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X-ORIGINAL-URL:https://culturalaccesscollaborative.org
X-WR-CALDESC:Events for Cultural Access Collab
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DTSTART:20221106T070000
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DTSTART;TZID=America/Chicago:20220507T200000
DTEND;TZID=America/Chicago:20220509T213000
DTSTAMP:20260412T165922
CREATED:20211222T142752Z
LAST-MODIFIED:20211222T142752Z
UID:10011014-1651953600-1652131800@culturalaccesscollaborative.org
SUMMARY:Kinetic Light: Wired
DESCRIPTION:Wired is an immense and intimate experience that traces the fine line between “us” and “them” through aerial and contemporary dance and the metaphoric use of barbed wire. The dancers of Wired spin and soar together in this meditation in sound\, light\, and movement on the gendered\, racial\, and disability stories of barbed wire in the United States\, showing how this material shapes common understandings of who belongs. Barbed wire is designed as a material for containment. It is used\, time and again\, to limit individual and community movements and delineate boundaries as large as a nation state and as small as a personal fence. In Wired\, this fraught material comes to highlight not only danger and contradiction\, but also beauty and interconnection. \nTo create Wired\, the artists of Kinetic Light—Alice Sheppard\, Laurel Lawson\, Jerron Herman\, and Michael Maag—and their collaborators—composers Ailís Ní Ríain and LeahAnn Mitchell and scenic designer Josephine Shokrian—defy both gravity and assumptions about what dance can be. The artists of Kinetic Light see interdependence as a political position as well as an approach to making dance from a disability aesthetic: in which disability is a powerful creative and cultural force\, and the many ways of accessing the performance are the art itself. \nASL interpretation and AD are available for all shows. There is no spoken dialogue in Wired. Audio description is available through Kinetic Light’s app\, Audimance. More information will be provided to ticketholders by email in advance. Orientation to and demonstration of the app will be available in the lobby prior to all shows\, along with a tactile exhibit that serves as an introduction to the Wired set\, props\, costumes\, and theatrical elements. \nWired content and artistry will remain the same for all performances. The show shares many aspects of MCA’s Relaxed Performances. Audience members are welcome to exit and reenter. \nLight haze is present in certain sections. There are no strobe lighting effects. Quiet spaces and stimulation kits are available for all performances. \nThe show will be livestreamed on Saturday\, including ASL\, with one channel being audio described. Friday and Sunday’s performances will offer an alternative lighting design. \nhttps://mcachicago.org/calendar/2022/05/wired#accessibility
URL:https://culturalaccesscollaborative.org/access-event/kinetic-light-wired/2022-05-07/
LOCATION:Chicago\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220510T190000
DTEND;TZID=America/Chicago:20220510T200000
DTSTAMP:20260412T165922
CREATED:20220426T023658Z
LAST-MODIFIED:20220426T023658Z
UID:10011127-1652209200-1652212800@culturalaccesscollaborative.org
SUMMARY:Kim Gordon\, Sinéad Gleeson & Laurie Anderson on Women in Music
DESCRIPTION:Here’s to the women in music who kick in doors\, who break genres\, who are repeatedly asked: “What’s it like to be a girl in a band?” Sonic Youth’s Kim Gordon doesn’t like the question\, but her new anthology This Woman’s Work\, edited with former music journalist Sinéad Gleeson\, gives us multitudes of answers on their own terms. You’re invited to join Gordon\, Gleeson\, and the subject of the anthology’s lead essay\, Laurie Anderson\, for a riotous time spotlighting women’s work in the music industry\, which includes claiming their stories (and songs)\, while simultaneously smashing the patriarchy. This conversation is moderated by Pitchfork’s Editor in Chief\, Puja Patel. \nhttps://www.chicagohumanities.org/events/gordon-gleeson/
URL:https://culturalaccesscollaborative.org/access-event/kim-gordon-sinead-gleeson-laurie-anderson-on-women-in-music/
LOCATION:Chicago\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220513T200000
DTEND;TZID=America/Chicago:20220513T220000
DTSTAMP:20260412T165922
CREATED:20220502T015520Z
LAST-MODIFIED:20220502T015520Z
UID:10011141-1652472000-1652479200@culturalaccesscollaborative.org
SUMMARY:Hubbard Street Dance Chicago: RE/UNION
DESCRIPTION:Program A (May 13) features the highly-anticipated return of Ohad Naharin’s DECADANCE/CHICAGO\, an evening-length work curated specifically for Hubbard Street comprised of excerpts from Naharin’s most celebrated pieces\, including ‘Sadeh21\,’ ‘Naharin’s Virus\,’ and the iconic ‘Minus 16.’ \nFriday\, May 13\, 8:00 pm\nPerformance Runtime: Approximately 1 hour and 45 minutes\, including one 15-minute intermission \nProgram B (May 14) offers a thrilling mixed-repertory program: a captivating Chicago premiere of ‘Ne Me Quitte Pas’ by Spenser Theberge alongside exhilarating selections from the season\, among them Aszure Barton’s ‘BUSK\,’ ‘George & Zalman’ by Ohad Naharin\, and Amy Hall Garner’s latest work for Hubbard Street\, ‘As the Wind Blows.’ \nSaturday\, May 14\, 8:00 pm\nPerformance Runtime: Approximately 1 hour and 45 minutes\, including two 15-minute intermissions \nPlease be advised that the piece entitled ‘George & Zalman\,’ featured in both Program A + B of RE/UNION\, includes adult language and adult subject matter. \nhttps://www.harristheaterchicago.org/hubbard-street-dance-chicago
URL:https://culturalaccesscollaborative.org/access-event/hubbard-street-dance-chicago-re-union/2022-05-13/
LOCATION:Chicago\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220514T130000
DTEND;TZID=America/Chicago:20220514T140000
DTSTAMP:20260412T165922
CREATED:20220426T022944Z
LAST-MODIFIED:20220426T022944Z
UID:10011129-1652533200-1652536800@culturalaccesscollaborative.org
SUMMARY:Selma Blair on the Power of Telling Your Story
DESCRIPTION:Selma Blair has played many memorable Hollywood roles\, from “preppy ice queen” in Legally Blonde\, to “the ingenue” in Cruel Intentions—but we love her most as herself. In her memoir Mean Baby\, Blair gets candid about the roles that have made her compassionate and wise: from friend and mother to advocate for people with disabilities. Join Blair and Rachel Fleit (director of the documentary Introducing\, Selma Blair) for an intimate conversation about acting\, addiction\, activism\, and becoming yourself. This program will include clips from Introducing\, Selma Blair. \nhttps://www.chicagohumanities.org/events/selma-blair/
URL:https://culturalaccesscollaborative.org/access-event/selma-blair-on-the-power-of-telling-your-story/
LOCATION:Chicago\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220514T153000
DTEND;TZID=America/Chicago:20220514T163000
DTSTAMP:20260412T165922
CREATED:20220426T022808Z
LAST-MODIFIED:20220426T022808Z
UID:10011131-1652542200-1652545800@culturalaccesscollaborative.org
SUMMARY:Nyle DiMarco: Deaf Utopia
DESCRIPTION:America’s Next Top Model and Dancing with the Stars champion Nyle DiMarco knows “just how damn cool it is to be Deaf.” DiMarco’s career (which also includes executive producing the reality show Deaf U and Academy-award nominated documentary Audible) has been dedicated to celebrating what makes Deaf culture so unique and beautiful. Join DiMarco at CHF for a conversation about his new book Deaf Utopia: A Memoir—and a Love Letter to a Way of Life with Chicago Today host Matthew Rodrigues. \nhttps://www.chicagohumanities.org/events/nyle-dimarco/
URL:https://culturalaccesscollaborative.org/access-event/nyle-dimarco-deaf-utopia/
LOCATION:Chicago\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220514T180000
DTEND;TZID=America/Chicago:20220514T190000
DTSTAMP:20260412T165922
CREATED:20220426T022658Z
LAST-MODIFIED:20220426T022658Z
UID:10011133-1652551200-1652554800@culturalaccesscollaborative.org
SUMMARY:Chuck Klosterman with Mark Bazer on the ‘90s
DESCRIPTION:Join us for a toast and a roast to the ‘90s—a wild and confusing decade of colossal change (think the rise of the internet\, the downfall of landlines\, and the end of pre-9/11 politics). At CHF\, celebrated culture critic Chuck Klosterman (author of The Nineties)\, sits down with WTTW’s Mark Bazer (The Interview Show) to make sense of this era. Whether you’re nostalgic for the ‘90s or glad they’re over\, Klosterman and Bazer will take you on a ride of your life through the decade that brought about a revolution in human consciousness we’re still grappling with to this day. \nhttps://www.chicagohumanities.org/events/chuck-klosterman/
URL:https://culturalaccesscollaborative.org/access-event/chuck-klosterman-with-mark-bazer-on-the-90s/
LOCATION:Chicago\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220514T200000
DTEND;TZID=America/Chicago:20220514T220000
DTSTAMP:20260412T165922
CREATED:20220502T015520Z
LAST-MODIFIED:20220502T015520Z
UID:10011142-1652558400-1652565600@culturalaccesscollaborative.org
SUMMARY:Hubbard Street Dance Chicago: RE/UNION
DESCRIPTION:Program A (May 13) features the highly-anticipated return of Ohad Naharin’s DECADANCE/CHICAGO\, an evening-length work curated specifically for Hubbard Street comprised of excerpts from Naharin’s most celebrated pieces\, including ‘Sadeh21\,’ ‘Naharin’s Virus\,’ and the iconic ‘Minus 16.’ \nFriday\, May 13\, 8:00 pm\nPerformance Runtime: Approximately 1 hour and 45 minutes\, including one 15-minute intermission \nProgram B (May 14) offers a thrilling mixed-repertory program: a captivating Chicago premiere of ‘Ne Me Quitte Pas’ by Spenser Theberge alongside exhilarating selections from the season\, among them Aszure Barton’s ‘BUSK\,’ ‘George & Zalman’ by Ohad Naharin\, and Amy Hall Garner’s latest work for Hubbard Street\, ‘As the Wind Blows.’ \nSaturday\, May 14\, 8:00 pm\nPerformance Runtime: Approximately 1 hour and 45 minutes\, including two 15-minute intermissions \nPlease be advised that the piece entitled ‘George & Zalman\,’ featured in both Program A + B of RE/UNION\, includes adult language and adult subject matter. \nhttps://www.harristheaterchicago.org/hubbard-street-dance-chicago
URL:https://culturalaccesscollaborative.org/access-event/hubbard-street-dance-chicago-re-union/2022-05-14/
LOCATION:Chicago\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220515T103000
DTEND;TZID=America/Chicago:20220515T233000
DTSTAMP:20260412T165922
CREATED:20220515T110353Z
LAST-MODIFIED:20220515T110353Z
UID:10011144-1652610600-1652657400@culturalaccesscollaborative.org
SUMMARY:Carmela Full of Wishes | ASL Interpreted Performance
DESCRIPTION:It’s Carmela’s birthday\, and her wish has already come true–she’s finally old enough to join her big brother as he does the family errands. On their way to the laundromat\, past fields of what Mamí calls “flores de cempazuchitl\,” Carmela finds a lone dandelion growing in the pavement. But before she can blow its puffy white fluff away\, her brother asks\, “did you even make a wish?” If only she can think of just the right wish to make. \nFull of touching and funny fantasies\, the book\, and now the play\, portrays Carmela’s migrant community as a vibrant place of possibility. Join families from all over the city for this moving ode to family\, to dreamers\, and to finding hope in the most unexpected places. \nOpen Captioned in English and Spanish \nhttps://chicagochildrenstheatre.org/event/carmela/
URL:https://culturalaccesscollaborative.org/access-event/carmela-full-of-wishes-asl-interpreted-performance/
LOCATION:Chicago\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220515T143000
DTEND;TZID=America/Chicago:20220515T163000
DTSTAMP:20260412T165922
CREATED:20220515T105754Z
LAST-MODIFIED:20220515T105754Z
UID:10011147-1652625000-1652632200@culturalaccesscollaborative.org
SUMMARY:At the Vanishing Point
DESCRIPTION:The Gift Theatre presents At the Vanishing Point by Naomi Iizuka\, directed by Lavina Jadhwani – at The Filament Theatre \nhttps://ci.ovationtix.com/36243/production/1106846
URL:https://culturalaccesscollaborative.org/access-event/at-the-vanishing-point/
LOCATION:Chicago\, United States
CATEGORIES:In-Person Event
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