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X-WR-CALNAME:Cultural Access Collab
X-ORIGINAL-URL:https://culturalaccesscollaborative.org
X-WR-CALDESC:Events for Cultural Access Collab
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DTSTART:20230312T080000
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DTSTART:20231105T070000
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DTSTART;TZID=America/Chicago:20230612T180000
DTEND;TZID=America/Chicago:20230612T193000
DTSTAMP:20260415T051205
CREATED:20230530T001142Z
LAST-MODIFIED:20230530T001142Z
UID:10011604-1686592800-1686598200@culturalaccesscollaborative.org
SUMMARY:Poetry at The Green at 320: June 2023
DESCRIPTION:Poetry @ The Green at 320 continues for the summer season this June! \nThe Chicago Poetry Center and The Green at 320 S. Canal are proud to reintroduce this free\, weekly reading and open mic series co-curated by CPC’s Poets in Residence Tarnynon Onumonu and Timothy David Rey. \nJoin us on certain Monday nights in June at 6:00 p.m. in this beautiful setting to hear outstanding featured poets perform their work in this partnership between Chicago Poetry Center and The Green at 320 S. Canal. After every poetry performance\, there will be an open mic for any individual that would like to share poetry of their own! \nABOUT JUNE’S FEATURED PERFORMERS:\nJune 5: Noa Micaela Fields is a trans writer with hearing aids. She is the author of the poetry chapbook With and has also been published in Tripwire\, Anomaly\, Zoeglossia\, Elderly Mag\, Tyger Quarterly\, and Sixty Inches From Center\, among others. She is a programming curator at the Poetry Foundation and a 2022 fellow with Zoeglossia and Disability Lead. \nJune 12: Nile Lansana is an interdisciplinary artist from the South Side of Chicago. An acclaimed writer\, poet\, performer\, and filmmaker\, his work is centered around revealing radical truths and amplifying marginalized voices and narratives through a lens of Black imagination and visionary intention. He was a nominee for the inaugural Chicago Poet Laureate position. A University of Wisconsin-Madison graduate with degrees in Journalism and English – Creative Writing\, he won the 2021 Ronald Wallace Poetry Thesis Prize and 2020 George B. Hill Poetry Prize. His work is published in American Gun: A Poem by 100 Chicagoans\, The BreakBeat Poets: New American Poetry in the Age of Hip-Hop\, & elsewhere. He holds fellowships from the Rebuild Foundation and Obsidian Foundation. He has performed across the country\, including Lollapalooza and the Kennedy Center for the Performing Arts. He recently starred in the play “No Blue Memories: The Life of Gwendolyn Brooks” produced by Manual Cinema. He is a proud uncle and the oldest of four Black boys. You can follow him on Instagram at @nilesupasuit. \nJune 26: Adam Gottlieb is a musician\, poet\, teaching artist\, and organizer from Chicago. This year he was one of the nominees for the inaugural Poet Laureate of Chicago. As a youth\, he was featured in the documentary film Louder Than A Bomb about the poetry slam festival of the same name. He is the leader of the Fusion band Adam Gottlieb and OneLove. He serves as a cantorial soloist for Tzedek Chicago. He has organized with a wide range of grassroots groups around issues such as housing justice\, anti-gentrification\, Indigenous sovereignty\, education\, and police/prison abolition. He also writes for the People’s Tribune. \nABOUT THE CO-CURATORS:\nTarnynon (Ty-yuh-nuh) Onumonu is an artist and licensed Paraprofessional born and raised in the Jeffery Manor neighborhood on the southeast side of Chicago and is extremely proud of and humbled by her SouthSide citizenship and West African lineage. In 2017\, she took second place in the Gwendolyn Brooks Open Mic Awards and represented Chicago on the Lethal Poetry Team at the 2018 National Poetry Slam. She has been a Poet in Residence at the Chicago Poetry Center since January of 2019 and has been featured in Newcity Magazine and South Side Weekly. \nTimothy David Rey is a writer/performer who works in poetry\, plays\, and monologue (both fictional and autobiographical). He teaches creative writing and performance throughout the city of Chicago and its suburbs. He is a 2015 Semi-Finalist for the Guild Literary Complex’s Gwendolyn Brooks Open Mic Poetry Award\, and one of the winners of Project Exploration (The Poetry Center of Chicago 2004). He is the co-founder of the LBGT Solo Performance Showcase\, Solo Homo (2002-2011). Timothy’s plays and performance pieces have been seen and heard at venues throughout Chicago as well as out of state and in Panama. \nABOUT THE LOCATION:\nThe Green at 320 is a public park located in the West Loop and will be host to many family-friendly activities and events this summer! \nThe Green at 320 is located behind the building at 320 S. Canal\, 1 block west of the river. The main staired entrance to the park is on the corner of Clinton and Van Buren with an ADA-accessible ramp off of Clinton. The park is located 1 block north of the Clinton Blue Line Stop. Please find more detailed transit and location information at https://320southcanal.com/. \nhttps://www.poetrycenter.org/poetry-the-green-at-320-june/
URL:https://culturalaccesscollaborative.org/access-event/poetry-at-the-green-at-320-june-2023-2/2023-06-12/
LOCATION:Chicago\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230615T123000
DTEND;TZID=America/Chicago:20230615T160000
DTSTAMP:20260415T051205
CREATED:20230512T021833Z
LAST-MODIFIED:20230512T021833Z
UID:10011574-1686832200-1686844800@culturalaccesscollaborative.org
SUMMARY:Lucy and Charlie's Honeymoon at Lookingglass Theatre
DESCRIPTION:Hooray! Lucy and Charlie just got hitched…and they’re embracing the worst of the American dream. They do what they want. Take what they want. They’re First Generation Asian American Renegades. In love. And on the run. \nFeaturing original country western and folk songs\, directed by Amanda Dehnert (Peter Pan (A Play)\, Eastland)\, Lucy and Charlie’s Honeymoon tracks a young couple as they rev it down quintessentially American highways and across stereotypic borders\, fleeing expectation and trawling up trouble along the way. \nDirect from his Broadway debut in Almost Famous The Musical\, Artistic Associate Matthew C. Yee’s world premiere musical romp gives a nod to America’s past\, takes tally of its present\, and blows its future wide open. \nTouch Tour will begin at 12:30 PM CT.\nAudio Described Performance begins at 1:30 PM CT. \nPlease contact our Box Office to reserve your seats! \nhttps://lookingglasstheatre.org/event/lucy-and-charlies-honeymoon-2022/
URL:https://culturalaccesscollaborative.org/access-event/lucy-and-charlies-honeymoon-at-lookingglass-theatre/
LOCATION:Chicago\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230615T180000
DTEND;TZID=America/Chicago:20230615T193000
DTSTAMP:20260415T051205
CREATED:20230524T195234Z
LAST-MODIFIED:20230524T195234Z
UID:10011594-1686852000-1686857400@culturalaccesscollaborative.org
SUMMARY:Talk | Barak adé Soleil with SHIFT Community Participants at MCA
DESCRIPTION:Please join us for a communal dialog with award-winning artist Barak adé Soleil and members of the local Black and Brown neurodiverse and disabled community who are part of adé Soleil’s newly commissioned work SHIFT. \nSHIFT\, a multidisciplinary project for the MCA’s Frictions series\, has two components: \nAn installation located on the first floor of the MCA during the performance’s run\, intentionally next to a spiraling staircase that goes up to the museum’s fourth floor. Barak is creating a film that will be installed and projected onto a diamond-like platform. In this dreamlike video installation\, bodies both at rest and as they shift are visible onscreen at life-size and larger-than-life scale. The presence of Black neurodiverse and disabled bodies is amplified from many angles\, infiltrating the architecture of the museum’s iconic public stairwell. Whereas these bodies might otherwise be violently misinterpreted as either lazy or near death\, adé Soleil offers rest—and the intimacy of everyday gestures—as forms of political resistance for Black people.\nA gathering on Saturday\, May 6\, where members of the Disability community will join adé Soleil in a “promenade” throughout the museum’s public areas; at times they will ascend the staircases and take up space to make visible and apparent the power of community presence. The use of the word promenade is intentional\, drawing from its definition: “to take a leisurely public walk\, ride\, [wheel] or drive so as to meet or be seen by others.”\nSHIFT is curated by Tara Aisha Willis\, Curator of Performance & Public Practice at the MCA. \nAccess Information\nASL interpretation\, CART captioning\, and live audio description are provided. AD devices are available at the museum\, and audience members may also use their personal devices to access the audio description through a URL provided on-site. \nThis event has relaxed viewing protocols and sensory-friendly lighting. \nASL provided.Audio description available.Haptic elements used. \nhttps://visit.mcachicago.org/events/talk-barak-ade-soleil-with-shift-performers/
URL:https://culturalaccesscollaborative.org/access-event/talk-barak-ade-soleil-with-shift-community-participants-at-mca/
LOCATION:Chicago\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230617T130000
DTEND;TZID=America/Chicago:20230617T170000
DTSTAMP:20260415T051205
CREATED:20230530T000802Z
LAST-MODIFIED:20230530T000802Z
UID:10011600-1687006800-1687021200@culturalaccesscollaborative.org
SUMMARY:2023 Accessible Juneteenth at UIC Quad
DESCRIPTION:Accessible Juneteenth 2023\nPlace: the UIC Quad (behind UIC Student Center East); 750 S. Halsted St.\, Chicago\, IL\nDate and Time: Saturday\, June 17th\, 2023 from 1pm to 5pm (Open mic livestream from 2:15pm to 3:15pm on Zoom and Chicagoland DPOCC Facebook page)\n*******************************************\nCome and celebrate our second Juneteenth where we celebrate the black disability community and the victories we accomplished! We want to make Juneteenth a fun and important accessible experience for all\, including disabled people in the African Diaspora. \nRSVP at https://go.uic.edu/2023_AccessibleJuneteenth_RSVP to get event notifications! \nThis year\, we will have a DJ who will bless us with music fit for our Accessible Juneteenth celebration. There will be food\, giveaways\, and resources given out by vendors also\, including from Black-owned and disability-owned/friendly organizations and businesses. \nWe will host an open-mic where you can share your talents in singing\, spoken-word\, playing instruments\, and more! Sign up at https://go.uic.edu/2023_AccessibleJuneteenth_OpenMic_Signup by June 9th at 11:59pm CT\, or sign up in-person at the event. But hurry\, because spots are limited! \nIf you’re not able to attend the celebration in person\, that is okay! You can join us virtually; we will host a livestream of the open mic portion of the event. Register for the livestreams at https://go.uic.edu/2023_Virtual_AccessibleJuneteenth_Stream\, or watch the livestream on Chicagoland DPOCC’s Facebook page on June 17th. \nASL will be provided for open mic portion; live captioning will be provided for the livestream of the open mic portion \nMore event details TBA as we get closer to the day; stay tuned for updates. \nThis event is brought to you by:\nChicagoland Disabled People of Color Coalition\nThe Institute on Disability and Human Development at UIC\nAccess Living\nUIC Disability Cultural Center\nChicago Disability Pride Parade\nWhole Foods \nhttps://fb.me/e/O6EJFU1V
URL:https://culturalaccesscollaborative.org/access-event/2023-accessible-juneteenth-at-uic-quad/
LOCATION:Chicago\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230617T160000
DTEND;TZID=America/Chicago:20230617T180000
DTSTAMP:20260415T051205
CREATED:20230326T184553Z
LAST-MODIFIED:20230326T184553Z
UID:10011459-1687017600-1687024800@culturalaccesscollaborative.org
SUMMARY:What the Constitution Means to Me at TimeLine Theatre
DESCRIPTION:What the Constitution Means to Me is a “slyly crafted piece of persuasion and a tangible contribution to the change it seeks” (The New York Times) and a “singularly charming\, politically urgent and cathartically necessary play” (Los Angeles Times) that shows “how broad concepts of law and governance effect individual lives in the most intimate ways” (The Guardian). \nFifteen-year-old Heidi earned her college tuition by winning Constitutional debate competitions across the United States. In this hilarious\, hopeful\, and guttingly human debate-meets-play\, she resurrects her teenage self in order to trace the relationship between four generations of women—all while grappling with the founding document that\, for better and worse\, shapes their lives. \nWhat the Constitution Means to Me became a sensation upon its premiere at New York Theatre Workshop in 2018 and went on to a five-month Broadway run with Schreck in the leading role\, garnering Tony Award nominations for Best Play and Best Performance by an Actress in a Leading Role in a Play. A national tour—launched in 2020\, paused due to the COVID-19 pandemic\, and resumed in 2021—followed. The play has been filmed\, again with Schreck performing\, for Amazon Prime Video. \nTimeOut New York declared: “Here is something that every citizen must see: It’s theater in the old sense\, the Greek sense\, a place where civic society can come together and do its thinking and fixing and planning.” On the heels of the reversal of the foundational Roe v. Wade ruling\, What the Constitution Means to Me is bound to feel even more relevant\, profound\, and searing than during its original run and Broadway debut. In the end\, Shreck’s personal stories reflect our own\, as does her passion\, her laughter\, and her outrage at a document that deserves to be challenged as much as it is upheld. \nAccessibility: captioning \nhttps://timelinetheatre.com/calendar/?month=June+2023&event=27464
URL:https://culturalaccesscollaborative.org/access-event/what-the-constitution-means-to-me-at-timeline-theatre/
LOCATION:Chicago\, United States
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