil Bald, Sinha is joined on stage each night by a rotating cast of sound-and movement-based collaborators. The casting schedule will be announced in the coming months.
Tremor was co-commissioned by Western Front (Vancouver, CA) and Danspace Project (New York).
This performance is part of On Stage: Resonance, organized by Tara Aisha Willis, former Curator in Performance, with Laura Paige Kyber, Curatorial Associate.
Run time: 60-75 min
Content Warning:
Seating for this performance is general admission and on stage. A limited number of cushions are available for sitting on the floor, and provide the closest proximity to the performance. If you require a chair, please speak with a staff member who can assist you. The performance includes the use of theatrical haze. Some loud sounds may occur throughout. There will be intervals of very low light, including complete darkness at times.
Ear plugs are available upon request for all performances. If you need wheelchair seating or have limited mobility, staff members are available to assist you.
The performance on Saturday, April 20, features Audio Description.
About the Event
Join us for a reading with poet CAConrad in celebration of the new series Politics of Poetics.
ASL and CART captioning are provided.
About the Series
Politics of Poetics is a new quarterly program series held in the MCA’s Edlis Neeson Theater that highlights today’s leading poets whose practices traverse the political through writing, teaching, and activism. The series invites poets from across the globe to give readings and be in conversation with artists and other thinkers about the themes in their work. Historically, poets and visual artists have benefitted from close collaboration and artistic exchange, sharing in technical approaches and critical ideas of the day. Like many of the artists exhibited at the MCA, these poets take up critical issues in their work while propelling voices, stories, and thoughts under-seen and under-regarded in traditional canons.
About the Speaker
CAConrad has worked with the ancient technologies of poetry and ritual since 1975. Their latest book is Listen to the Golden Boomerang Return (Wave Books / UK Penguin 2024). They received the Ruth Lily Poetry Prize, a PEN Josephine Miles Award, a Creative Capital grant, a Pew Fellowship, and a Lambda Award. They exhibit poems as art objects with recent solo shows in Spain and Portugal, and their play The Obituary Show was made into a film in 2022 by the artist Augusto Cascales. Visit them at https://linktr.ee/CAConrad88.
This is an opera, but what is an opera? If opera is defined simply as “big work,” what could be blacker? FORCE! features a live band that blends gospel, folk, pop, and jazz, with experimental dance, song, and the spoken word. As the work unfolds, characters reveal layered interiors creating a strange sisterhood with the power to disintegrate walls that blooms in the shadows of the prison industrial complex. As the artists manifest the free worlds of which they dream on stage, their voices resound with collective power. A meditation on often-overlooked spaces—prison waiting rooms—FORCE! travels through silence, sound, and rhythm to dissipate borders between performers and audience members and question who truly controls how their time is spent.
Comprised of a Chicago-based cast, FORCE! is created by Anna Martine Whitehead alongside co-music directors, Ayanna Woods and Teiana Davis; co-composers, Phillip Armstrong and Angel Bat Dawid; and is devised in collaboration with performers Zachary Nicol, Jenn Freeman, Rahila Coats, Eva Supreme, Nexus J, Daniella Hope, Brittany Brown, Kai Black, and Wyatt Wadell; with extra help from Tramaine Parker and Jasmine Mendoza.
Since late 2019, FORCE! has developed as an iterative re-imagining of performance practice, constantly re-centering care, consent, queer divergence, and rest. The creative team re-imagines rehearsal protocols and releases disciplinary categories to build an abolitionist feminist theater practice. This project gathers lessons from lichens and other emergent strategies, direct actions, and mutual aid societies and leverages sound and movement as vectors for processing state violence and racial capitalism. Using the prison as a particular prism through which we can bear witness to the ways carceral systems replicate themselves. FORCE! is also an attempt to abolish the Prison Industrial Complex in the audience and artist’s heads, hearts, and houses.
Libretto by Anna Martine Whitehead. Composed by Ayanna Woods, Anna Martine Whitehead, Angel Bat Dawid, and Philip Armstrong.
This performance is part of On Stage: Resonance, organized by Tara Aisha Willis, former Curator in Performance, with Laura Paige Kyber, Curatorial Associate.
Run time: 90-100 min
Content Warning:
This performance begins in the theater lobby. Audiences will take a behind the-scenes route to their seats with the performers as their guides. All seating for this performance is on stage. A live band plays in close proximity to the audience. The performance includes the use of theatrical haze. It also features loud sounds and bright, moving lights throughout.
Ear plugs are available upon request for all performances. If you need wheelchair seating or have limited mobility, staff members are available to assist you.
The performance on Saturday, March 30, includes CART captioning and Audio Description.
https://visit.mcachicago.org/events/anna-martine-whitehead-force-an-opera-in-three-acts/
Trap Door Theatre’s 30th Anniversary Season closes with Olwen Wymark’s splendid dramatization of Zola’s Nana: a story of sexual and financial greed in nineteenth-century Parisian society, depicting the rise and tragic downfall of a young courtesan.
Managing Director Nicole Wiesner and Resident Choreographer Miguel Long team up again to direct this reimagination, first produced at Trap Door in 2002.
This Friday, May 3rd performance includes open captioning.
Accessibility: Open Captions, Captioning, and All-Gender Restrooms
Harnessing Narrative for Food Sovereign Futures
Throughout the year, the MCA hosts high-quality professional development programming, open to teachers of all subjects, grade levels, and disciplines. These events are educator-specific, skills-based, training on contemporary art integration. Programs are designed in connection with the cultural assets of the MCA and the needs of the Chicago area educators. In keeping with addressing issues of relevance, the 2023–24 Learning Series is a four-part series exploring “The Impact of Food Apartheid in Education.”
The term “apartheid” is used as it acknowledges the existence of economic and racial segregation systems. And as history has shown us, apartheid systems can be dismantled through collective action.
This workshop, titled “Harnessing Narrative for Food Sovereign Futures,” is meant to help us to understand food apartheid: how it impacts our lives and how we can leverage power in order to mobilize towards food sovereignty. Through experiential storytelling, collective imagination exercises, and power-mapping strategies, teachers work alongside food justice advocates to learn how they can make a difference in their classroom, their school, and their food system. This session includes a making and a writing activity.
Accessibility: ASL interpretation and captioning upon request
Three moms, a stay-at-home dad, and a nanny watch their kids play at Mommy-Baby Meetup. One mom is the queen bee and one is here to shake things up. The dad just wants to fit in, and the nanny doesn’t say a word. When catastrophe comes, the five of them have to figure out how to survive a war and each other. MOTHERS examines the primal heartache of raising children in a disintegrating world.
* This production may not be suitable for anyone under the age of 12.
WHAT TO EXPECT (physical notes of the Filament space/content info of the show)
MENTAL HEALTH RESOURCES (specific to this production)
This performance will include audio description with a touch tour before the show and captions.
https://thegifttheatre.org/event/mothers-by-anna-ouyang-moench-3-2/
In 1976, Faith Ringgold and a group of Black feminist artists co-organized the first-ever Black women’s film festival: the Sojourner Truth Festival of the Arts. In celebration of the festival’s 2023 edition and Ringgold’s major retrospective, Faith Ringgold: American People, join us for an all-day screening of rarely shown films by and about Black women.
CART captioning is provided for all screenings.
https://visit.mcachicago.org/events/screening-the-sojourner-truth-film-festival/
In 1976, Faith Ringgold and a group of Black feminist artists co-organized the first-ever Black women’s film festival: the Sojourner Truth Festival of the Arts. In celebration of the festival’s 2023 edition and Ringgold’s major retrospective, Faith Ringgold: American People, join us for an all-day screening of rarely shown films by and about Black women.
CART captioning is provided.
https://visit.mcachicago.org/events/screening-the-sojourner-truth-film-festival/
Sowing Change: Creativity and Food Sovereignty is a collaboration between the MCA and the Chicago Architecture Biennial (CAB 5). This program brings together artists Erika Allen, founder of Urban Growers Collective in Chicago, and Linda Goode Bryant, founder of the pathbreaking gallery, Just Above Midtown (1976-1984) and Project EATS in New York City. Allen and Goode Bryant will discuss how the arts—and tending to the imagination—have guided their visionary leadership in transforming urban space as sites for food sovereignty and collective change.
The conversation will be moderated by Emily Mello, Senior Director of Learning, Education, and Public Programs at the MCA.
ASL and CART captioning are available.
https://visit.mcachicago.org/events/talk-sowing-change-with-erika-allen-linda-goode-bryant/
Join us for a conversation on how Faith Ringgold’s aesthetic and political practices continue to reverberate across generations of artists with artists Jamal Cyrus and Amanda Williams, and the MCA presentation Curator of Faith Ringgold: American People, MCA Manilow Senior Curator Jamillah James.
English/Spanish CART and ASL are provided.
https://visit.mcachicago.org/events/talk-roundtable-on-faith-ringgold/
Join us for a conversation on how Faith Ringgold’s aesthetic and political practices continue to reverberate across generations of artists with artists Jamal Cyrus and Amanda Williams, and the MCA presentation Curator of Faith Ringgold: American People, MCA Manilow Senior Curator Jamillah James.
English/Spanish CART and ASL are provided.
https://visit.mcachicago.org/events/talk-roundtable-on-faith-ringgold/
This year, the Chicago-based artist Lotus L. Kang transformed the museum’s atrium with her mesmerizing work Molt (New York-Lethbridge-Los Angeles-Toronto-Chicago- ) (2018–2023). To celebrate the final weeks of the commissioned installation, Kang speaks with MCA Assistant Curator Jack Schneider.
ASL and CART captioning will be provided.
https://visit.mcachicago.org/events/talk-lotus-l-kang-and-jack-schneider/
A grassroots initiative promoting storytelling, creativity, and the arts, the Muslim Writers Collective will focus this iteration of its programming on themes drawn from the MCA exhibition Faith Ringgold: American People. This storytelling event will center itself around hearing life experiences from Muslim American and Muslim-adjacent perspectives.
CART Captioning is available on personal devices.
Let’s reclaim and rewrite our stories as disabled people through writing and drawing together! Too often disabled individuals have their stories told to them by medical professionals and cultural norms. It’s time to get the power back and tell our own tales!
Rewritten Narratives is a workshop for participants who self-identify as disabled and/or chronically ill, whether the disability is apparent or non-apparent. This could mean anything from physical disabilities, learning disabilities, “invisible” disabilities, and disabilities caused by mental health concerns.
No art making skills or experiences required!
Attendees will receive transportation stipend (PACE vouchers).
Location:
Center for Mad Culture
410 South Michigan Avenue, suite 419
Chicago, IL 60605
In-person Rewritten Narratives session RSVP Link: https://tinyurl.com/rewrittennarrative
Access information:
Press Here is on the 4th floor in the Fine Arts Building. It is accessible by elevator. A wheelchair accessible restroom is available. For in-person sessions, please request ASL interpretation and identify any access needs when signing up for a session.
AI captioning will be available for virtual workshop sessions. For virtual sessions, contact B at brandolph@accessliving.org or (312) 640-2100 with access requests. Please allow 2-3 weeks’ advance notice for ASL interpretation requests, both virtual and in-person.
About the facilitator:
Brian “B” Randolph (they/them) is an art therapy graduate student from The School of the Art Institute of Chicago (SAIC). Brian specializes in portraiture, drawing the human form, and the writing/drawing of comics. B is working with their supervisor, disabled artist and art therapist, Sandie Yi, to create disability culture and art at Access Living this year.
Sponsor Information:
This project is brought to you by the Arts and Culture Project at Access Living, an independent living center for people with disabilities, Bodies of Work: Network of Disability Art and Culture, and the Disability Culture Activism Lab (DCAL). DCAL, a teaching lab housed under the department of art therapy and counseling at the School of the Art Institute of Chicago.
This program is partially supported by a grant from the Illinois Arts Council Agency and Shirley Ryan Abilities Lab. The contents of this project were developed under a grant from the National Institute on Disability, Independent Living, and Rehabilitation Research (NIDILRR grant number 90RTCP0005). NIDILRR is a Center within the Administration for Community Living (ACL), Department of Health and Human Services (HHS). The contents of this project do not necessarily represent the policy of NIDILRR, ACL, or HHS, and you should not assume endorsement by the Federal Government.
Let’s reclaim and rewrite our stories as disabled people through writing and drawing together! Too often disabled individuals have their stories told to them by medical professionals and cultural norms. It’s time to get the power back and tell our own tales!
Rewritten Narratives is a workshop for participants who self-identify as disabled and/or chronically ill, whether the disability is apparent or non-apparent. This could mean anything from physical disabilities, learning disabilities, “invisible” disabilities, and disabilities caused by mental health concerns.
No art making skills or experiences required!
Thursday sessions will be held via Zoom from 2-4pm.
Attendees will receive transportation stipend (PACE vouchers).
Join the Rewritten Narratives Zoom: https://us02web.zoom.us/j/83239461202?pwd=Zml3ZFdDdkhHQU5tTytrM1B5SzlzUT09
Meeting ID: 832 3946 1202
Passcode: AL2023
Access information:
AI captioning will be available for virtual workshop sessions. For virtual sessions, contact B at brandolph@accessliving.org or (312) 640-2100 with access requests. Please allow 2-3 weeks’ advance notice for ASL interpretation requests, both virtual and in-person.
About the facilitator:
Brian “B” Randolph (they/them) is an art therapy graduate student from The School of the Art Institute of Chicago (SAIC). Brian specializes in portraiture, drawing the human form, and the writing/drawing of comics. B is working with their supervisor, disabled artist and art therapist, Sandie Yi, to create disability culture and art at Access Living this year.
Sponsor Information:
This project is brought to you by the Arts and Culture Project at Access Living, an independent living center for people with disabilities, Bodies of Work: Network of Disability Art and Culture, and the Disability Culture Activism Lab (DCAL). DCAL, a teaching lab housed under the department of art therapy and counseling at the School of the Art Institute of Chicago.
This program is partially supported by a grant from the Illinois Arts Council Agency and Shirley Ryan Abilities Lab. The contents of this project were developed under a grant from the National Institute on Disability, Independent Living, and Rehabilitation Research (NIDILRR grant number 90RTCP0005). NIDILRR is a Center within the Administration for Community Living (ACL), Department of Health and Human Services (HHS). The contents of this project do not necessarily represent the policy of NIDILRR, ACL, or HHS, and you should not assume endorsement by the Federal Government.
Over the past three decades, writer, curator, and podcaster Helen Molesworth’s singular voice and lively curatorial vision has established her as one of the most dynamic and influential voices in the art world.
At this inspiring event, MCA Pritzker Director Madeleine Grynsztejn will join Molesworth on stage for a conversation about her new book Open Questions: Thirty Years of Writing about Art.
Signed books are now available for pre-order at the MCA Store.
Accessibility: Spanish translation, ASL, and CART captioning
https://visit.mcachicago.org/events/talk-helen-molesworth-and-madeleine-grynsztejn/
Over the past three decades, writer, curator, and podcaster Helen Molesworth’s singular voice and lively curatorial vision has established her as one of the most dynamic and influential voices in the art world.
At this inspiring event, MCA Pritzker Director Madeleine Grynsztejn will join Molesworth on stage for a conversation about her new book Open Questions: Thirty Years of Writing about Art.
Accessibility: Spanish translation, ASL, and CART captioning
https://visit.mcachicago.org/events/talk-helen-molesworth-and-madeleine-grynsztejn/
Event Description: Are you curious about the Leadership Exchange in Arts and Disability (LEAD) conference? Did you want to attend but couldn’t? Join The Collab for a Zoom Lunch and Learn about this year’s LEAD experience. Four representatives from the Collab will share takeaways from their focus areas and lead a live discussion with our arts and culture accessibility community. Come for the best practice takeaways and bring your questions about LEAD!
Date: October 3, 2023
Time: Noon to 1:00 PM, Central Time
Location: Zoom. Registered participants will receive a Zoom Meeting Link via email the day prior to the event. Please ensure that Info@ChicagoCulturalAccess.org is an approved sender to your email account, or be sure to check your Spam/Junk Mail filter for the email.
Program Accessibility: Real-Time Captioning and Sign Language Interpretation will be provided. Please complete the accommodation request field found in the event registration form or call 773-203-5039 to request other access services.
Cost: FREE. While this program is free, a $5 suggested donation helps to cover programming costs to ensure Cultural Access Collaborative’s mission is achievable and accessible to all. You may make a tax deductible online donation to the Collab at any time.
Registration: Join us by completing this event registration form!
Join us for a reading and celebration of the diverse voices, rich experiences, and powerful words of poets from around the US and the world. Poets working in the online poetry workshop and discussion, Forms & Features, will share work that they created in this creative community.
Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Accessibility: ASL, captions
https://www.eventbrite.com/e/forms-features-community-reading-tickets-710431017297?aff=oddtdtcreator
The Peer Mental Health Support Group is an opportunity for Disabled-identifying people and those exploring their relationship to disability identity to share and hold space for one another in an accessible and virtual setting.
Facilitated by disabled art therapist Bri Beck, LCPC, ATR, this group is meant to offer an opportunity for participants to share current concerns, thoughts/emotions, and offer support to others through validation, encouragement, and even practical ideas to cope. This group will also explore art as an emotional outlet.
This group is not considered, nor should it be a substitute for traditional group therapy, however, topics of mental health, emotional wellness, self-advocacy, and healthy relationships will be addressed in a structured and confidential space. Participants may attend as many or as little group meetings as needed. Group norms will be reviewed every week.
Join the group via Zoom
Zoom Meeting ID: 818 5920 1086
Zoom Meeting Passcode: AL2023
For any questions, please email bbeck@accessliving.org.
Fall 2023 meeting dates are as follows:
(Off September 4 – Labor Day)
Monday, September 11
Monday, September 18
Monday, September 25
(Off October 2)
Monday, October 9
Monday, October 16
Monday, October 23
(Off October 30)
Monday, November 6
Monday, November 13
Monday, November 20
(Off November 27)
December 4
December 11
December 18
Access Information:
Automatic captioning is available in Zoom.
Due to high demand for live captioning (CART) and ASL interpretation services during the COVID-19 pandemic, we are asking participants to submit access requests 2-3 weeks in advance. Please contact bbeck@accessliving.org with requests.
Sponsor information:
This event is brought to you by the Arts and Culture Project at Access Living, an independent living center for people with disabilities, Bodies of Work: Network of Disability Art and Culture, and the Disability Culture Activism Lab (DCAL), a teaching lab housed under the department of art therapy and counseling at the School of the Art Institute of Chicago.
As a platform for creative disability art and advocacy projects, DCAL uses a peer support and collective care model in which disability community members and art therapy graduate students collaborate as disability culture makers for social change. Bodies of Work is a part of the Department of Disability and Human Development within the College of Applied Health Sciences at University of Illinois-Chicago.
This program is partially supported by a grant from the Illinois Arts Council Agency.
Jonas Becker’s New Normal explores how we, as individuals in society, adjust to large-scale cultural trauma, environmental deterioration, the loss of civil liberties, and increased financial precarity. As conditions erode over time, expectations shift silently for some, for others violently. The performance follows an improvisational score in which six trans-masculine performers respond to the slow violence of our current moment through endurance and illusion, struggle and support. Rocks that appear heavy are made of paper, and gestures where performers entangle each other oscillate between aggression and care. Importantly, some radical bodies resist normalization, while for others, the new normal is nothing new. The performers test their limits, adjust and readjust, responding physically to diminishing environmental standards and political conditions. This presentation expands on an In Progress showing of the work in the MCA’s main atrium in 2019, with an emotionally resonant arrangement of motion, sound, and lighting.
Run time: 45 minutes
Chicago Performs is organized by Tara Aisha Willis, former MCA Curator, with Laura Paige Kyber, Curatorial Associate.
Prior to the performance the lights will be set low. Please let a staff member know if you need assistance to your seat.
Audio Description and CART captioning are provided for the performance on Sunday, September 10.
Blown fuses, real and metaphorical, punctuate the action with flashes of pent up energy in this acclaimed play. The diminutive heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father’s records at a volume matched only by the soulful power of her vocal impressions. Little Voice has a hidden talent: she can emulate every chanteuse from Judy Garland to Edith Piaf. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent’s interest as affection rather than enthusiasm for the gold mine buried in her daughter’s throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.
This performance includes captioning.
All gender, accessible restrooms are available on site.
Blown fuses, real and metaphorical, punctuate the action with flashes of pent up energy in this acclaimed play. The diminutive heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father’s records at a volume matched only by the soulful power of her vocal impressions. Little Voice has a hidden talent: she can emulate every chanteuse from Judy Garland to Edith Piaf. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent’s interest as affection rather than enthusiasm for the gold mine buried in her daughter’s throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.
This performance includes captioning, audio description and a touch tour (tentatively scheduled for 2pm.)
All gender, accessible restrooms are available on site.
Join us for the first public reading of the 2023 Ruth Lilly and Dorothy Sargent Rosenberg Fellows together at the Poetry Foundation. The Poetry Foundation awards five Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships annually. Among the largest awards offered to young poets in the US, the $27,000 prize is intended to support exceptional US poets between 21 and 31 years of age.
This is a hybrid event, which will be offered in-person and via livestream.
Introducing the 2023 Fellows
Bhion Achimba (they/he) grew up in rural southeastern Nigeria and came to the US as a Scholar-at-Risk fellow at Harvard University. Their manuscript Cantos from the Crossing won the 2023 Center for Book Arts chapbook prize and will be published in November 2023. They earned an MFA in literary arts from Brown University; edit Dgëku, a literary magazine that publishes writing by queer Africans; and serve on the editorial board of TransitionMagazine.
Roda Avelar (she/they) is a trans woman poet from Fresno, California. She earned an MFA in creative writing from the University of California Riverside, where she taught creative writing and English composition, and a BA in English literature from California State University Fresno. She was a Milkweed Editions summer intern in 2019, and a 2022 Community of Writers fellow. She creates work that imagines queer people and people of color in science fiction, mythology, and queer liberation.
Ariana Benson (she/they) is a southern Black poet born in Norfolk, Virginia. Their debut collection, Black Pastoral, won the 2022 Cave Canem Poetry Prize. Benson has received a Furious Flower Poetry Prize, a Porter House Review Poetry Prize, and the 2021 Graybeal-Gowen Prize for Virginia Poets. Benson is a proud alumna of Spelman College, where she facilitates creative writing and storytelling workshops for HBCU students. She strives to fashion vignettes of Blackness that speak to its infinite depth and richness in her writing.
Chrysanthemum (she/her) is a poet, a performance artist, and a public historian. Her honors include the 2023 Justin Chin Memorial Scholarship from Lambda Literary; fellowships from Artist Communities Alliance and Kundiman; and a championship with her team at the Rustbelt Regional Poetry Slam and the first-ever FEM Slam. Chrysanthemum was born to Vietnamese parents in Oklahoma City, where she came of age around the NW 39th Street and Asian American enclaves. She now calls Providence, Rhode Island, home.
Willie Lee Kinard III (he/they) is a poet, designer, and musician. Kinard earned a BFA from the University of South Carolina and an MFA from the University of Pittsburgh. His publications include Orders of Service, winner of the 2022 Alice James Award, and a self-published chapbook/mixtape, chroma. The recipient of fellowships from The Watering Hole and the Pittsburgh Foundation, Kinard is from Newberry, South Carolina, and currently teaches at the University of South Carolina.
In-Person Attendance
Masks are strongly encouraged and available at check-in for those who would like to wear one. Please note that some event performers may choose to perform without a mask. The Foundation reserves the right to update this policy if community levels of COVID-19 increase significantly. Read our full COVID-19 Health & Safety Guidelines.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Join us for a special US appearance by acclaimed Nigerian-born British novelist and poet, Ben Okri.
Ben Okri is a playwright, poet, novelist, essayist, short-story writer, anthologist, and aphorist who has also written film scripts. His works have won numerous national and international prizes, including the Booker Prize for Fiction. His books include the eco-fable Every Leaf a Hallelujah, the genre-bending climate fiction Tiger Work, the poetry collection A Fire in My Head, and the novels Astonishing the Gods, The Last Gift of the Master Artists, and Dangerous Love.
This is a hybrid event, which will be offered in-person and via livestream.
In-Person Attendance
Masks are strongly encouraged and available at check-in for those who would like to wear one. Please note that some event performers may choose to perform without a mask. The Foundation reserves the right to update this policy if community levels of COVID-19 increase significantly. Read our full COVID-19 Health & Safety Guidelines. Guests are encouraged to register in advance. (<link to Eventbrite)
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
https://www.eventbrite.com/e/poetry-off-the-shelf-ben-okri-tickets-691014000477
Pro wrestling bursts onto the stage in a high-octane, immersive, 90-minute thrill ride.
It’s a night in the theater that you’ll never forget. Experience the heart-pumping action ringside, as the Goodman transforms into a professional wrestling arena—a perfect backdrop for the high drama and rich cultural history of lucha libre. Originally developed with Prism Movement Theater and produced in partnership with CLATA as part of 2023 Destinos Festival, actors and luchadores (wrestlers) in masks representative of Aztec gods play out an exciting wrestling story about family, honor, tradition and redemption.
Touch Tour and Audio-Described Performance
Saturday, October 28
12:30pm Touch Tour & 2:00pm Performance
Use code AUDIO for $30 tickets
Spanish Subtitles Performance
Saturday, October 28 at 7:30pm
Use code SPANISH for $30 tickets
Open-Captioned Performance
Sunday, October 29 at 2:00pm
Use code OPEN for $30 tickets
In conjunction with the exhibition opening for Harriet Monroe & the Open Door, we will host a conversation with Poetry’s four women guest editors from 2021-22: Esther G. Belin, Su Cho, Suzi F. Garcia, and Ashley M. Jones.
Moderated by Carmen Giménez, this conversation shifts the frame of the Open Door series to spotlight the creative labor of editors to open up poetry as a porous category. The name of the series honors the legacy of Poetry’s founding editor Harriet Monroe, who declared in 1912, “The Open Door will be the policy of this magazine—may the great poet we are looking for never find it shut, or half-shut.”
This is a hybrid event, which will be offered in-person and via livestream.
Esther G. Belin is an urban Indian, born at an Indian Health Service hospital in Gallup, New Mexico and raised in the greater Los Angeles area. She has two poetry collections, From the Belly of My Beauty, and Of Cartography, and is one of the editors of the anthology of Navajo literature, The Diné Reader. She is a citizen of the Navajo Nation and lives on the Colorado side of the Four Corners region.
Su Cho is a poet, essayist, and the author of The Symmetry of Fish (Penguin Books, 2022) which won the 2021 National Poetry Series. She lives in South Carolina where she is an assistant professor of English at Clemson University.
Suzi F. Garcia is the author of the chapbook A Home Grown Fairytale (Bone Bouquet, 2020). She is the co-publisher of the award-winning independent press, Noemi, and along with José Olivarez, is a poetry editor for Haymarket Books. In addition, Suzi is the review manager for the Lambda Literary Review, which has been serving the queer literary community for over 30 years. Suzi is a CantoMundo Fellow, a Macondista, a Lambda Literary Fellow, and participated in the first ever Poetry Incubator at the Poetry Foundation. She has served as a CantoMundo steering committee member, CantoMundo regional director, and a board member for the Latinx Caucus.
Ashley M. Jones is the poet laureate of Alabama. She is the first person of color and the youngest person to hold this position in its 93 year existence. Jones is the author of three award-winning poetry collections, most recently Reparations Now! She is the co-editor of WHAT THINGS COST: An Anthology for the People. Her work has been featured by CNN, the BBC, Good Morning America, ABC News, and the New York Times. Jones is the associate director of the University Honors Program at UAB and she teaches in the Low Residency MFA Program at Converse University.
Carmen Giménez (moderator) is publisher and director of Graywolf Press and the author of several books, including Be Recorder, a finalist for the 2019 National Book Award.
In-Person Attendance
Masks are strongly encouraged and available at check-in for those who would like to wear one. Please note that some event performers may choose to perform without a mask. The Foundation reserves the right to update this policy if community levels of COVID-19 increase significantly. Read our full COVID-19 Health & Safety Guidelines. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
https://www.eventbrite.com/e/open-doors-guest-editors-panel-tickets-691003188137?aff=oddtdtcreator
Join us for the kickoff to our Fall 2023 season with a celebration of Chicago’s Poet Laureate, avery r. young, at Harold Washington Library. He will perform alongside other poet laureates E’mon Lauren Black (Chicago Youth Poet Laureate), Nandi Comer (Michigan), Angela Jackson (Illinois), Amanda Johnston (Texas), and Airea D. Matthews (Philadelphia).
This is a hybrid event, which will be offered in-person and via livestream.
avery r. young is an interdisciplinary artist, educator, 3Arts Awardee, poetry editor for Bridge, Cave Canem fellow, and co-director of the Floating Museum. His poetry and prose have been featured in The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, Teaching Black, The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks, and AIMPrint, among other publications, and alongside images in photographer Cecil McDonald Jr’s In The Company of Black. He is the composer and librettist for a new commissioned work from Lyric Opera of Chicago titled safronia, and full-length recording tubman (FPE Records), the soundtrack to his collection of poetry, neckbone: visual verses. Learn more at averyryoung.com.
E’mon Lauren Black is a multi-hyphenate artist and educator from the Wes & Souf side of Chicago whose works explores her coined philosophy of “hood-womanism.” She is the first Youth Poet Laureate of Chicago and has been featured in Vogue magazine, Chicago Magazine, and the Chicago Tribune. She is the host and creator of the hit talkshow, The Real Hoodwives of Chicago, originally produced by her production company, BlkHoneyBun Productions, LLC. Her first book of poems, COMMANDO, was published by Haymarket in 2017.
Nandi Comer is the Poet Laureate of Michigan. She is the author of American Family: A Syndrome (Finishing Line Press) and Tapping Out (Northwestern University Press), which was awarded the 2020 Society of Midland Authors Award and the 2020 Julie Suk Award. She is a Cave Canem Fellow, a Callaloo Fellow, and a Kresge Arts in Detroit Fellow. She currently serves as a poetry editor for Obsidian: Literature and Arts in the African Diaspora and as the co-director of Detroit Lit.
Angela Jackson is a Chicago poet, playwright, and novelist. She has received numerous honors for both fiction and poetry, including the 2022 Ruth Lilly Poetry Prize, the Pushcart Prize, the Poetry Society of America’s Shelley Memorial Award, and fellowships from the National Endowment for the Arts and the Illinois Arts Council. Her poetry collection All These Roads Be Luminous (1998) was nominated for the National Book Award, and her debut novel, Where I Must Go (2009), won the American Book Award. In addition to Comfort Stew, Jackson has written several other plays: Witness! (1978), Shango Diaspora: An African-American Myth of Womanhood and Love (1980), and Lightfoot: The Crystal Stair.
Amanda Johnston is a writer, artist, and the 2024 Texas Poet Laureate. She is the author of two chapbooks, GUAP and Lock & Key, and the full-length collection Another Way to Say Enter. Her work has appeared in numerous publications, among them Callaloo, Poetry magazine, The Offing, and the anthologies Furious Flower: Seeding the Future of African American Poetry and Women of Resistance: Poems for a New Feminism. She has received fellowships, grants, and awards from Cave Canem, Hedgebrook, the Watermill Center, and American Short Fiction. She is a founder of Torch Literary Arts and a former board president of Cave Canem .
Airea D. Matthews’ irst collection of poems is the critically acclaimed Simulacra, which received the prestigious 2016 Yale Series of Younger Poets Award. Matthews is also the author of Bread and Circus, a memoir-in-verse that combines poetry, prose, and imagery to explore the realities of economic necessity, marginal poverty, and commodification through a personal lens. Matthews received a 2020 Pew Fellowship, a 2016 Rona Jaffe Foundation Writers’ Award, and was awarded the Louis Untermeyer Scholarship in Poetry from the 2016 Bread Loaf Writers’ Conference. Matthews earned her MFA from the Helen Zell Writers’ Program at the University of Michigan. In 2022, she was named Philadelphia’s Poet Laureate. She is an assistant professor at Bryn Mawr College where she directs the poetry program.
In-Person Attendance
Masks are strongly encouraged and available at check-in for those who would like to wear one. Please note that some event performers may choose to perform without a mask. The Foundation reserves the right to update this policy if community levels of COVID-19 increase significantly. Read our full COVID-19 Health & Safety Guidelines.
Livestream Attendance
The YouTube livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
Please note that advanced registration on Eventbrite does not guarantee entrance, as events at the Harold Washington Library are first come first serve.
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Accessibility: ASL Interpretation, captioning,
Join us for a virtual reading featuring 2023 Forms & Features Visiting Teaching Artists Samira Asma-Sadeque, Giulia Ottavia Frattini, grace (ge) gilbert, Lisa Low, L. Renée, and Hua Xi. Forms & Features is the Poetry Foundation’s series of free online creative writing workshops for adults.
Samira Asma-Sadeque is a New York-based Bangladeshi journalist, poet, and educator. She writes about the immigrant experience, mental health, hate speech, and gender violence in both her poetry and journalism. Her poetry appears in HBO’s Take Out with Lisa Ling, PBS’s ALL ARTS, Button Poetry, and has been featured at the Rubin Museum, among other platforms. She is a Brooklyn Poets fellow, Tin House alum, and Best of the Net nominee. Her journalism has appeared in the New York Times, The Guardian, the Washington Post, and Al Jazeera, among other publications.
Giulia Ottavia Frattini is a poet and writer based in Berlin. She is currently involved in art-oriented practices and collaborates as a contributor for several art magazines while developing her literary path. She perceives words as metamorphic elements, and her prime focus gravitates toward the unfolding of identity, language’s physicality, and lyricism’s disruption.
grace (ge) gilbert is a hybrid poet, essayist, and collage-worker based in Brooklyn. They received their MFA in poetry from the University of Pittsburgh in 2022. grace is the author of three short collections: the closeted diaries, NOTIFICATIONS IN THE DARK, and today is an unholy suite. Their work can be found in the Indiana Review, Ninth Letter, Passages North, The Offing, the Adroit Journal, and elsewhere. They currently teach hybrid collage and poetics courses at the Minnesota Center for Book Arts. They have received support and scholarships from City of Asylum’s Emerging Poet Laureate program and Bread Loaf, and served as the MCLA Under 27 Writer-in-Residence Fellow at Mass MoCA.They are passionate about making the hybrid arts accessible to all. Learn more at gracegegilbert.com.
Lisa Low’s poems have appeared in Copper Nickel, Ecotone, the Massachusetts Review, Poetry, the Southern Review, and elsewhere. Her nonfiction won the 2020 Gulf Coast Nonfiction Prize. She has an MFA from Indiana University and a PhD in creative writing and literature from the University of Cincinnati. Her debut chapbook, Crown for the Girl Inside, won the 2020 Vinyl 45 Chapbook Contest and is forthcoming from YesYes Books.
L. Renée is a poet and nonfiction writer living in Harrisonburg, Virginia, where she works as assistant director of Furious Flower Poetry Center and assistant professor of English at James Madison University. Nominated for Best New Poets, Best of the Net, and two Pushcart Prizes, her work has been published in Obsidian, Tin House Online, Poetry Northwest, the minnesota review, and elsewhere. The granddaughter of proud Black Appalachians, she won the international 2022 Rattle Poetry Prize and Appalachian Review’s Denny C. Plattner Award, among others. A recipient of fellowships from Cave Canem Foundation and the Watering Hole, L. Renée holds an MFA in creative writing from Indiana University, where she was nonfiction editor of the Indiana Review, and an MS in journalism from Columbia University, where she was a Joseph Pulitzer II and Edith Moore Fellow. She has received support from the Barbara Deming Memorial Fund, Inc., Oak Spring Garden Foundation, Peter Bullough Foundation, the Writers’ Colony at Dairy Hollow, Fine Arts Work Center in Provincetown, Monson Arts, Minnesota Northwoods Writers Conference, and others. Learn more at Lreneepoems.com.
Hua Xi (she/they) is a poet and artist. Their poetry has appeared in the New Republic, The Nation, The Atlantic, and elsewhere. They previously won the Boston Review Poetry Contest and was the 2022 Poet-to-Come Scholar at the Walt Whitman Birthplace Association. They sometimes teach poetry workshops with the Spatial Poetry Project.
The Zoom link will be shared with registered guests on the day of the event. Poetry Foundation events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Accessibility: ASL interpretation, captioning
Join us for an exhibition opening conversation between the curator of the entre horizontes, Carla Acevedo-Yates, and Puerto Rican writer and activist José E. López for a wide-ranging conversation on the past and present of Puerto Rican activism.
Accessibility: ASL interpretation, English captioning, Spanish Captioning, wheelchair accessible
https://visit.mcachicago.org/events/talk-jose-e-lopez-carla-acevedo-yates/
Sensory-Friendly Morning is a free program for all people who benefit from visiting the MCA without large crowds and other sensitive environmental elements. This includes visitors with sensory sensitivities, disabilities, autism, PTSD, dementia, and more. On these mornings, lighting at the museum is dimmed, sounds from artworks and environmental noise is kept at a minimum, and a quiet space is available to visitors for breaks. During Sensory-Friendly Mornings, preregistered individuals and their families can visit the museum to explore exhibitions at their own pace, and join a Chicago-based artist for a sensory-friendly art-making experience. The museum is closed to the general public until 11:30 am; at that time, the lights and artworks return to usual operations.
Sensory-Friendly Morning aims to be a welcoming space to experience contemporary art in a judgment-free environment.
Accessibility: sensory-friendly, ASL interpreted, captioning, low lighting, quiet room, Spanish captioning, wheelchair accessible
https://visit.mcachicago.org/events/sensory-friendly-morning-6/
Co-organized with Honey Pot Performance
Coinciding with the career survey exhibition Gary Simmons: Public Enemy, a series of MCA programs activates Gary Simmons’s sculptural installation work, Recapturing Memories of the Black Ark. Inspired by the Black Ark—Lee “Scratch” Perry’s famous recording studio in Kingston, Jamaica, where he pioneered dub reggae—Simmons’s sculptural installation serves as a flexible stage for conversations, music, and performance.
For this day-long celebration of Chicago’s social dance history, the piece is being temporarily installed under the glittering chandelier of the South Shore Cultural Center Dining Room to commemorate the importance of the neighborhood and the history of Black social culture in Chicago.
CART captioning provided, except during the dance party.
DIRECTED BY Uberto Pasolini
SYNOPSIS
Thirty-five-year-old window cleaner and single father John has dedicated his life to raising his son. Given only a few months to live, he traverses Belfast, visiting homes of the working class and wealthy alike. He has a singular goal: to find the perfect family to raise his toddler Michael. How can he carry out this impossible task? Inspired by true events in the UK, Nowhere Special is a tender tale of pure love, profound heartbreak, and parenthood.
https://www.chicagofilmfestival.com/film/nowhere-special/
Accessibility: ASL interpreted, assistive listening devices, captioning, large print program, wheelchair accessible
A celebration of the disability arts with some of Chicago’s best disabled artists and performers! Join us after the parade for short-films, live music, dance, art activities, and a fun photo op in the magnificent and air-conditioned Chicago Cultural Center!
https://www.reinventability.com/disfest
Accessibility: ASL interpreted, audio description, captioning, quiet space, sensory friendly, wheelchair accessible
DIRECTED BY Joseph Amenta
SYNOPSIS
Three friends fall in love with summertime Toronto’s lively nightlife. Young, queer, and unapologetically self-confident, the trio spends their days holding court and plotting to sneak into a nightclub. When one of their caregivers goes missing under suspicious circumstances, reality comes crashing in and their seemingly unbreakable bond is tested. Featuring remarkable performances from its young actors, Soft is a tender portrait of youth, friendship, and life on the city’s margins.
Accessibility: ASL interpreted, assistive listening devices, captioning, large print program, wheelchair accessible
Curb Appeal Gallery is pleased to announce our second exhibition “Genevieve Ramos: Crip Paint Power”. This exhibition debuts new work created as part of Ramos’s Feminist Crip Paint Power, a multi-year project exploring the love, care, and interdependency in disability communities through the lens of disability justice and feminism. Stemming from relationships with disabled BIPOC femmes and through a series of curated interviews and photoshoots in partnership with the photographer Colectivo Multipolar, “Crip Paint Power” features four portraits of leaders in Chicago’s rich disability network, including community organizers Candace Coleman and Michelle Garcia, artist and educator Sandie (Chun-Shan) Yi, and the artist activist Reveca Torres. The exhibition includes a documentary film and zine created in collaboration with the Disability Culture Activism Lab at the School of the Art Institute of Chicago. Following the close of “Crip Paint Power”, the portraits of Coleman, Garcia, Torres, and Yi will be on permanent display at the Disability Cultural Center at the University of Illinois at Chicago.
Curb Appeal is an apartment gallery located in the Heart of Chicago, run by Todd Garon and Sandy Guttman. As an organization, we are interested in the intersection of art and accessibility. We draw inspiration from the neighborhood topology of our historic storefront space and its visibility to the community in which we are sited. Our large windows and sidewalk stoop encourage passersby to peer in as well as invite themselves into our live/workspace. Grounded in the idea of “home” with an ethic of accessibility, Curb Appeal reimagines what both an apartment and a gallery can be.
For more information, please contact info@curbappeal.gallery.
Curb Appeal is wheelchair accessible. As part of the exhibition, there is a documentary film that is open captioned. All the paintings include image descriptions, made available through QR code. Additionally, the zine that accompanies the work is available on the Curb Appeal website. Masks are required for entry and will be provided if needed. Please note, Curb Appeal is an apartment gallery and doubles as a home to our gallery dog.
Accessible Juneteenth 2023
Place: the UIC Quad (behind UIC Student Center East); 750 S. Halsted St., Chicago, IL
Date and Time: Saturday, June 17th, 2023 from 1pm to 5pm (Open mic livestream from 2:15pm to 3:15pm on Zoom and Chicagoland DPOCC Facebook page)
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Come and celebrate our second Juneteenth where we celebrate the black disability community and the victories we accomplished! We want to make Juneteenth a fun and important accessible experience for all, including disabled people in the African Diaspora.
RSVP at https://go.uic.edu/2023_AccessibleJuneteenth_RSVP to get event notifications!
This year, we will have a DJ who will bless us with music fit for our Accessible Juneteenth celebration. There will be food, giveaways, and resources given out by vendors also, including from Black-owned and disability-owned/friendly organizations and businesses.
We will host an open-mic where you can share your talents in singing, spoken-word, playing instruments, and more! Sign up at https://go.uic.edu/2023_AccessibleJuneteenth_OpenMic_Signup by June 9th at 11:59pm CT, or sign up in-person at the event. But hurry, because spots are limited!
If you’re not able to attend the celebration in person, that is okay! You can join us virtually; we will host a livestream of the open mic portion of the event. Register for the livestreams at https://go.uic.edu/2023_Virtual_AccessibleJuneteenth_Stream, or watch the livestream on Chicagoland DPOCC’s Facebook page on June 17th.
ASL will be provided for open mic portion; live captioning will be provided for the livestream of the open mic portion
More event details TBA as we get closer to the day; stay tuned for updates.
This event is brought to you by:
Chicagoland Disabled People of Color Coalition
The Institute on Disability and Human Development at UIC
Access Living
UIC Disability Cultural Center
Chicago Disability Pride Parade
Whole Foods
SYNOPSIS
In Sydney, Gabi and Patricia train to compete in Destructive Steps, Australia’s largest street dance competition. Both are pushing themselves mentally and physically in hopes that winning the contest will open new doors and possibilities for a better life. The film spans seven years and provides viewers with intimate access to the breathtaking artform of street dancing. Keep Stepping illuminates the multicultural, passion-filled subculture and tells a moving story about love, obsession, and the transformative power of dance.
Summer Screenings is Cinema/Chicago’s annual free film series that casts a spotlight on a different country’s national cinema each week all summer. DIRECTED BY Luke Cornish
Cinema has always been fascinated with the city as a “character”— a living, breathing organism that shapes the world around it. This program showcases the myriad ways in which cities are depicted in cinema and how people live, love, move through, and seek connection in urban spaces.
Featuring stories set in cities all around the globe—from the bustling cafes of Bogotá to the seaside cityscapes of Gothenburg and Galway to glittering black and white portraits of Taipei and Seoul to the streets, skyways, rivers, and trains right here in Chicago—these films express the rich, diverse personalities of cities on screen and how they mold and influence how we live.
Films are unrated. Viewer discretion is advised.
Tickets are available to claim 2 weeks before the screening.
SYNOPSIS
Thirty-five-year-old window cleaner and single father John has dedicated his life to raising his son. Given only a few months to live, he traverses Belfast, visiting homes of the working class and wealthy alike. He has a singular goal: to find the perfect family to raise his toddler Michael. How can he carry out this impossible task? Inspired by true events in the UK, Nowhere Special is a tender tale of pure love, profound heartbreak, and parenthood. DIRECTED BY Uberto Pasolini
Summer Screenings is Cinema/Chicago’s annual free film series that casts a spotlight on a different country’s national cinema each week all summer.
Cinema has always been fascinated with the city as a “character”— a living, breathing organism that shapes the world around it. This program showcases the myriad ways in which cities are depicted in cinema and how people live, love, move through, and seek connection in urban spaces.
Featuring stories set in cities all around the globe—from the bustling cafes of Bogotá to the seaside cityscapes of Gothenburg and Galway to glittering black and white portraits of Taipei and Seoul to the streets, skyways, rivers, and trains right here in Chicago—these films express the rich, diverse personalities of cities on screen and how they mold and influence how we live.
Films are unrated. Viewer discretion is advised.
Tickets are available to claim 2 weeks before the screening.
Please join us for a communal dialog with award-winning artist Barak adé Soleil and members of the local Black and Brown neurodiverse and disabled community who are part of adé Soleil’s newly commissioned work SHIFT.
SHIFT, a multidisciplinary project for the MCA’s Frictions series, has two components:
An installation located on the first floor of the MCA during the performance’s run, intentionally next to a spiraling staircase that goes up to the museum’s fourth floor. Barak is creating a film that will be installed and projected onto a diamond-like platform. In this dreamlike video installation, bodies both at rest and as they shift are visible onscreen at life-size and larger-than-life scale. The presence of Black neurodiverse and disabled bodies is amplified from many angles, infiltrating the architecture of the museum’s iconic public stairwell. Whereas these bodies might otherwise be violently misinterpreted as either lazy or near death, adé Soleil offers rest—and the intimacy of everyday gestures—as forms of political resistance for Black people.
A gathering on Saturday, May 6, where members of the Disability community will join adé Soleil in a “promenade” throughout the museum’s public areas; at times they will ascend the staircases and take up space to make visible and apparent the power of community presence. The use of the word promenade is intentional, drawing from its definition: “to take a leisurely public walk, ride, [wheel] or drive so as to meet or be seen by others.”
SHIFT is curated by Tara Aisha Willis, Curator of Performance & Public Practice at the MCA.
Access Information
ASL interpretation, CART captioning, and live audio description are provided. AD devices are available at the museum, and audience members may also use their personal devices to access the audio description through a URL provided on-site.
This event has relaxed viewing protocols and sensory-friendly lighting.
ASL provided.Audio description available.Haptic elements used.
https://visit.mcachicago.org/events/talk-barak-ade-soleil-with-shift-performers/
On the opening of his first comprehensive survey exhibition, Gary Simmons: Public Enemy, multidisciplinary artist Gary Simmons is joined by the curators of the show, René Morales, James W. Alsdorf Chief Curator, and Jadine Collingwood, Assistant Curator, for a wide-ranging discussion of his powerful work.
Accessibility: ASL interpreted, captioning, Spanish captioning
This spring, A.B.L.E. returns to the stage and our classical roots with a multimedia version of A Midsummer Night’s Dream, updated for our social-media obsessed times. Our modern adaptation by A.B.L.E. teaching artist Emma MacLean focuses on the themes of connection and disconnection. The king and queen of the fairies are fighting, the mechanicals are rehearsing a play but no one knows their lines, and the Athenian teens keep changing their relationship status. Join ABLE’s ensembles – 34 actors with intellectual and developmental disabilities as we miss texts, drop calls, and wander love struck in the Athenian forest.
This multimedia production will weave Shakespeare’s words with original scenes, monologues, songs, and dances devised by our ensembles, as well as animated film sequences from VFX designer Brock Alter. The virtual ensemble will narrate the tale for us as the in-person ensembles take the stage Upstairs at Chicago Shakespeare Theater.
With your ticket, you have the option of participating in a 45 minute interactive workshop led by A.B.L.E.’s team of Creative Associates and Teaching Artists. Audiences can experience some of the games and activities A.B.L.E. used to bring their ideas to the stage, get a touch tour of key costume pieces and props, and try A.B.L.E.’s signature “dropping in” method. This exclusive opportunity is only available to 20 ticket holders each day – reserve your spot when booking your ticket.
Event Details:
Sunday June 11th at 2pm (pre-show workshop & touch tour at 12:30pm)
Upstairs at Chicago Shakespeare Theater
800 East Grand Avenue
Chicago IL 60611
Tickets: All tickets are Pay-what-you-can, general admission
Online: ableensemble.com/events
Phone: 312.595.5600
In person: at the Chicago Shakespeare Theater box office
Access: Performances will be open captioned and dual ASL interpreted.
COVID Policies: To ensure A.B.L.E.’s immunocompromised performers and community members feel safe and welcome, all audience members must remain masked for the duration of their time in the theater complex.
This spring, A.B.L.E. returns to the stage and our classical roots with a multimedia version of A Midsummer Night’s Dream, updated for our social-media obsessed times. Our modern adaptation by A.B.L.E. teaching artist Emma MacLean focuses on the themes of connection and disconnection. The king and queen of the fairies are fighting, the mechanicals are rehearsing a play but no one knows their lines, and the Athenian teens keep changing their relationship status. Join ABLE’s ensembles – 34 actors with intellectual and developmental disabilities as we miss texts, drop calls, and wander love struck in the Athenian forest.
This multimedia production will weave Shakespeare’s words with original scenes, monologues, songs, and dances devised by our ensembles, as well as animated film sequences from VFX designer Brock Alter. The virtual ensemble will narrate the tale for us as the in-person ensembles take the stage Upstairs at Chicago Shakespeare Theater.
With your ticket, you have the option of participating in a 45 minute interactive workshop led by A.B.L.E.’s team of Creative Associates and Teaching Artists. Audiences can experience some of the games and activities A.B.L.E. used to bring their ideas to the stage, get a touch tour of key costume pieces and props, and try A.B.L.E.’s signature “dropping in” method. This exclusive opportunity is only available to 20 ticket holders each day – reserve your spot when booking your ticket.
Event Details:
Saturday June 10th at 7pm (pre-show workshop & touch tour at 5:30pm)
Upstairs at Chicago Shakespeare Theater
800 East Grand Avenue
Chicago IL 60611
Tickets: All tickets are Pay-what-you-can, general admission
Online: ableensemble.com/events
Phone: 312.595.5600
In person: at the Chicago Shakespeare Theater box office
Access: Performances will be open captioned and dual ASL interpreted.
COVID Policies: To ensure A.B.L.E.’s immunocompromised performers and community members feel safe and welcome, all audience members must remain masked for the duration of their time in the theater complex.
Sensory-Friendly Morning is a free program for all people who benefit from visiting the MCA without large crowds and other sensitive environmental elements. This includes visitors with sensory sensitivities, disabilities, autism, PTSD, dementia, and more. On these mornings, lighting at the museum is dimmed, sounds from artworks and environmental noise is kept at a minimum, and a quiet space is available to visitors for breaks. During Sensory-Friendly Mornings, preregistered individuals and their families can visit the museum to explore exhibitions at their own pace, and join a Chicago-based artist for a sensory-friendly art-making experience. The museum is closed to the general public until 11:30 am; at that time, the lights and artworks return to usual operations.
Sensory-Friendly Morning aims to be a welcoming space to experience contemporary art in a judgment-free environment.
Accessibility: Sensory-Friendly. ASL Interpretation
https://visit.mcachicago.org/events/sensory-friendly-morning-5/
Hooray! Lucy and Charlie just got hitched…and they’re embracing the worst of the American dream. They do what they want. Take what they want. They’re First Generation Asian American Renegades. In love. And on the run.
Featuring original country western and folk songs, directed by Amanda Dehnert (Peter Pan (A Play), Eastland), Lucy and Charlie’s Honeymoon tracks a young couple as they rev it down quintessentially American highways and across stereotypic borders, fleeing expectation and trawling up trouble along the way.
Direct from his Broadway debut in Almost Famous The Musical, Artistic Associate Matthew C. Yee’s world premiere musical romp gives a nod to America’s past, takes tally of its present, and blows its future wide open.
Open Captioned performance begins at 7:00 PM.
Please contact our Box Office to reserve your seats!
https://lookingglasstheatre.org/event/lucy-and-charlies-honeymoon-2022/
Writing Care Scenes: A Workshop & Skill Share with 2023 3Arts/Bodies of Work Residency Fellow, Kennedy Dawson Healy
Thursday, May 4th, 4:30pm to 6:30pm (Or join us virtually at 5:00pm!)
Haymarket House
800 W Buena Ave, Chicago, IL 60613
Join us for a workshop on writing play scenes about care. Learn about how Kennedy found grounding in writing about issues surrounding care through her in-progress project Care: The Musical. Then take time to develop your own scene that volunteers can share back to the group.
RSVP: https://writingcarescenes.eventbrite.com/
Program:
4:30 – 5:00 pm: Light refreshments and creative printmaking & zine stations* will be available outdoors.
5:00 – 6:30 pm: Workshop & skill share will be hosted in door.
*Creative printmaking & zine stations will be presented by Soph Schinderle (they/them) and Lizzy Dixon (they/them), who have collaborated with Kennedy during her residency. Schinderle and Dixon are both graduate art therapy students in the Community Practice and Helping Relationship Class, department of art therapy and counseling, School of the Art Institute of Chicago (SAIC).
Access Information: Haymarket House is located in Uptown on the corner of Buena and Clarendon. Please enter through the parking lot off Clarendon where there is a ramped side entrance. ASL interpreters, CART, and a Personal Assistant will be available at the event. Masks are required for all who are able to wear them. There are two accessible bathrooms and the large event space has an air filter. For any other accessibility requests, please reach out to Beth Bendtsen at bbendtsen@accessliving.org at your earliest convenience.
Host Information: This event is part of the 2023 3Arts/Bodies of Work Residency Fellowship. Bodies of Work is a part of the Department of Disability and Human Development within the College of Applied Health Sciences at University of Illinois-Chicago.
Supporter Information:
This program received generous support from the Arts and Culture Project at Access Living, an independent living center for people with disabilities, Shirley Ryan Abilities Lab and Disability Culture Activism Lab at SAIC.
The contents of this event were developed under a grant from the National Institute on Disability, Independent Living, and Rehabilitation Research (NIDILRR grant number 90RTCP0005). NIDILRR is a Center within the Administration for Community Living (ACL), Department of Health and Human Services (HHS). The contents of this event do not necessarily represent the policy of NIDILRR, ACL, or HHS, and you should not assume endorsement by the Federal Government.
This program is partially supported by a grant from the Illinois Arts Council Agency, as well as grants to 3Arts from the National Endowment for the Arts and The Joyce Foundation.
Image description (attached flyer): Pastel pink and purple watercolor background with black, purple and blue text. There is a small circular photo of Kennedy, a white, fat, disabled femme, who smiles with their head turned slightly to the right. The back of their power chair is visible over their shoulder. Overlaid on the back ground is text with event information, including the bullet points: Outdoor refreshments, Creative printmaking & zine stations, and Scene writing workshop & sharing. Along the bottom are the logos for the event sponsors.
Join us for a roundtable discussion of legendary Chicago poet Gwendolyn Brooks and her book Blacks with Nora Brooks Blakely, Haki R. Madhubuti, and Kelly Norman Ellis.
This is a hybrid event, which will be offered in-person and via livestream.
Nora Brooks Blakely, a former teacher, founded Chocolate Chips Theatre Company (1982-2011) and was its primary playwright. The daughter of two writers, Henry Blakely (Windy Place) and Gwendolyn Brooks (the first Black person to win the Pulitzer Prize), Brooks Blakely founded Brooks Permissions in 2001 to license and promote her mother’s work through programming and publications that demonstrate Gwendolyn Brooks’s continuing relevance. After writing plays and musicals for decades, she recently released her first children’s book, Moyenda and The Golden Heart, a Kwanzaa origin tale. Learn more at flyingcolorsunlimited.com.
Dr. Haki R. Madhubuti—poet, author, publisher, and educator—is regarded as an architect of the Black Arts Movement and is the founder and publisher of Chicago’s Third World Press. Madhubuti has published more than 36 books, including Think Black; Black Pride; Don’t Cry, Scream; and We Walk the Way of the New World . His poetry and essays have been selected for more than 100 anthologies. he National Endowment for the Arts and the National Endowment for the Humanities have recognized his poetry, and he has won anAmerican Book Award, Illinois Arts Council Award, Studs Terkel Humanities Service Award, and Hurston/Wright Legacy Prize in poetry for Liberation Narratives. His latest book, Taught By Women: Poems as Resistance Language, New and Selected, published in 2020, pays homage to the women who influenced him. Madhubuti is a recipient of the 2022 Ruth Lilly Poetry Prize.
Kelly Norman Ellis is the author of Tougaloo Blues and Offerings of Desire; her poetry has appeared in Sisterfire: Black Womanist Fiction and Poetry, Spirit and Flame, Role Call: A Generational Anthology of Social and Political Black Literature and Art, Boomer Girls, ESSENCE, Obsidian, Calyx, and Cornbread Nation. She is a recipient of a Kentucky Foundation for Women writer’s grant and is a Cave Canem fellow and founding member of the Affrilachian Poets. Ellis is an associate professor of English and creative writing and chairperson for the Department of English, Foreign Languages and Literatures at Chicago State University.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. If you will not comply with this requirement, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here. https://www.eventbrite.com/e/gwendolyn-brooks-panel-reflecting-on-a-chicago-legend-tickets-621192251747
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Accessibility: ASL interpreted, captioning
Monique and her daughter Sam are on the run. From what, they will not say. Showing up on their family’s doorstep in Brooklyn, the surprise visit raises more questions than it answers. As the specter of their abandoned life in Georgia creeps back into focus, the family is forced to consider what must be sacrificed to raise a child in an often-cruel world. Donnetta Lavinia Grays’s heartbreaking and poetic portrait of love–Black, queer, familial–is a bold tribute to the enduring promise of tomorrow.
Accessibility: captioniong
The exhilarating work of Chicago’s next generation of filmmakers is showcased in this eclectic collection that celebrates the vast array of creative expressions emerging from our city. These films will screen with Open Captions, and the Q&A will feature Live Captioning.
Note: Films in this program contain themes or language that may not be suitable for all ages.
Accessibility: open captions, live captions
https://www.chicagofilmfestival.com/film/cineyouth2023-chicagoland/
The exhilarating work of Chicago’s next generation of filmmakers is showcased in this eclectic collection that celebrates the vast array of creative expressions emerging from our city.
Note: Films in this program contain themes or language that may not be suitable for all ages.
Closed Captions will be available with these films on our online platform.
https://www.chicagofilmfestival.com/film/cineyouth2023-chicagoland/
Please note, there are also in-person screenings. This post contains information for the virtual screening only.
Limited capacity. Advanced registration is required.
Masking is required for this performance.
Using the pain scale as a primary source material, Scale places medicalized methods of quantifying pain in conversation with alternative ways of reading and attending to pain emerging from the disability community, ultimately proposing new ways of caring for the bodymind in dance. These complex interactions between medicalization, care, and community are explored through movement, video, and the use of access tools for both performers and audience members. Scale invites audience members to attend to their own embodied experience of the piece, offering pillows, blankets, and other care objects as tools for curating the way they engage with and experience the work. Scale poses questions around the ways that we perceive pain, ultimately reaching toward a more compassionate and disability-informed way of creating and performing dance.
Each performance is followed by a Crafting Care event that serves as a sort of informal “talk back” with some of the artists, as well as an opportunity to join in the crafting practice that informed much of the work of Scale. Audience members are encouraged to bring their own crafting projects, participate in a group embroidery project, or simply share space and chat about Scale in community with the artists and other audience members.
COLLABORATORS
Performers: Maggie Bridger, Jordan Brown, Joán Joel, Alex Neil-Sevier, Robby Lee Williams
Costumes and Visual Art: Reveca Torres
Sound Design: Shireen Hamza
Crafters: Margaret Fink, Sandy Guttman, Alison Kopit, Ashley Miller
Access information
ACCESS DURING PERFORMANCE
Captions, American Sign Language, audio descriptions, opportunities to rest, and sensory notes are incorporated into the performance in ways that we hope generate a unique, thoughtful experience for each audience member. The methods we’re using to incorporate these elements into the performance are experimental and may differ from the ways these tools are encountered in other arts spaces. We are continuing to learn, develop, and experiment alongside our community and welcome feedback on these elements, particularly from members of the community that rely on these various tools to access performance.
COVID Protocols:
Masking is required in the performance space. Mana Contemporary, though, is a shared building that does not require masking and there may be unmasked people outside of the performance space. You are welcome to bring your own mask or grab one of the high quality masks available to audience members in both adult and child sizes at the building’s entrance. All performers will be masked, though there is a moment in the work where performers layer masks one on top of the other, which may cause their masking to be less effective for a short period of time.
Arriving at Mana & Wayfinding:
All audience members will enter the ramped entrance to Mana Contemporary located on the west side of the building near the Throop street entrance to the parking lot. Audiences will then be guided through the building to the performance space by the performers, two of whom use ASL and will be able to guide Deaf and hard of hearing audience members. The first 30 minutes of the performance time is dedicated to audience arrival and getting situated in the performance space, so there is no need to rush or worry about arriving precisely on time. There is time to rest, chat, and get settled.
A library around the corner from the performance space will be used as a “quiet space” that folks can use to get a break from the performance, if needed.
Access Tools and Sharing Space:
The show runs about an hour and a half with the first half hour dedicated entirely to audience members arriving and getting settled for the performance. Upon entering the space, audience members will be offered access devices and care tools to help them feel as comfortable as possible throughout the performance. Some of the tools we have available are:
4 blankets
3 small weighted blankets
9 pillows
2 large beanbags
Yoga mats/exercise mats
Instant hot and cold packs
Stim tools
3 ear defenders
In addition to these, you are very welcome to bring your own tools/devices. We invite you to move, stim, rest, and generally make yourself comfortable during the performance. Our tools/devices will be cleaned with scent-free detergent/cleanser between each performance.
We ask that audience members refrain from wearing any scented perfume, cologne, lotion, etc. However, Mana Contemporary is a shared space where tenants will sometimes burn incense or use other scented products. Unfortunately, we cannot guarantee a fully scent-free environment.
Join us for an Open Door reading with Gregg Bordowitz, Asia Calcagno, Terri Kapsalis, and Ugochi Nwaogwugwu. The Open Door series highlights creative relationships in Chicago, including mentorship and collaboration.
This is a hybrid event, which will be offered in-person and via livestream.
Gregg Bordowitz is a writer, artist, and activist. He currently serves as the director of the Whitney Museum Independent Study Program in New York, New York.
Asia Calcagno is a writer and educator from Chicago. Calcagno’s writing has been featured in literary magazines and anthologies such as Third Coast, Poetry magazine, The Golden Shovel Anthology, West Trade Review, Smartish Pace, Black Femme Collective, and Respect the Mic. She holds an MFA from Bennington College, and spends her time educating, consulting, and using storytelling to create more effective educational spaces. She is a 2022 Luminarts Creative Writing Fellow and a 2022–2023 Ingenuity Constellation Fellow.
Terri Kapsalis is the author of Jane Addams’ Travel Medicine Kit, The Hysterical Alphabet, and Public Privates: Performing Gynecology from Both Ends of the Speculum. Kapsalis’s writing has appeared on Literary Hub and in edited volumes and journals, including Short Fiction, The Baffler, Denver Quarterly, Public, and Parakeet Magazine. A founding member of Theater Oobleck, she has performed in over 30 productions. Since 1991, she has been a collective member and health educator at the Chicago Women’s Health Center and co-founded TGAP (Trans Greater Access Project) and the Integrative Health Program. She teaches at the School of the Art Institute of Chicago.
Ugochi Nwaogwugwu is a multidisciplinary creative–a professional poet, singer, songwriter, composer, musician, poetry instructor, and teaching artist. Nwaogwugwu has executive produced, written, and coarranged three album projects, and her poetry has been been published in Storm Between Two Fingers and Too Young, Too Loud, Too Different, both international anthologies out of the UK. Her poems are also featured in TheGolden Shovel Anthology and Wherever I’m At. Ugochi created an original pan-African poetry form called Ike (pronounced ee-KAY) paying homage to her Igbo culture (Nigeria, West Africa). She also has written newsworthy essays including “Not My President,” published by Third World Press.
In-Person Attendance
All guests over the age of two must wear a mask inside the Poetry Foundation building. If you will not comply with this requirement, you will not be granted entry to the event. Please note that some performers may choose to perform without a mask. Guests are encouraged to register in advance.
Livestream Attendance
The livestream link will be shared with registered guests on the day of the event. In order to receive the livestream details, please register in advance here.
The Poetry Foundation’s events are completely free of charge and open to the public. This event will include CART captioning and ASL interpretation. For more information about accessibility at the Poetry Foundation, please visit our Accessibility Guide.
Pulitzer Prize Finalist Elif Batuman is one of the biggest names in literature. Her newest work Either/Or continues the story of her first book, following Selin Karadag, a young woman exploring adulthood. Join this decorated author in a conversation about Kierkegaard, literary beauty, and the journey of life. Following the conversation, Chicago composer and multi-instrumentalist Macie Stewart will perform a suite of her poetic, baroque-tinged folk songs with saxophonist Dustin Laurenzi. The evening concludes with a special presentation of DJs Brian Case’s and Bobby Burg’s legendary and long-running Smith’s Night at Danny’s Tavern.
A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/batuman-stewart/
James Beard Foundation Award-winning chef, Sarah Grueneberg knows a thing or two about great ingredients. Drawing on her long love affair with Italian cooking and the methods she uses at her renowned restaurant Monteverde, Sarah begs us to feature veggies as the main attraction in her new cookbook, Listen to Your Vegetables: Italian-Inspired Recipes for Every Season. Join Chicago Humanities as we sit down with this award-winning chef and chef Rick Bayless for an intimate conversation and tips on how to up our vegetable game.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/sarah-grueneberg/
A native of Park Ridge, Secretary Hillary Rodham Clinton’s middle-class upbringing taught her the value of hard work, determination, and the importance of public service. Now, she’s returning this spring to talk about how Chicago provided the foundation upon which she built her life and career. Join her for a far-reaching, intimate conversation about her work advocating for civic engagement through Onward Together, her thoughts on current affairs, and her connection to Chicago’s own beloved local activist, Joanne Alter.
This event will have ASL Interpretation, audio description, open captions, and ALDs.
https://www.chicagohumanities.org/events/venues/riviera-theatre/
Youtube star, author, transgender activist and advocate for the LGBTQIA+ community, Gigi Gorgeous, and American drag performer, actor, make-up artist, and the first transgender male to compete on RuPaul’s Drag Race, Gottmik are ready for real talk about their transition journeys. Join these two queer icons as they discuss their newest book, The T Guide: Our Trans Experiences and a Celebration of Gender Expression―Man, Woman, Nonbinary, and Beyond, and discover the knowledge you need to be the best ally you can be and better understand what it means for those who embark on this journey.
Come enjoy dinner and drinks at Chop Shop before or after the conversation with Gigi Gorgeous and Gottmik. A book signing will follow this program.
This event will have open captions and ALDs.
https://www.chicagohumanities.org/events/attend/gorgeous-gottmik/
Does a job, a home, and a killer wardrobe make you a true adult? Andrew Rannells isn’t so sure. If he’s so successful in his forties, then why does he still feel like an anxious twenty-something? Were the triumphs of his life actually failures? And were his failures his real triumphs? At Chicago Humanities, the Tony-nominated actor will sit down for a witty, fun, and poignant conversation that looks back over his career– from the Broadway stage (The Book of Mormon) to the silver screen (Girls, Big Mouth)–to ask what success and “adulting” really mean and whether he will ever feel like he has enough.
A book signing will follow this program.
This event will have open captions, audio description, and ALDs.
https://www.chicagohumanities.org/events/attend/andrew-rannells/
New York Times bestselling author, beloved TV host, and executive producer of The Real Housewives, Andy Cohen is the busiest man in show business. Now, he’s taking on the most important role of his life: dad. With a three-year old son and a baby girl born in May, late-night parties have been replaced by late-night feedings. Join Chicago Humanities for a lively evening with this Watch What Happens Live! host as he reflects on his year filled with housewife drama, a mayoral feud, and a renewed understanding of how family really changes everything.
This event will have open captions, audio descriptions, and ALDs.
There’s no better biographer working right now than Chicago’s own Jonathan Eig. He has helped us understand some of the most monumental lives of our times, such as Jackie Robinson, Lou Gehrig, and Al Capone. Eig’s newest subject is one of the most important figures in U.S. history: Martin Luther King Jr. But what is new to say about MLK? Plenty, it turns out. Join Eig and The Interview Show’s Mark Bazer for a conversation that will shed new light on this extraordinary American life. Following the conversation, Chicago jazz group The JuJu Exchange performs selections from their latest project, JazzRx, and share the emotional journey they and their fans took together to bring this healing music to life.
Come enjoy dinner and drinks at Chop Shop before or after this event.
This event will have open captions, audio description and ALDs.
https://www.chicagohumanities.org/events/attend/eig-jujuexchange/