Newark, NJ. Post-9/11. Two teenagers, brought to America as children, now face an unlikely foe: unexpected, unreciprocated love. Their friendship is no longer enough (for one of them) and their adopted country doesn’t love them back. Pulitzer Prize-winner Martyna Majok brings light to the sacrifices made by DREAMers, lovers and life-long friends in the heart-stirring and hopeful Sanctuary City—a story that fractures and transcends—crossing boundaries, borders and genres in search of a place to call home.
Sanctuary City will be the first Steppenwolf production that includes both a full membership series run, as well as a full run of student matinees as a part of the Steppenwolf for Young Adults series, providing a synergistic opportunity to cultivate more intergenerational audiences.
Audio-Described and Touch Tour:
Sunday, October 8 at 3pm
(1:30pm touch tour, 3pm curtain)
Open-Captioned Public Performances:
Thursday, October 12 at 7:30pm
Saturday, October 21 at 3pm
ASL-Interpreted Public Performance:
Friday, October 13 at 7:30pm
Relaxed/Sensory Friendly Public Performance:
Saturday, October 28th at 3pm
ASL-Interpreted Student Matinee:
Friday, November 3 at 10am
Spanish Language-Captioned:
Saturday, November 4 at 3pm
https://www.steppenwolf.org/tickets–events/seasons-/202324/sanctuary-city/
MSNBC’s Rachel Maddow returns to Chicago Humanities to expose the shocking truth behind subversive attempts to undermine democracy and the inspiring tales of those who rose to challenge the insurrectionists. Inspired by the research for her #1 Apple podcast, MSNBC’s Rachel Maddow Presents: Ultra, Maddow’s latest book PREQUEL: An American Fight Against Fascism tells the World War II story of a committed group of public servants and courageous private citizens thwarting the far-right’s attempts to align our nation with the Nazis. Join Maddow as she sits down with historian, author and Northwestern University professor Kathleen Belew to explore the rise of this wild strain of American authoritarianism, the profoundly relevant insights about America today that can be drawn from its history, and her take on our own unprecedented times.
This event will have open captions, audio description, asl interpretation and assistive listening devices with t-coil available at the Box Office.
To buy tickets, press on this link below: https://www.chicagohumanities.org/events/attend/rachel-maddow/
Jonas Becker’s New Normal explores how we, as individuals in society, adjust to large-scale cultural trauma, environmental deterioration, the loss of civil liberties, and increased financial precarity. As conditions erode over time, expectations shift silently for some, for others violently. The performance follows an improvisational score in which six trans-masculine performers respond to the slow violence of our current moment through endurance and illusion, struggle and support. Rocks that appear heavy are made of paper, and gestures where performers entangle each other oscillate between aggression and care. Importantly, some radical bodies resist normalization, while for others, the new normal is nothing new. The performers test their limits, adjust and readjust, responding physically to diminishing environmental standards and political conditions. This presentation expands on an In Progress showing of the work in the MCA’s main atrium in 2019, with an emotionally resonant arrangement of motion, sound, and lighting.
Run time: 45 minutes
Chicago Performs is organized by Tara Aisha Willis, former MCA Curator, with Laura Paige Kyber, Curatorial Associate.
Prior to the performance the lights will be set low. Please let a staff member know if you need assistance to your seat.
Audio Description and CART captioning are provided for the performance on Sunday, September 10.
Blown fuses, real and metaphorical, punctuate the action with flashes of pent up energy in this acclaimed play. The diminutive heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father’s records at a volume matched only by the soulful power of her vocal impressions. Little Voice has a hidden talent: she can emulate every chanteuse from Judy Garland to Edith Piaf. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent’s interest as affection rather than enthusiasm for the gold mine buried in her daughter’s throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.
This performance includes captioning, audio description and a touch tour (tentatively scheduled for 2pm.)
All gender, accessible restrooms are available on site.
Pro wrestling bursts onto the stage in a high-octane, immersive, 90-minute thrill ride.
It’s a night in the theater that you’ll never forget. Experience the heart-pumping action ringside, as the Goodman transforms into a professional wrestling arena—a perfect backdrop for the high drama and rich cultural history of lucha libre. Originally developed with Prism Movement Theater and produced in partnership with CLATA as part of 2023 Destinos Festival, actors and luchadores (wrestlers) in masks representative of Aztec gods play out an exciting wrestling story about family, honor, tradition and redemption.
Touch Tour and Audio-Described Performance
Saturday, October 28
12:30pm Touch Tour & 2:00pm Performance
Use code AUDIO for $30 tickets
Spanish Subtitles Performance
Saturday, October 28 at 7:30pm
Use code SPANISH for $30 tickets
Open-Captioned Performance
Sunday, October 29 at 2:00pm
Use code OPEN for $30 tickets
A startling look at conflicts of climate change, race, and gender in the days leading up to an infamous dust storm in 1930s Texas.
IT IS APRIL 1935 IN THE DUST STORM-RIDDLED PLAINS OF TEXAS and a family farm is struggling to keep afloat amidst a mounting series of environmental disasters. As Jesús, a new field worker, arrives in their midst, stubborn Pa refuses to believe his land is no longer viable, young Sunny dreams of a new life in bountiful California, and Ma starts having mysterious visions of the future. Developed through TimeLine’s Playwrights Collective, this world premiere by Dolores Díaz offers a startling look at the conflicts surrounding climate change, race, and gender in the days leading up to an infamous dust storm known as Black Sunday.
This world premiere play was developed through TimeLine’s Playwrights Collective—the fourth play developed through the Collective to receive a full production, following Brett Neveu’s To Catch a Fish (2018); Tyla Abercumbie’s Relentless (2022, Jeff Award for Outstanding New Work); and Will Allan’s Campaigns, Inc. (2022). Black Sunday received its first public readings as part of TimeLine’s First Draft Playwrights Collective Festival in December 2021.
Accessibility: open captions, audio description, touch tour
https://timelinetheatre.com/events/black-sunday/
Black Sunday runs May 16 – June 30, 2024 (previews 5/8 – 5/15) at TimeLine Theatre, 615 W. Wellington Ave.
An innovative documentary piece that shines a spotlight on the stories of those caught in America’s school-to-prison pipeline.
HAILED BY THE NEW YORK TIMES AS “A SEARING AND URGENT WORK that confronts some of the most pressing issues of our time with honesty, intelligence, and compassion,” this innovative first-person documentary piece shines a light on the stories of those caught in America’s school-to-prison pipeline. Utilizing verbatim dialogue pulled from more than 250 real accounts from students, faculty, prisoners, activists, politicians, and victims’ families, Notes From the Field takes audiences on a powerful and emotional journey through the faults and systemic injustices of the American criminal justice system. Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, it’s a masterful work that makes it impossible to look away from the urgent need for change.
Originally performed by creator Anna Deavere Smith as a one-woman show, this 2017 Obie Award-winning production was hailed by The Guardian as “captivating political theatre, a devastating document of racial inequality and the most rousing of rallying calls. Everyone should watch it, at least once.”
Accessibility: open captions, audio description, touch tour
https://timelinetheatre.com/events/notes-from-the-field/
Notes From the Field runs February 8 – March 24, 2024 (previews 1/31 – 2/7) at TimeLine Theatre, 615 W. Wellington Ave.
TimeLine presents the Chicago premiere production of the 2022 Tony Award winner for Best Play!
Told in three parts over one evening, The Lehman Trilogy is the quintessential story of western capitalism, rendered through the lens of a single immigrant family. On a cold September morning in 1844, a young Jewish man from Bavaria stands on a New York dockside dreaming of a new life in the new world. He is soon joined by his two brothers, and an American epic begins. 163 years later, the firm they establish—Lehman Brothers—spectacularly collapses into bankruptcy, triggering the largest financial crisis in history. Weaving together nearly two centuries of family history, this theatrical event charts the humble beginnings, outrageous successes, and devastating failure of the financial institution that would ultimately bring the global economy to its knees.
Throughout its production history, The Lehman Trilogy has been met with extraordinary international acclaim. The Guardian proclaimed the original production “a kaleidoscopic social and political metaphor” and “an intimate epic about the shifting definition of the American Dream.” The Chicago Tribune praised it as “a masterwork” and The New York Times as “a vivid tale of profit and pain.” Vanity Fair raved that it is “true blockbuster theatre that will hold you captive until the final curtain call,” with Time Out New York saying “it leaves you dazzled.” And the Wall Street Journal declared that The Lehman Trilogy “surpasses all praise.”
For more information on access programming at Broadway in Chicago visit https://www.broadwayinchicago.com/tickets/accessible-information/
Accessibility: audio description, open captions
WORLD PREMIERE BY NAMBI E. KELLEY
DIRECTED BY TASIA A. JONES
Civil rights activist Kwame Ture, born Stokely Carmichael, was a towering icon; a man of immense domestic and international importance. But he was also just that: a man. Blending the historical and the personal, Stokely: The Unfinished Revolution asks: how can you trust someone with a movement when you can’t trust them with your heart? Tasia A. Jones makes her Court directorial debut with playwright Nambi E. Kelley’s evocative world premiere.
This event will have ASL interpretation, assistive listening devices, audio description, and wheelchair accessible seating.
Touch Tour will begin at 12:30pm.
BY SOPHOCLES
DIRECTED BY GABRIELLE RANDLE-BENT,
ASSOCIATE ARTISTIC DIRECTOR
As Antigone mourns her brothers, she must decide if she will sacrifice her life to balance the scales of justice. Associate Artistic Director Gabrielle Randle-Bent’s interpretation of Sophocles’ masterwork – featuring Aeriel Williams in the titular role and Timothy Edward Kane as King Creon – renders Antigone electrifyingly alive, situating this tale in our modern conversation about the price of democracy, and asking – crucially – if it’s a price we’re willing to pay.
This event will have ASL interpretation, assistive listening devices, audio description, and wheelchair accessible seating.
Touch tour will begin at 12:30pm.
Aida presents a riveting love triangle, which unfolds in an alluring Egyptian setting. At Lyric Opera of Chicago, each of the five principal artists boasts not only a sumptuously beautiful voice, but also the charismatic presence to bring these characters vividly to life.
This event will have audio description, braille programs, large print programs, assistive listening devices, and is wheelchair accessible.
Cinderella (La Cenerentola) tells the story of the downtrodden daughter of a selfish father, Don Magnifico. When Prince Ramiro (disguised as his own valet, Dandini) meets her, they fall instantly in love, leading — after a few complications — to a heartwarming happy ending.
This event will have audio description, braille programs, large print programs, assistive listening devices and is wheelchair accessible.
https://www.lyricopera.org/shows/upcoming/2023-24/cinderella/
Marie, the lovable, irrepressible spirited heroine — a foundling, raised by soldiers — loves handsome Tonio. Things get complicated when the Marquise carts her off to refine her with a “proper” education. In one exhilarating number after another, Marie throws off coloratura flourishes like shooting stars, while her tenor sweetheart pops out nine high Cs in a single aria!
This event will have audio description, braille programs, large print programs, and assistive listening devices.
https://www.lyricopera.org/shows/upcoming/2023-24/daughter-of-the-regiment/
The Flying Dutchman is the story of a young woman’s obsession. Senta dreams of the Dutchman, who’s cursed to wander the earth. He comes ashore every seven years, searching for a woman who will be faithful to him until death. When she meets him, Senta’s fate is sealed. This new-to-Chicago production at Lyric Opera of Chicago will bring to life some of the composer’s most magnificent and emotional music, including thrilling, spectacular choruses.
Sung in German with projected English Titles.
This event will have audio description and assistive listening devices.
https://www.lyricopera.org/shows/upcoming/2023-24/the-flying-dutchman/
A celebration of the disability arts with some of Chicago’s best disabled artists and performers! Join us after the parade for short-films, live music, dance, art activities, and a fun photo op in the magnificent and air-conditioned Chicago Cultural Center!
https://www.reinventability.com/disfest
Accessibility: ASL interpreted, audio description, captioning, quiet space, sensory friendly, wheelchair accessible
The Harvard Computers worked by daylight at the observatory, studying photographic plates of the night sky. The play follows Annie Jump Cannon and Henrietta Leavitt through their groundbreaking discoveries that changed the field of astronomy and shaped how we understand the universe. This performance brings the science of space to life through movement, music, and light. A celebration of friendship, curiosity, and the never-ending search to find our place in the universe.
2pm Touch Tour
3-5pm Audio Described performance
Lyric Opera is prototyping an innovative new experience for audiences who are deaf or hard of hearing called the SoundShirt, built by CuteCircuit. While the orchestra and artists perform on stage, microphones capture the sound. Computer software transforms the sounds into touch data, and the data is broadcast wirelessly to the SoundShirts. SoundShirt wearers experience the feeling of music rendered on their upper body through haptic actuation in real-time in a fully immersive way.
We’re prototyping the experience during our summer musical, West Side Story, and inviting a few outside guests who are hard of hearing and deaf to participate and experience it. There will be a follow-up survey seeking feedback. Seats and shirt sizes are limited, and tickets are free.
For questions, please write to [bdunn@lyricopera.org](mailto:bdunn@lyricopera.org).
https://www.lyricopera.org/shows/upcoming/2022-23/west-side-story/
Please join us for a communal dialog with award-winning artist Barak adé Soleil and members of the local Black and Brown neurodiverse and disabled community who are part of adé Soleil’s newly commissioned work SHIFT.
SHIFT, a multidisciplinary project for the MCA’s Frictions series, has two components:
An installation located on the first floor of the MCA during the performance’s run, intentionally next to a spiraling staircase that goes up to the museum’s fourth floor. Barak is creating a film that will be installed and projected onto a diamond-like platform. In this dreamlike video installation, bodies both at rest and as they shift are visible onscreen at life-size and larger-than-life scale. The presence of Black neurodiverse and disabled bodies is amplified from many angles, infiltrating the architecture of the museum’s iconic public stairwell. Whereas these bodies might otherwise be violently misinterpreted as either lazy or near death, adé Soleil offers rest—and the intimacy of everyday gestures—as forms of political resistance for Black people.
A gathering on Saturday, May 6, where members of the Disability community will join adé Soleil in a “promenade” throughout the museum’s public areas; at times they will ascend the staircases and take up space to make visible and apparent the power of community presence. The use of the word promenade is intentional, drawing from its definition: “to take a leisurely public walk, ride, [wheel] or drive so as to meet or be seen by others.”
SHIFT is curated by Tara Aisha Willis, Curator of Performance & Public Practice at the MCA.
Access Information
ASL interpretation, CART captioning, and live audio description are provided. AD devices are available at the museum, and audience members may also use their personal devices to access the audio description through a URL provided on-site.
This event has relaxed viewing protocols and sensory-friendly lighting.
ASL provided.Audio description available.Haptic elements used.
https://visit.mcachicago.org/events/talk-barak-ade-soleil-with-shift-performers/
This spring, A.B.L.E. returns to the stage and our classical roots with a multimedia version of A Midsummer Night’s Dream, updated for our social-media obsessed times. Our modern adaptation by A.B.L.E. teaching artist Emma MacLean focuses on the themes of connection and disconnection. The king and queen of the fairies are fighting, the mechanicals are rehearsing a play but no one knows their lines, and the Athenian teens keep changing their relationship status. Join ABLE’s ensembles – 34 actors with intellectual and developmental disabilities as we miss texts, drop calls, and wander love struck in the Athenian forest.
This multimedia production will weave Shakespeare’s words with original scenes, monologues, songs, and dances devised by our ensembles, as well as animated film sequences from VFX designer Brock Alter. The virtual ensemble will narrate the tale for us as the in-person ensembles take the stage Upstairs at Chicago Shakespeare Theater.
With your ticket, you have the option of participating in a 45 minute interactive workshop led by A.B.L.E.’s team of Creative Associates and Teaching Artists. Audiences can experience some of the games and activities A.B.L.E. used to bring their ideas to the stage, get a touch tour of key costume pieces and props, and try A.B.L.E.’s signature “dropping in” method. This exclusive opportunity is only available to 20 ticket holders each day – reserve your spot when booking your ticket.
Event Details:
Sunday June 11th at 2pm (pre-show workshop & touch tour at 12:30pm)
Upstairs at Chicago Shakespeare Theater
800 East Grand Avenue
Chicago IL 60611
Tickets: All tickets are Pay-what-you-can, general admission
Online: ableensemble.com/events
Phone: 312.595.5600
In person: at the Chicago Shakespeare Theater box office
Access: Performances will be open captioned and dual ASL interpreted.
COVID Policies: To ensure A.B.L.E.’s immunocompromised performers and community members feel safe and welcome, all audience members must remain masked for the duration of their time in the theater complex.
This spring, A.B.L.E. returns to the stage and our classical roots with a multimedia version of A Midsummer Night’s Dream, updated for our social-media obsessed times. Our modern adaptation by A.B.L.E. teaching artist Emma MacLean focuses on the themes of connection and disconnection. The king and queen of the fairies are fighting, the mechanicals are rehearsing a play but no one knows their lines, and the Athenian teens keep changing their relationship status. Join ABLE’s ensembles – 34 actors with intellectual and developmental disabilities as we miss texts, drop calls, and wander love struck in the Athenian forest.
This multimedia production will weave Shakespeare’s words with original scenes, monologues, songs, and dances devised by our ensembles, as well as animated film sequences from VFX designer Brock Alter. The virtual ensemble will narrate the tale for us as the in-person ensembles take the stage Upstairs at Chicago Shakespeare Theater.
With your ticket, you have the option of participating in a 45 minute interactive workshop led by A.B.L.E.’s team of Creative Associates and Teaching Artists. Audiences can experience some of the games and activities A.B.L.E. used to bring their ideas to the stage, get a touch tour of key costume pieces and props, and try A.B.L.E.’s signature “dropping in” method. This exclusive opportunity is only available to 20 ticket holders each day – reserve your spot when booking your ticket.
Event Details:
Saturday June 10th at 7pm (pre-show workshop & touch tour at 5:30pm)
Upstairs at Chicago Shakespeare Theater
800 East Grand Avenue
Chicago IL 60611
Tickets: All tickets are Pay-what-you-can, general admission
Online: ableensemble.com/events
Phone: 312.595.5600
In person: at the Chicago Shakespeare Theater box office
Access: Performances will be open captioned and dual ASL interpreted.
COVID Policies: To ensure A.B.L.E.’s immunocompromised performers and community members feel safe and welcome, all audience members must remain masked for the duration of their time in the theater complex.
Hooray! Lucy and Charlie just got hitched…and they’re embracing the worst of the American dream. They do what they want. Take what they want. They’re First Generation Asian American Renegades. In love. And on the run.
Featuring original country western and folk songs, directed by Amanda Dehnert (Peter Pan (A Play), Eastland), Lucy and Charlie’s Honeymoon tracks a young couple as they rev it down quintessentially American highways and across stereotypic borders, fleeing expectation and trawling up trouble along the way.
Direct from his Broadway debut in Almost Famous The Musical, Artistic Associate Matthew C. Yee’s world premiere musical romp gives a nod to America’s past, takes tally of its present, and blows its future wide open.
Touch Tour will begin at 12:30 PM CT.
Audio Described Performance begins at 1:30 PM CT.
Please contact our Box Office to reserve your seats!
https://lookingglasstheatre.org/event/lucy-and-charlies-honeymoon-2022/
Our Audio Description and Touch Tour Date for London Road is Friday, May 5. The Touch Tour begins at 6:45 pm, and the show will be at 8:00. Use the code “ACCESS20” for $20 tickets if you plan to take advantage of these accessibility offerings!
Determined and tenacious, the residents of Ipswich, UK mobilize to overcome the immense fear and media circus that unfolds following the serial murder of 5 sex workers in their small town. This experimental and innovative new musical is based on a true story, using verbatim dialogue recorded during interviews with the people of Ipswich. Brought to the American stage for the first time ever, London Road is an uplifting story that reveals how a devastating tragedy can spark empathy and engender community resilience.
This musical is 2 hours 15 minutes, with one intermission.
Masks are mandatory for all patrons for the entire duration of the performance, except when actively drinking beverages.
https://sgtheatre.org/london/
You meet. You marry. You have kids. That’s the way it always goes. Or is it? What if your story changes? What would it cost? Another Marriage is an intimate and beautifully rendered portrait of an ever-evolving relationship that may never be quite finished. Ensemble member Kate Arrington’s playwriting debut upends time and the typical romantic comedy to explore the liabilities of falling in and out of love.
Accessibility: audio description, touch tour
Monique and her daughter Sam are on the run. From what, they will not say. Showing up on their family’s doorstep in Brooklyn, the surprise visit raises more questions than it answers. As the specter of their abandoned life in Georgia creeps back into focus, the family is forced to consider what must be sacrificed to raise a child in an often-cruel world. Donnetta Lavinia Grays’s heartbreaking and poetic portrait of love–Black, queer, familial–is a bold tribute to the enduring promise of tomorrow.
Accessibility: audio described, touch tour
A native of Park Ridge, Secretary Hillary Rodham Clinton’s middle-class upbringing taught her the value of hard work, determination, and the importance of public service. Now, she’s returning this spring to talk about how Chicago provided the foundation upon which she built her life and career. Join her for a far-reaching, intimate conversation about her work advocating for civic engagement through Onward Together, her thoughts on current affairs, and her connection to Chicago’s own beloved local activist, Joanne Alter.
This event will have ASL Interpretation, audio description, open captions, and ALDs.
https://www.chicagohumanities.org/events/venues/riviera-theatre/
Does a job, a home, and a killer wardrobe make you a true adult? Andrew Rannells isn’t so sure. If he’s so successful in his forties, then why does he still feel like an anxious twenty-something? Were the triumphs of his life actually failures? And were his failures his real triumphs? At Chicago Humanities, the Tony-nominated actor will sit down for a witty, fun, and poignant conversation that looks back over his career– from the Broadway stage (The Book of Mormon) to the silver screen (Girls, Big Mouth)–to ask what success and “adulting” really mean and whether he will ever feel like he has enough.
A book signing will follow this program.
This event will have open captions, audio description, and ALDs.
https://www.chicagohumanities.org/events/attend/andrew-rannells/
New York Times bestselling author, beloved TV host, and executive producer of The Real Housewives, Andy Cohen is the busiest man in show business. Now, he’s taking on the most important role of his life: dad. With a three-year old son and a baby girl born in May, late-night parties have been replaced by late-night feedings. Join Chicago Humanities for a lively evening with this Watch What Happens Live! host as he reflects on his year filled with housewife drama, a mayoral feud, and a renewed understanding of how family really changes everything.
This event will have open captions, audio descriptions, and ALDs.
There’s no better biographer working right now than Chicago’s own Jonathan Eig. He has helped us understand some of the most monumental lives of our times, such as Jackie Robinson, Lou Gehrig, and Al Capone. Eig’s newest subject is one of the most important figures in U.S. history: Martin Luther King Jr. But what is new to say about MLK? Plenty, it turns out. Join Eig and The Interview Show’s Mark Bazer for a conversation that will shed new light on this extraordinary American life. Following the conversation, Chicago jazz group The JuJu Exchange performs selections from their latest project, JazzRx, and share the emotional journey they and their fans took together to bring this healing music to life.
Come enjoy dinner and drinks at Chop Shop before or after this event.
This event will have open captions, audio description and ALDs.
https://www.chicagohumanities.org/events/attend/eig-jujuexchange/
#1 New York Times bestselling author, voting rights advocate, and history maker Stacey Abrams returns to Chicago with her latest thriller novel, Rogue Justice. Join Chicago Humanities for an evening with this political leader as we delve into the art of fiction, current issues affecting our democracy, and how we can all use our voices to impact our communities.
This event will have open captions, audio description, ASL interpretation, and ALDs.
What the Constitution Means to Me is a “slyly crafted piece of persuasion and a tangible contribution to the change it seeks” (The New York Times) and a “singularly charming, politically urgent and cathartically necessary play” (Los Angeles Times) that shows “how broad concepts of law and governance effect individual lives in the most intimate ways” (The Guardian).
Fifteen-year-old Heidi earned her college tuition by winning Constitutional debate competitions across the United States. In this hilarious, hopeful, and guttingly human debate-meets-play, she resurrects her teenage self in order to trace the relationship between four generations of women—all while grappling with the founding document that, for better and worse, shapes their lives.
What the Constitution Means to Me became a sensation upon its premiere at New York Theatre Workshop in 2018 and went on to a five-month Broadway run with Schreck in the leading role, garnering Tony Award nominations for Best Play and Best Performance by an Actress in a Leading Role in a Play. A national tour—launched in 2020, paused due to the COVID-19 pandemic, and resumed in 2021—followed. The play has been filmed, again with Schreck performing, for Amazon Prime Video.
TimeOut New York declared: “Here is something that every citizen must see: It’s theater in the old sense, the Greek sense, a place where civic society can come together and do its thinking and fixing and planning.” On the heels of the reversal of the foundational Roe v. Wade ruling, What the Constitution Means to Me is bound to feel even more relevant, profound, and searing than during its original run and Broadway debut. In the end, Shreck’s personal stories reflect our own, as does her passion, her laughter, and her outrage at a document that deserves to be challenged as much as it is upheld.
Accessibility: audio description
https://timelinetheatre.com/calendar/?month=June+2023&event=27464
Join us anytime throughout the day for accessible dance events! Have fun while earning how to be more inclusive in your practice. We’ll be moving together, enjoying a showcase of works in progress, watching a short film, engaging and building community that includes dancers with disabilities.
FREE events with adjacent free parking and CTA nearby.
10:00-11:45 Everybody Can Dance inclusive movement workshop.
12:00-12:20 Informal showing of 3 works in progress.
12:20-1:45 Lunch with DIY Access stations open to provide hands on instruction for providing AI captions online.
1:45-2:30 AccepDance workshop (based on Autism Movement Therapy)
2:45-3:00 Film Showing “JMAXX and the Universal Language.”
3:00-3:30 Panel Discussion with JMAXX and the filmmaker
3:30-4:30 Adaptive Hip Hop workshop
Accessibility: ASL interpreted, audio description, captions, wheelchair accessibility
On May 6, Barak adé Soleil premieres a new work, SHIFT, that amplifies the presence of Black neurodiverse and disabled bodies by occupying the museum’s spaces both digitally and physically.
SHIFT is a new commission comprised of a video installation in one of the MCA’s public stairwells, accompanied by a live performance. In the dreamlike video installation that runs from May 2nd through June 19, the presence of Black neurodiverse and disabled bodies infiltrates a spiral stairwell within the museum, where they are shown from many angles and at multiple scales, both at rest and as they shift. adé Soleil’s installation offers rest, and the everyday gestures of these bodies, as forms of political resistance for Black people—challenging the media’s often violent interpretation of these bodies as lazy or near death. In the live event on May 6, a promenade of performers traverse inaccessible staircases, recalibrating the flow of activity within the museum and challenging simplistic depictions of Black disabled bodies in real time.
This performance is durational and will move through different areas of the museum, including the MCA Plaza and front steps, the northwest spiral staircase, and both public lobbies. The majority of the performance will take place in the spiral staircase on the west side of the museum’s first floor, and will be visible from various angles on multiple floors. The available space for viewers will change based on the location of the performance as it moves through the museum, and MCA staff will be available to facilitate the audience’s movement to maintain access to elevators, passageways, and stairwells. Portable stools will be available for visitors who wish to use them, where possible. ASL interpretation will be provided. Designated areas for wheelchair and mobility device users will be available on the staircase landings. The MCA Commons, on the museum’s second floor, will display a livestream of the performance as it takes place for visitors who wish to stay in one location. The livestream will also be available for visitors to join from their mobile devices from elsewhere in the museum. Live audio description will be provided: devices will be available at the museum and audience members may also use their personal devices to access the audio description through a URL provided on-site.
Accessibility: ASL interpreted, audio description, touch tour, wheelchair accessible
Alonzo King LINES Ballet returns to the Harris stage for the first time since 2015. The celebrated contemporary ballet company, whose mission is to nurture artistry and the development of creative expression in dance, through collaboration, performance, and education, will perform in a matinee program for children and families.
Accessibility: ASL interpreter, assistive listening devices, large print programs, sensory-friendly, quiet spaces, wheelchair accessible
https://www.harristheaterchicago.org/alonzo-king-lines-ballet/family
Will Rawls presents a new interdisciplinary work, [siccer], that addresses the relationship between blackness and image-making through a live performance accompanied by a video installation on the museum’s first floor.
Encompassing dance, photography, and sound, [siccer] experiments with stop-motion, a filmmaking technique in which subjects incrementally shift positions between photographs to produce the illusion of movement. Throughout the performance, an automated camera snaps an image every few seconds while the intervals between shutter clicks offer brief interludes when the camera fails to capture the dancers’ movements. As the performers improvise during these gaps between photographs, they rescript the terms through which blackness and queerness are made visible. [siccer] is also being presented as a video installation on the museum’s first floor throughout the duration of the Frictions suite, beginning on April 6.
Accessibility: captioning, ASL interpreted, audio description, assistive listening devices
Shamel Pitts and the Brooklyn-based arts collective TRIBE debut an electrifying new live performance in their ongoing Red Series exploring Black multiplicity and human connection.
The new work, titled Touch of RED, is a duet for two Black men set inside a contemporary boxing ring—a space that might traditionally suggest an aggressive competition between male athletes for entertainment purposes. Yet in Touch of RED, the two dancers imbue this boxed-in site with an intense energy drawn from the power of vulnerability, effeminacy, and the healing that occurs when Black men are allowed to soften, together. During the performance audiences will be seated around the four sides of the ring, which strategically conceals or frames the action. Transforming the space into a pulsing night club dance floor, Touch of RED invites the audience to experience the anticipation, energy, and collective softening that accompanies a good party—and reframe their expectations of time, space, and normative identity.
Accessibility: ASL interpreted, assistive listening devices, audio description, captioning
Belfast, 1960s: As conflicts between various political factions threaten to tear Ireland apart from the inside, sisters Fianna and Regan Kelly feel compelled to engage in the fight for their homeland. But when they join the ranks of The Provisionals, and find themselves committing acts of brutal terrorism and guerrilla warfare, both young women are forced to question how much they’re willing to destroy in the name of unity. Playwright Shannon O’Neill follows up her critically acclaimed “May the Road Rise Up” with this story of political upheaval and taking a stand.
This show will include audio description and a touch tour.
The pre-show touch tour will begin 90 minutes before the show and the performance directly after the touch tour will offer live audio description (touch tour at 9:30am, show at 11:00am). This event is FREE and open to the public, but reservations are strongly encouraged.
About Extra Yarn:
While her parents work tirelessly at the local factory, Annabelle discovers a small wooden box in the snow filled with yarn that seemingly never ends. Armed with her love of friends and family, and her grandmother’s knitting needles, she effortlessly knits sweaters for the whole town! But the Archduke isn’t too pleased and will stop at nothing to get that never-ending yarn for himself. Bundle up with the discovery of family, friendship, and fighting for what’s right in this world premiere musical by the team that brought you We Found a Hat.
Touch Tour, Audio Description, and Free
Audio Description and Touch Tour for Shattered Globe Theatre’s production of Radial Gradient by Jasmine Sharma. Touch Tour is at 6:45 PM and the Curtain for the production is at 8 PM on March, 3, 2023.
Touch Tour and Audio Description
Signed by President Franklin D. Roosevelt on February 19, 1942, Executive Order 9066 led to the incarceration of 120,000 Japanese Americans during WWII. Every year, the Japanese American community in Chicago comes together to commemorate E.O. 9066 as a reminder of the fragility of civil liberties in times of crisis and the importance of remaining vigilant in protecting the rights and freedoms of all.
The film “Resettlement: Chicago Story” tells an intergenerational story of the Yamamoto family several years after camp, as they struggle to rebuild their lives and make ends meet through their family dry cleaning business.
The film screening will be followed by a presentation of the companion learning website and Q&A. There will be a reception with complementary food and beverages following the program. The program will have ASL and CART/Live Captioning provided, the film will be presented with Open Captions and Open Audio Description.
Reception: ASL interpreter and CART
Film: Open Caption and Audio Description
A poetic journey of a dancer/artist/father questioning the balance of his passions—art, culture, family.
From the streets of Brooklyn to Russia’s ballet training studios, Antonio struggles to reconcile multiple ethnic identities. He wrestles with the legacy of stereotypes of masculinity while discovering the beauty of becoming a father. Powerful poetry is intermixed with original movement, music and projected imagery to create an evocative, wholly unique performance.
This is an audio described performance with touch tour.
The groundbreaking pop-culture musical sensation is reimagined in a new production.
Myth and spectacle combine in a fresh reinvention of The Who’s exhilarating 1969 rock concept album, Tommy—including the unforgettable anthems “I’m Free,” “See Me, Feel Me,” “Sensation” and “Pinball Wizard.” After witnessing his father shoot his rival, the young Tommy Walker is lost in the universe, endlessly and obsessively staring into the mirror. An innate knack for pinball catapults him from reticent adolescent to celebrity savior. Tony Award-winning composer Pete Townshend and Tony Award-winning original director Des McAnuff find powerful resonance reexamining this classic story for today.
https://www.goodmantheatre.org/show/the-whos-tommy/
Accessibility: audio description, touch tour
Hailed as the “Godmother of Rock ‘n Roll,” Sister Rosetta Tharpe influenced rock icons from Elvis Presley to Jimi Hendrix. Bringing fierce guitar playing and sizzling swing to gospel music, Rosetta was a trailblazer, a young Black woman singing at church in the morning and the Cotton Club at night. This play with music chronicles Rosetta’s first rehearsal with a young protégée, Marie Knight, as they prepare for a tour that would establish them as one of the great duet teams in musical history.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.
https://northlight.org/events/marie-and-rosetta/
Accessibility: audio description, touch tour, open captioning
A young violinist and her song collector boyfriend flee the confines of their Brooklyn apartment to the mountains of North Carolina, where the Appalachian music of Mira’s childhood is just the authentic inspiration they’re searching for. When they descend on her old family home, and an estranged grandfather she’s never mentioned, the unexpected complexity of past pain, prejudice, joy, and discovery reveals itself through the music that binds them. Featuring bluegrass favorites and the foot-stomping, hand-clapping finest of American roots music.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.
https://northlight.org/events/the-porch-on-windy-hill-a-new-play-with-old-music/
Accessibility: audio description, touch tour, open captions
A family verges on bankruptcy while their country stands on the brink of revolution.
Endings and beginnings. Bittersweet departures. The comedy of life. When Madame Ranevskaya returns to her heavily-mortgaged estate on the eve of its auction, the aristocratic widow finds that the fate of much more than her beloved orchard hangs in the balance. Anton Chekhov’s canonical masterpiece is an exploration of loss, love and how to live in a society that’s changing fast. Following his critically-acclaimed productions of Three Sisters, The Seagull and Uncle Vanya, director Robert Falls takes on the last of Chekhov’s four major plays.
Please note there is a touch tour starting at 1230pm prior to the performance.
Audio description is available for this performance.
Set on the night in 1940 that Hattie McDaniel made history at the Oscars, a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood.
IT IS FEBRUARY 29, 1940, the night of the Academy Awards in Hollywood, California. Bartender Arthur Brooks, an ambitious Black man from rural Alabama, dreams of becoming a movie director. His best friend, Dottie Hudson, is a maid at the Ambassador Hotel who finds herself to be a cynic of all dreams. But when the actress Hattie McDaniel stops in at the bar and decides not to attend the biggest event in show business, Arthur and Dottie must do everything in their power to convince her to go and claim her historic win—all while confronting their dark past and making their own dreams come to life.
This play about race, class, gender, and the ever-changing landscape of Hollywood has previously had public readings at The Echo Theatre Company (featuring TimeLine Company Member Mildred Marie Langford) and Morgan-Wixson Theatre’s New Works Festival. TimeLine’s production will be its world premiere.
Boulevard of Bold Dreams runs February 9 – March 19, 2023 (previews 2/1 – 2/8)
This event includes audio description.
https://timelinetheatre.com/
A new work inspired by Rossini’s The Barber of Seville that has grown into an original piece all its own, commissioned by Lyric. Updating the action to a Black barbershop on Chicago’s South Side, the creators have made an irresistibly upbeat work that celebrates the strength of community. The Factotum blends diverse musical styles with boundless imagination to create a soul opera, moving from gospel and funk to rap, hip-hop, classic barbershop quartet, and R&B. Those styles connect brilliantly with classical singing in a very human comedy that redefines everything that opera can be.
This event includes ASL interpretation and audio description.
https://www.lyricopera.org/shows/upcoming/2022-23/the-factotum/
A cutting yet humorous behind-the-curtain drama that examines pervasive racial dynamics within the American theatre and the tolls of superficial representation on stage.
ACCLAIMED BY THE NEW YORK TIMES as “a rich, unsettling play that lives up to its title [and] lingers in one’s memory long after its conclusion.”
At a Broadway theater in New York City in the mid-1950s, a group of actors has gathered for their first day rehearsing a new play called Chaos in Belleville, an anti-lynching Southern drama. But as the cast rehearses, tensions flare between Wiletta, the Black actress in the starring role, and her white director about his interpretation of the play. What emerges is an explosive investigation of interracial politics and the need for a cultural shift in theatre and America.
Written by Alice Childress—the first Black woman to have a play professionally produced in New York City—Trouble in Mind recently enjoyed an acclaimed Broadway production nominated for four 2022 Tony Awards, including Best Revival of a Play. The critics raved that this “masterpiece of astonishing power” (New York Magazine) is “the play of the moment” (The New York Times) and “will take your breath away” (Associated Press).
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This performance of Trouble in Mind. will be audio described, featuring narration about visual elements of the production around the dialogue. Audio Description can be accessed by patrons via a headset loaned out from the Box Office before the show.
If you have any questions or would like to request any specific accommodations, please contact the Box Office at BoxOffice@TimeLineTheatre.com or (773) 281-8463 extension 6.
Full price tickets begin at $47 (including fees). To access a $27 ticket, please use code AUDIO22 at check-out or call the Box Office.
https://timelinetheatre.com/events/trouble-in-mind/
The Notebook is a new musical based on the bestselling novel that inspired the iconic film. Allie and Noah, both from different worlds, share a lifetime of love despite the forces that threaten to pull them apart, in a deeply moving portrait of the enduring power of love.
Broadway directors Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, Motown the Musical) team up with multi-platinum singer-songwriter Ingrid Michaelson on music and lyrics, book by playwright Bekah Brunstetter (writer and producer on NBC’s This Is Us), and choreography by Katie Spelman.
Book online with promo code “ACCESS” or call 312.595.5600 during regular Box Office hours (Tuesday–Sunday, noon to 5:00 p.m.). Be sure to mention “Access Shakespeare” tickets so that we may provide the best seats and service. For additional assistance, please email access@chicagoshakes.com.
The Gift Theatre presents the world premiere of The Locusts at Theater Wit.
When a serial killer frightens Ella’s small hometown of Vero Beach, Florida, she’s called down from FBI headquarters in Washington D.C. to come help. At home, she’s confronted by the life she left behind: her struggling family and the dark events of her childhood. A play that explores how lost souls manage their fear, and their desperate search for a way to survive in a world that threatens their existence.
Performing at Theater Wit-1229 w. Belmont, Chicago, IL 60657
Tickets available at theaterwit.org or by calling 773-975-8150
https://thegifttheatre.org/shows-events/the-locusts
Tickets: Previews $25. Regular run $38 – $45. Students $25. Seniors $35. Tickets are currently available at www.thegifttheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office.
Sensory-friendly performance: Saturday, November 19 at 7:30 pm
Audio-described performance/touch tour & conversation with the cast: Saturday, November 19 at 7:30 pm (touch tour begins at 6:45 pm)
A surprising new play about how families fall apart—and find each other again—amidst turbulent global and social change.
In 2003, newly-wed Layal and her family prepare to immigrate from Baghdad, Iraq, to a Chicago suburb. Seventeen years later, Layal’s life looks unimaginably different from what she had envisioned two decades prior, as she and her siblings explore queerness, face their grief, and discover what it takes to make home in a new place. Don’t miss this moving, powerful new play’s world premiere on the Owen Stage—fresh from Goodman’s New Stages and Future Labs programs.
Audio description and touch tour are available.
Play ball! The sensational true story of the first woman to play professional baseball knocks it out of the park as a can’t-miss theatrical event.
Toni Stone is an encyclopedia of baseball stats. She’s got a great arm. And she doesn’t understand why she can’t play with the boys. Rejected by the All-American Girls Professional Baseball League because of her race, Toni sets out to become the first woman to play in baseball’s Negro Leagues. Challenges on and off the field—from hostile crowds to players who slide spikes-first—only steel her resolve to shatter racist and sexist barriers in the sport she’s loved since childhood. An original play inspired by the book Curveball, The Remarkable Story of Toni Stone by Martha Ackmann, this New York Times Critic’s Pick will have you cheering along.
Audio description and a touch tour is available.
In 1976, the artist Andy Warhol, having re-invented himself as the portrait painter of the rich and famous, travels to Tehran to take Polaroids of the Shah of Iran’s wife. Amidst taking in the Crown Jewels and ordering room service caviar, Warhol encounters a young revolutionary who throws his plans into turmoil, and opens the pop icon’s eyes to a world beyond himself.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.
It’s often said that social media is bad for our mental health, and while that can be true, the full story isn’t so cut and dry. At CHF, Nicole Wetsman, Health Tech Reporter for The Verge moderates a panel between Dr. Megan Moreno, a leading researcher on adolescent social media, and Margot Lee, a high-profile young adult influencer about how curating public images affect our well-being.
Open captions and assistive listening devices are available.
https://www.chicagohumanities.org/events/attend/verge-social-media/
You probably know that algorithms play a huge role in what we see online, but what happens to society when this type of curated content begins to influence our real lives? Join The Verge Deputy Editor Alex Heath and a special guest for a conversation about how personalized and relatable content on social media is redefining our feeds and creating a new lens through which millions view the world.
Open captions and assistive listening devices are available.
https://www.chicagohumanities.org/events/attend/future-feed/
We’ve all been told too much social media is bad for us, but why is that? At CHF, New York Times investigative reporter and author of The Chaos Machine Max Fisher explains how, through the pursuit of unfettered profits and maximum engagement, Big Tech has rewired our minds, and instigated a cultural shift toward polarization and misinformation. Join him and David Pierce (editor at large at The Verge) for a behind-the-scenes look at how social networks prey on psychological frailties, driving people to extreme opinions and actions.
A book signing will follow this program.
Open captions and assistive listening devices are available.
Join Reza Aslan (No god but God and Zealot) for the spellbinding tale of a martyr for democracy. Howard Baskerville was a 22-year-old missionary who went to Iran in 1907 and died fighting in the Persian Constitutional Revolution. Was he the “American Lafayette of Iran” or a naive “white savior”? In this talk, Aslan explores what Baskerville’s story illuminates about how seriously we take our democratic ideals and whose freedom we actually support.
Pre-order your book and gain access to a book signing and meet and greet with Aslan following this program.
Open captions and assistive listening devices are available.
In the wake of the midterm elections, join former presidential candidate, political activist, and spiritual thought leader Marianne Williamson for an intimate conversation with Sen. Nina Turner about the state of American politics. In an era of divisiveness, Williamson comes to CHF with a new vision for American politics built on social responsibility, democracy, and deep human values.
Open captions and assistive listening devices are available.
https://www.chicagohumanities.org/events/attend/marianne-williamson/
A family responds to injustice and a daughter reckons with her political inheritance in this new play by “a poet, a playwright to pay attention to” (Variety).
Janice’s parents are prominent activists fighting for the integration of public swimming pools in 1960s Kansas. As injustice penetrates the warm bubble of her childhood, Janice grows apart from her family and starts a new life far away. When she receives a call asking her to speak at a ceremony honoring her father, she must decide whether she’s ready to reckon with her political inheritance—and a past she has tried to forget.
A Co-Production with Berkeley Repertory Theatre
Chicago’s favorite holiday tradition for four decades.
Nearly two million theatergoers have experienced Chicago’s must-see annual holiday tradition, Goodman Theatre’s A Christmas Carol. With first-rate performances— starring award-winner Larry Yando as Ebenezer Scrooge for the 15th year—and “amazing sets, gorgeous costumes and eye-popping effects” (Chicago Reader), the heartwarming story of generosity’s triumph over greed comes to vivid life. Don’t miss this 45th anniversary production of “the best Christmas story ever told” (Time Out Chicago).
A Christmas Carol is appropriate for ages 6 and up. The production contains loud noises, bright lights, and images that may frighten very young children. Children under 5 are not permitted in the theater. For more information contact the box office at 312.443.3800
THE ISLAND
BY ATHOL FUGARD, JOHN KANI, AND WINSTON NTSHONA
DIRECTED BY GABRIELLE RANDLE-BENT
Nov 11, 2022 — Dec 04, 2022
“[The Island] has the rough majesty of a classic… this short but potent play has lost little of its force” -The Guardian
John and Winston are political prisoners on South Africa’s infamous Robben Island, spending their days toiling at grueling, futile tasks in the prison’s quarry. At night, they secretly rehearse a two-man version of Antigone and find solace and strength in their burgeoning friendship. The Island is at once a sobering glimpse into the social, physical, and psychological wounds of Apartheid; a lesson in the complex work of liberation; and a testament to the transformative power of theatre.
Frequent collaborator Gabrielle Randle-Bent makes her solo directorial debut at Court, bringing her vision of resistance and resilience to the stage.
Accessible performances:
December 3, 2022 at 2:00pm/Touch Tour at 12:30pm (Touch Tour/Audio Description)
December 4, 2022 at 2:00pm (Open Captioning)
December 4, 2022 at 7:30pm (ASL Interpretation)
12TH ANNUAL COUNTERBALANCE
SEPTEMBER 24TH & 25TH, 2022
presented by Access Living, Bodies of Work, MOMENTA, and ReinventAbility.
IN-PERSON PERFORMANCES
(A virtual viewing option will be available in October)
Hoover-Leppen Theatre
CENTER ON HALSTED
3656 N. Halsted
SATURDAY, SEPTEMBER 24
7:30pm
Doors open at 7:00pm
SUNDAY, SEPTEMBER 25
2:00pm
Sensory Friendly Performance
Doors open at 1:30pm
ACCESS FEATURES
Wheelchair Accessible, ASL Interpretation, Open Captioning, Audio Description, All Gender Restrooms
SAFETY PROTOCOLS
Masks Required
Proof of Vaccination
or Negative Covid Test
It’s hard to know who your friends are in a world that’s more divided than ever.
Tony Award-winner Robert Falls and his longtime collaborator, Pulitzer Prize finalist playwright Rebecca Gilman, team up again for their sixth Goodman production—a contemporary portrait of America’s heartland in a time when it feels like everyone’s way of life is in danger of disappearing.
Swing State is suggested for ages 14 and up. Please be aware that this production contains a gun shot and depictions of police violence and suicide. For more information contact the box office at 312.443.3800
https://www.goodmantheatre.org/SwingState
Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.
For more information and to purchase tickets, visit https://babeswithblades.org/summer-2022-bwbtc-shakespeare-richard-iii/
Use coupon code (Access) for 20% discount!
Please note:
– Live captions will be available for all performances.
– A pre-show Touch Tour will be available at 1:30pm prior to the October 9 performance.
– The October 9 performance will be followed by a talkback after the show with representatives from the UIC Disability Cultural Center
Aligned with the mission of representing marginalized voices, BWBTC has partnered with UIC’s Disability Cultural Center to tell the tale of the malicious Richard of Gloucester. Casting both non-disabled and disabled actors, this production will not only examine stage combat as a storytelling tool, but interrogate the divide between “regular” theatre and “theatre for the disabled”.
For more information and to purchase tickets, visit https://babeswithblades.org/summer-2022-bwbtc-shakespeare-richard-iii/
Use coupon code (Access) for 20% discount!
Please note: Live captions will be available for all performances.
Mild-mannered sisters Martha and Abby Brewster live in their spacious Victorian home in a quiet neighborhood in Brooklyn with an eccentric nephew, Teddy. Famed for their hospitality, Martha and Abby are adored by their neighbors and frequently entertain guests. But when their other nephew, Mortimer, discovers his aunts’ macabre secrets, a hilarious chain of events ensue in this character-driven farce.
Resident Artist Ron OJ Parson directs this beloved American classic, bringing much-needed humor and healing laughter to the stage in Court’s 2022/23 Season opener.
THE ISLAND
BY ATHOL FUGARD, JOHN KANI, AND WINSTON NTSHONA
DIRECTED BY GABRIELLE RANDLE-BENT
Nov 11, 2022 — Dec 04, 2022
“[The Island] has the rough majesty of a classic… this short but potent play has lost little of its force” -The Guardian
John and Winston are political prisoners on South Africa’s infamous Robben Island, spending their days toiling at grueling, futile tasks in the prison’s quarry. At night, they secretly rehearse a two-man version of Antigone and find solace and strength in their burgeoning friendship. The Island is at once a sobering glimpse into the social, physical, and psychological wounds of Apartheid; a lesson in the complex work of liberation; and a testament to the transformative power of theatre.
Frequent collaborator Gabrielle Randle-Bent makes her solo directorial debut at Court, bringing her vision of resistance and resilience to the stage.
Accessible performances:
December 3, 2022 at 2:00pm/Touch Tour at 12:30pm (Touch Tour/Audio Description)
December 4, 2022 at 2:00pm (Open Captioning)
December 4, 2022 at 7:30pm (ASL Interpretation)
https://www.courttheatre.org/season-tickets/2022-2023-season/the-island/
The beloved characters from Jane Austen’s Pride and Prejudice return for a third and final installment of the Pemberley trilogy (Miss Bennet, The Wickhams). The youngest Darcy and Bennet sisters have become fast friends, and eagerly await the arrival of Georgiana’s secret correspondent. Mixups of manners and overprotective big brother Mr. Darcy keep romance from unfolding easily. But music, ambition, friendship, and sisterhood lead to happiness… and a love story that spans a lifetime.
This performance includes audio description and open captions. A touch tour will begin 2 hours before the show at 12:30pm.
To purchase tickets, use the promo code NACCESS by phone 847.673.6300 or online to receive discounted tickets at a flat rate of $40 each (standard fees still apply).
If no audio description tickets have been reserved 48 hours before the performance, the audio description service will be canceled for that performance. Please contact Ruben Carrazana at rcarrazana@northlight.org or 847-324-1615 to confirm that the audio description service is still available.
https://northlight.org/events/georgiana-kitty-christmas-at-pemberly/
“Feisty comedy is on the menu” (Washington Post) in two-time Pulitzer Prize winner Lynn Nottage’s latest Broadway triumph.
Creating the perfect sandwich is the shared quest of the formerly incarcerated kitchen staff of Clyde’s, a truck stop cafe. Even as the shop’s mischievous owner tries to keep them under her thumb, the staffers are given purpose and permission to dream—finding that “sometimes a hero is more than a sandwich” (New York Times). This stirring, masterful play from the team of two-time Pulitzer Prize winner Lynn Nottage and director Kate Whoriskey (Ruined, Sweat) makes its Chicago premiere after its Tony-nominated run on Broadway.
For tickets and more information, please visit https://www.goodmantheatre.org/Clydes
Chicago Shakespeare in the Parks presents ShakesFest: A Chicago Shakespeare Community Cabaret with FREE pop-up performances in neighborhood parks. Performers, musicians, and dancers take center stage in this exuberant musical revue of songs riffing on familiar (and not-so-familiar) lines from Shakespeare! From pop to musicals, hip hop, and the blues, Shakespeare’s words find joyful new life in unexpected ways.
This FREE, fun-for-all-ages event celebrates community-building, connection, and the magic of experiencing live performance together with family, friends, and neighbors.
Featured arts partners include: Jose “iasEL” Gonzalez, DJ Jeremy Heights, James Heitz, Emma Lyons, Noelle Klyce, Move Me Soul, Segundo Ruiz Belvis Cultural Center, and Yin He Dance.
https://www.chicagoshakes.com/plays_and_events/explore_season/parks2022
Now in its eleventh year, Chicago Shakespeare in the Parks is an important component of the Theater’s Community Practice, a year-round community connectivity program rooted in engagement with neighborhoods and collaborations with local artists.
Chicago Shakespeare in the Parks is following the health and safety guidelines of Chicago’s Night Out in the Parks program. For any weather-related performance delays or cancellations, check @chicagoshakes on Facebook, Twitter, or Instagram
Chicago Shakespeare is committed to making its performances accessible to all patrons. ASL Interpretation and Audio Description are available for select performances. Assisted Listening Devices and large print programs are available at all performances.
A new musical comedy adapted from the ‘50s cult classic sci-fi film from Universal Pictures! Amateur astronomer John Putnam encounters an alien spaceship in the desert and becomes the laughingstock of his small town—until the extraterrestrial visitors make their presence known and he must convince the gathering mob that they have come in peace. A clever musical score and creative physical humor puts a new spin on Ray Bradbury’s flying saucer tale, examining society’s fear of outsiders as it simultaneously embraces the wonder of what lies just beyond the stars. Commissioned and developed by Chicago Shakespeare with Creative Producer Rick Boynton, the production reignites an artistic partnership with creators Joe Kinosian and Kellen Blair, following the triumph of their Jeff Award-winning musical, Murder for Two, which went on to an acclaimed New York run.
Book online with promo code “ACCESS” or call 312.595.5600 during regular Box Office hours (Tuesday–Sunday, noon to 5:00 p.m.). Be sure to mention “Access Shakespeare” tickets so that we may provide the best seats and service. For additional assistance, our Customer Service Portal is also available anytime day or night.
Tony and Maria are wide-eyed teenagers from two communities in conflict, who fall in love. As their friends and family battle with one another, Tony and Maria long for “a place for us…somewhere.”
Accessibility: Audio Description, Touch Tour, ASL Interpreted
https://www.lyricopera.org/shows/upcoming/2022-23/west-side-story/
Proximity is a gripping, powerful trio of new works that confronts head-on some of the greatest challenges affecting us as a society: yearning for connection in a world driven by technology; the devastating impact of gun violence on cities and neighborhoods; and the need to respect and protect our natural resources. As the story zooms in and out from the individual to the community to the cosmic, we find ourselves in a compelling snapshot of 21st century life, with all of its complex intersections and commonalities.
https://www.lyricopera.org/shows/upcoming/2022-23/proximity/
The immortal tale of the restless, free-spirited heroine (Carmen) and Don José, the soldier who’s drawn to her in a truly “fatal attraction.”
This rivetingly modern, astonishingly inventive view of the Brothers Grimm’s fairytale features an eye-popping production that does full justice to Humperdinck’s glorious score.
https://www.lyricopera.org/shows/upcoming/2022-23/hansel-and-gretel/
Don Carlos masterfully reveals the private turmoil of very public personalities. In 16th-century Spain, King Philip II is torn apart by his own jealous suspicions that his son, crown prince Carlos, and Queen Elisabeth — Philip’s young wife and Carlos’s stepmother — are in love. The drama unfolds and washes over you with unforgettable intensity and thrilling musical splendor.
https://www.lyricopera.org/shows/upcoming/2022-23/don-carlos
High jinx ensue when Countess Adèle sequesters herself in her castle while her valiant brother is away on a crusade. In his absence, the amorous Count Ory stops at nothing (including disguising himself as a nun!) to gain entry to the castle and woo the virtuous Countess.
https://www.lyricopera.org/shows/upcoming/2022-23/le-comte-ory/
Ernani reveals Verdi at his most irresistibly melodic and dramatic. A persecuted nobleman forced to disguise himself as an outlaw, Ernani loves beautiful Elvira, but she’s pursued by two other men — her uncle, Silva, and the King of Spain, Carlo.
A Tony Award-winning masterpiece. Join us as Tevye, his wife Golde, and their five daughters experience the real joys and sorrows that have made this meaningful work an enduring part of our culture.
https://www.lyricopera.org/shows/upcoming/2022-23/fiddler-on-the-roof/
Unfolding Disability Futures is a multi-organization, site-specific performance and installation by local disabled artists throughout The Plant, a former meatpacking facility. Over the past decade, this space has been revitalized to highlight the importance of sustainable agriculture and community collaboration. Unfolding Disability Futures embraces the importance of sustainability and community care in artistic practice and performance. Performances and installations unfold throughout the space, highlighting how The Plant has been redeveloped to make the building accessible in ways that are both functional and beautiful and proposing access not as a drain but a plentiful resource in and of itself.
Unfolding Disability Futures takes place over four events on June 4-5 & 11-12. Each performance cycle, audiences will be guided through The Plant in groups of ten, experiencing six original dance works set in various locations throughout the building, as well as the six visual artist spotlights. Performance cycles begin every half hour over the duration of all four events with a total of five performances per event. Each performance cycle runs about an hour. Thie set up is intended to build in the flexibility needed to respond to current COVID protocols to ensure the safety of audiences and dancers while simultaneously allowing audiences to fully experience the architecture, performances and visual art exhibits throughout The Plant.
Additionally, we will host a post-show artist talk after the final performance cycle concludes at 5pm on Sunday, June 12 and two community workshops in April 30 and on May 15 at 3:30pm.
Masks and vaccination/negative tests required for all events. See our website unfoldingdisabilityfutures.com for more information.
**ASL Interpreters will be available for all performance cycles on Sunday, June 5 and Saturday, June 11. If you require ASL interpreters, please register for any cycle on these dates.
This show contains some images containing partial nudity in the context of the performance of care tasks. Audiences will be notified before they encounter partial nudity and be given the option to forgo portion of the event.
Goodman Theatre Presents the Woolly Mammoth Production of Where We Belong
In Association with the Folger Shakespeare Library
An indigenous theatre-maker journeys across geographic borders, personal history, and cultural legacies; in search of a place to belong.
In 2015, Mohegan theatre-maker Madeline Sayet travels to England to pursue a PhD in Shakespeare. Madeline finds a country that refuses to acknowledge its ongoing role in colonialism, just as the Brexit vote threatens to further disengage the UK from the wider world. In this intimate and exhilarating solo piece, Madeline echoes a journey to England braved by Native ancestors in the 1700s following treatise betrayals – and forces us to consider what it means to belong in an increasingly globalized world.
Content Transparency: This production contains flashing lights, depictions of racism, and discussions of borders, war, loss of language, residential schools, colonial theft of human remains and repatriation.
“Easily Mr. Wilson’s most adventurous and honest attempt to reveal the intimate heart of history.” -The New York Times
Amidst the Civil Rights Movement, Memphis Lee’s restaurant is slated for demolition. While Memphis fights to sell his diner for a fair price, the rest of the restaurant’s regulars search for work, love, and justice as their neighborhood continues to change in unpredictable ways.
Two Trains Running explores Black identity in the 1960s with passion and humor, demonstrating why Wilson is one of America’s most essential voices. With his singular point of view, Resident Artist Ron OJ Parson directs the penultimate play in Court’s ongoing commitment to staging all of Wilson’s American Century Cycle.
Accessible performances: June 4 @2pm TT/AD (Touch-Tour @ 12:30pm) | June 5 @2pm OC | June 5 @7:30pm ASL
“Easily Mr. Wilson’s most adventurous and honest attempt to reveal the intimate heart of history.” -The New York Times
Amidst the Civil Rights Movement, Memphis Lee’s restaurant is slated for demolition. While Memphis fights to sell his diner for a fair price, the rest of the restaurant’s regulars search for work, love, and justice as their neighborhood continues to change in unpredictable ways.
Two Trains Running explores Black identity in the 1960s with passion and humor, demonstrating why Wilson is one of America’s most essential voices. With his singular point of view, Resident Artist Ron OJ Parson directs the penultimate play in Court’s ongoing commitment to staging all of Wilson’s American Century Cycle.
Accessible performances: June 4 @2pm TT/AD (Touch-Tour @ 12:30pm) | June 5 @2pm OC | June 5 @7:30pm ASL
Selma Blair has played many memorable Hollywood roles, from “preppy ice queen” in Legally Blonde, to “the ingenue” in Cruel Intentions—but we love her most as herself. In her memoir Mean Baby, Blair gets candid about the roles that have made her compassionate and wise: from friend and mother to advocate for people with disabilities. Join Blair and Rachel Fleit (director of the documentary Introducing, Selma Blair) for an intimate conversation about acting, addiction, activism, and becoming yourself. This program will include clips from Introducing, Selma Blair.
America’s Next Top Model and Dancing with the Stars champion Nyle DiMarco knows “just how damn cool it is to be Deaf.” DiMarco’s career (which also includes executive producing the reality show Deaf U and Academy-award nominated documentary Audible) has been dedicated to celebrating what makes Deaf culture so unique and beautiful. Join DiMarco at CHF for a conversation about his new book Deaf Utopia: A Memoir—and a Love Letter to a Way of Life with Chicago Today host Matthew Rodrigues.
MCA Advisory Partners Bodies of Work and the Museum of Contemporary Art Chicago invite you to Access Praxis, a collaborative and participatory event in The Commons. Combining theory and practice, “praxis” is ideas in action. Join disabled artist Justin Cooper, a former 3Arts/Bodies of Work Fellow, as he shares how narrative, accessibility, and disability aesthetics coalesce across his work in documentary film and photography. As part of Access Praxis, museumgoers will have the opportunity to meet Cooper and participate in a hands-on activity in and around the Commons related to their own experiences moving through the museum landscape.
mcachicago.org/calendar/2022/04/common-use-access-praxis-justin-cooper
Want your events to be more inclusive? Join us for a community building festival of movement workshops and access presentations! We will explore the concept of making inclusion part of the creative process from beginning to completion, as opposed to the “burden approach” of tacking it on at the end.
“Musical theater perfection…exquisite from start to finish” (BroadwayWorld).
Frank Carter famously authored self-help books. But Alice, his 16-year-old daughter, finds cold comfort in his positivity platitudes when he tragically never comes home one night. As she puzzles out the events of the day that changed her family forever, Alice’s relentless search for the facts reveals a more complicated truth. With big humor and bittersweet wit, this “luminous new musical…lush, poetic and surprisingly funny” (The San Diego Union-Tribune) explores how we move through and live with loss.
https://www.goodmantheatre.org/season/2122-Season/Life-After/Life-After-Accessibility/
It’s about damn time. Together at Last is a non-stop celebration of how we have persisted and even thrived during these impossibly difficult times. From laughing at the sheer absurdity of our current reality to cheering for our tiny wins, nothing is off-limits: family dynamics, marriage & divorce, girls’ nights out, working from home, and readjusting to society at large. Come laugh at what unites us all in a show that asks the question… is anyone out there going to save us?
After a sold out run this winter, Tyla Abercrumbrie’s world premiere play comes to the Goodman, weaving a mother’s past with her daughters’ present in a centuries-spanning tale of family, legacy and progress.
Set in the Black Victorian era, Relentless looks at the deep personal secrets we keep to protect the ones we love most. The year is 1919. After the death of their mother, two sisters come home to Philadelphia to settle her estate. Annelle is a happy socialite desperate to return to the safe illusion of a perfect life with her husband in Boston. Janet is a single, professional nurse, determined to change history and propel Black women to a place of prominence and respect. After discovering diaries left by their late mother, they find themselves confronted with a woman they never really knew, exposing buried truths from the past that are chillingly, explosively Relentless.
Developed through TimeLine Theatre Company’s Playwrights Collective
Anything can happen on live TV. And one night, it did. Emmy Award-winning actor and producer Sean Hayes (Will & Grace) stars as the irrepressible Oscar Levant.
It’s 1958, and Jack Paar hosts the hottest late-night talk-show on television. His favorite guest? Character actor, pianist and wild card Oscar Levant. Famous for his witty one-liners, Oscar has a favorite: “There’s a fine line between genius and insanity; I have erased this line.” Tonight, Oscar will prove just that when he appears live on national TV in an episode that Paar’s audience—and the rest of America—won’t soon forget. Good Night, Oscar explores the nexus of humor and heartbreak, the ever-dwindling distinction between exploitation and entertainment, and the high cost of baring one’s soul for public consumption.
“Love all, trust a few, do wrong to none”… how hard could it be? Shakespeare’s nuanced coming-of-age love story is brought to new life in the uniquely intimate setting of the Courtyard Theater, staged by acclaimed director Shana Cooper. Bold, complex characters and hilarious turns of wit and wisdom make for a vivid exploration of love and loss, courtship and class. Besotted with a man who does not return her love, the intelligent, resourceful young Helena navigates the complexities of unrequited romance, courtly drama, and the pesky meddling of her elders—only to discover the reality that happy endings are never quite as simple as they seem in fairy tales.
For our access performances, “Pay-What-You-Can” tickets, ranging from our full price of $90 to as low as $35, are available to patrons whose disability requires the use of the service (plus one companion). Book your tickets today by calling 312.595.5600 or emailing access@chicagoshakes.com. When booking tickets, please indicate your wish to participate in the Access program so we may provide the best possible seats and service. Please purchase your tickets in advance—access programs with no attendance may be cancelled 48 hours prior to the show. For more information, visit https://www.chicagoshakes.com/plays_and_events/allswell
Pharus Young is now a senior at the Charles R. Drew Prep School for Boys, an institution committed to building “strong, ethical black men,” where he endeavors to be the best leader of the school’s prestigious choir in its 50-year history. But in a world built on rites and rituals, should he conform to the expectations of his peers in order to gain the respect he desperately seeks?
Written by Oscar-winning ensemble member Tarell Alvin McCraney (Moonlight), this Tony-nominated play—threaded throughout with soul-stirring a cappella gospel hymns—is the story of a young gay black man and his battle between identity and community. Choir Boy is an elegy to quiet rebellion, filled with the sound of longing and aspiration. It is a love song in pianissimo to the unseen heart that beats inside us all.
Touch Tour begins at 1:30 pm for a 3:00 pm performance.
https://www.steppenwolf.org/tickets–events/seasons/2021-22/choir-boy/
On a long summer weekend in the Russian countryside at an estate bursting at the seams with guests, three generations collide in ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaption of Anton Chekhov’s Seagull, the play that will open Steppenwolf’s new in-the-round Ensemble Theater in Honor of Helen Zell. In classic Chekhovian style, a sparkling cast featuring many Steppenwolf ensemble members will wrestle with the eternal questions that haunt the intellectual artist class: What is Love? What is Art? When is Lunch? Join us for this historical moment in Steppenwolf’s journey as we explore the work that inspired us, laugh at the battles that consume us and celebrate, together, all that makes us grateful for each other.
Touch Tour begins at 1:00 pm for a 2:30 pm performance.
https://www.steppenwolf.org/tickets–events/seasons/2021-22/seagull/
In 1905, a Black seamstress named Esther sews her way out of poverty stitch by delicate stitch, creating fine lingerie for her Manhattan clientele while longing for a husband and a future. She finds common ground with a Jewish fabric merchant, a relationship they both know cannot grow. So when correspondence with a lonesome Caribbean man leads to a marriage proposal, she accepts. But as her new marriage quickly leads to regret, Esther turns back to her sewing machine to rebuild her life and refashion her future.
There will be a touch tour at 1:30pm inside the theater where patrons will be invited into their seats for a pre-show introduction to the space and the cast.
Join SGT artists for a Touch Tour at 6:45 PM and an audio described performance at 8 PM of Rasheeda Speaking by Joel Drake Johnson, directed by AmBer D.Montgomery on Friday, May 6 Shattered Globe performs at Theater Wit, 1229 West Belmont, Chicago. Rasheeda Speaking is a comedy- turned- social thriller about workplace racism.
When two strangers meet by letter during World War II, a love story begins. U.S. Army Captain Jack Ludwig, a military doctor stationed in Oregon, begins writing to Louise Rabiner, an aspiring actress and dancer in New York City, hoping to meet her someday if the war will allow. But as the war continues, it threatens to end their relationship before it even starts. Two-time Olivier Award-winning playwright Ken Ludwig tells the poignant story of his own parents’ unlikely courtship during World War II.
Ken Ludwig’s Dear Jack, Dear Louise is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
There will be a touch tour at 1:30pm inside the theater where patrons will be invited into their seats for a pre-show introduction to the space and the cast.
Anything can happen on live TV. And one night, it did. Emmy Award-winning actor and producer Sean Hayes (Will & Grace) stars as the irrepressible Oscar Levant.
It’s 1958, and Jack Paar hosts the hottest late-night talk-show on television. His favorite guest? Character actor, pianist and wild card Oscar Levant. Famous for his witty one-liners, Oscar has a favorite: “There’s a fine line between genius and insanity; I have erased this line.” Tonight, Oscar will prove just that when he appears live on national TV in an episode that Paar’s audience—and the rest of America—won’t soon forget. Good Night, Oscar explores the nexus of humor and heartbreak, the ever-dwindling distinction between exploitation and entertainment, and the high cost of baring one’s soul for public consumption.
Wired is an immense and intimate experience that traces the fine line between “us” and “them” through aerial and contemporary dance and the metaphoric use of barbed wire. The dancers of Wired spin and soar together in this meditation in sound, light, and movement on the gendered, racial, and disability stories of barbed wire in the United States, showing how this material shapes common understandings of who belongs. Barbed wire is designed as a material for containment. It is used, time and again, to limit individual and community movements and delineate boundaries as large as a nation state and as small as a personal fence. In Wired, this fraught material comes to highlight not only danger and contradiction, but also beauty and interconnection.
To create Wired, the artists of Kinetic Light—Alice Sheppard, Laurel Lawson, Jerron Herman, and Michael Maag—and their collaborators—composers Ailís Ní Ríain and LeahAnn Mitchell and scenic designer Josephine Shokrian—defy both gravity and assumptions about what dance can be. The artists of Kinetic Light see interdependence as a political position as well as an approach to making dance from a disability aesthetic: in which disability is a powerful creative and cultural force, and the many ways of accessing the performance are the art itself.
ASL interpretation and AD are available for all shows. There is no spoken dialogue in Wired. Audio description is available through Kinetic Light’s app, Audimance. More information will be provided to ticketholders by email in advance. Orientation to and demonstration of the app will be available in the lobby prior to all shows, along with a tactile exhibit that serves as an introduction to the Wired set, props, costumes, and theatrical elements.
Wired content and artistry will remain the same for all performances. The show shares many aspects of MCA’s Relaxed Performances. Audience members are welcome to exit and reenter.
Light haze is present in certain sections. There are no strobe lighting effects. Quiet spaces and stimulation kits are available for all performances.
The show will be livestreamed on Saturday, including ASL, with one channel being audio described. Friday and Sunday’s performances will offer an alternative lighting design.