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X-WR-CALDESC:Events for Cultural Access Collab
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251004T123000
DTEND;TZID=America/Chicago:20251004T133000
DTSTAMP:20260407T181426
CREATED:20250824T191525Z
LAST-MODIFIED:20250824T191525Z
UID:10014317-1759581000-1759584600@culturalaccesscollaborative.org
SUMMARY:Christian Davenport on the Rocket Dreams of Musk and Bezos
DESCRIPTION:Moon landings and space walks once captivated the public’s attention. But\, in recent decades\, the U.S. space enterprise has waned. Now\, that’s finally about to change. The award-winning Washington Post writer Christian Davenport chronicles the mad scramble to shape humanity’s off-planet future. He takes us behind the scenes at NASA and the Pentagon as China’s aggressive moon mining plans raise alarms\, onto the sprawling Cape Canaveral factory where Blue Origin is working toward Amazon-style lunar deliveries\, and onto SpaceX launch pads as Musk’s engineers log 100-hour weeks. Davenport offers a riveting\, fly-on-the-wall account of the grit-fueled global battle to push humankind further into the cosmos — revealing that the science fiction dreams of the last century may soon become our reality.
URL:https://culturalaccesscollaborative.org/access-event/christian-davenport-on-the-rocket-dreams-of-musk-and-bezos/
LOCATION:Illinois Institute of Technology – Herrmann Hall\, 3241 S Federal St\, Chicago\, 60616\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251004T123000
DTEND;TZID=America/Chicago:20251004T170000
DTSTAMP:20260407T181426
CREATED:20250729T224032Z
LAST-MODIFIED:20250729T224032Z
UID:10014293-1759581000-1759597200@culturalaccesscollaborative.org
SUMMARY:Big White Fog at Court Theatre
DESCRIPTION:Theodore Ward’s Big White Fog is the big shoulders on which A Raisin in the Sun stands. First completed in 1938\, funded by the Federal Theatre Project\, and influenced by the South Side Writers Group that cultivated such iconic talents as Richard Wright and Margaret Walker\, Big White Fog drove American realism forward by contending with discontent. \nThe United States is on the cusp of the Great Depression and\, like many\, the Mason family is struggling. Between the precarious economy and racial violence on Chicago’s segregated South Side\, something’s got to give. As different generations strive to secure the Mason family’s future\, catastrophic decisions are made\, leading to a heartbreaking twist and a blistering condemnation of America’s Big White Fog. \nResident Artist and the nation’s preeminent director of August Wilson Ron OJ Parson (East Texas Hot Links) opens the 2025/26 season with this rich portrayal of Black life on Chicago’s South Side. \nPerformance:\nTouch Tour: Saturday\, October 4 at 12:30pm\nAudio Description and ASL Interpretation: Saturday\, October 4 at 2:00pm \nAccessibility: Touch tour\, ASL interpreted\, and audio description. \nhttps://www.courttheatre.org/season-tickets/2025-2026-season/big-white-fog/
URL:https://culturalaccesscollaborative.org/access-event/big-white-fog-at-court-theatre-2/
LOCATION:Court Theatre\, 5535 South Ellis Ave\, Chicago\, IL\, 60637\, United States
CATEGORIES:In-Person Event
ORGANIZER;CN="Court Theatre":MAILTO:Plewis3@uchicago.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251004T140000
DTEND;TZID=America/Chicago:20251004T150000
DTSTAMP:20260407T181426
CREATED:20250826T232939Z
LAST-MODIFIED:20250826T232939Z
UID:10014321-1759586400-1759590000@culturalaccesscollaborative.org
SUMMARY:The Wrigley Building: The Making of an Icon
DESCRIPTION:The Wrigley Building is one of Chicago’s most emblematic buildings — a gleaming white palazzo at the head of our city’s grandest boulevard\, Michigan Avenue. Join us for a panel discussion with the Chicago-based creatives behind the new book The Wrigley Building: The Making of an Icon as they unveil fresh perspectives on this architectural marvel. They provide a fascinating social history illuminating the building’s significance as more than just a structural landmark but as a nexus of Chicago’s cultural\, social\, and business evolution. \nPanelists: \nPhotographer William Zbaren \nWriter Robert Sharoff \nCultural historian Tim Samuelson \nArchitect and historian John Vinci \nModerated by writer and editor Alison Cuddy
URL:https://culturalaccesscollaborative.org/access-event/the-wrigley-building-the-making-of-an-icon/
LOCATION:Illinois Tech – Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship\, 3137 S Federal St\, Chicago\, 60616\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251004T170000
DTEND;TZID=America/Chicago:20251004T180000
DTSTAMP:20260407T181426
CREATED:20250828T004509Z
LAST-MODIFIED:20250828T004509Z
UID:10014327-1759597200-1759600800@culturalaccesscollaborative.org
SUMMARY:Robin Givhan on Virgil Abloh
DESCRIPTION:The late creative visionary Virgil Abloh upended a century’s worth of ideas about luxury and taste\, fundamentally reshaping how we see creativity and the world around us. Join us at the Illinois Institute of Technology\, Abloh’s alma mater\, as Pulitzer Prize-winning culture critic and fashion editor Robin Givhan illuminates Abloh’s impact on fashion\, race\, and exclusivity. Givhan is joined in conversation by curator Michael Darling\, whose close collaborative relationship with Abloh at the Museum of Contemporary Art helps to further unfold the story of a young man from Rockford with no formal training in patternmaking or tailoring who came to symbolize the industry’s way forward.
URL:https://culturalaccesscollaborative.org/access-event/robin-givhan-on-virgil-abloh/
LOCATION:Illinois Tech – Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship\, 3137 S Federal St\, Chicago\, 60616\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251004T190000
DTEND;TZID=America/Chicago:20251004T203000
DTSTAMP:20260407T181426
CREATED:20250826T233014Z
LAST-MODIFIED:20250826T233014Z
UID:10014322-1759604400-1759609800@culturalaccesscollaborative.org
SUMMARY:A Performance with Angela Davis and Nicole Mitchell's Black Earth Ensemble
DESCRIPTION:Join us for a powerful musical performance inspired by Angela Davis’s pioneering activism interspersed with readings by — and a post-performance conversation with — Davis herself. Award-winning composer\, Guggenheim fellow\, and creative flutist Nicole Mitchell\, who emerged from Chicago’s music scene in the late 90s\, will be joined by her Black Earth Ensemble to present Radical Transformation\, a musical celebration of Davis’s courage and resilience.
URL:https://culturalaccesscollaborative.org/access-event/a-performance-with-angela-davis-and-nicole-mitchells-black-earth-ensemble/
LOCATION:Illinois Institute of Technology – Herrmann Hall\, 3241 S Federal St\, Chicago\, 60616\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251005T140000
DTEND;TZID=America/Chicago:20251005T160000
DTSTAMP:20260407T181426
CREATED:20250930T023640Z
LAST-MODIFIED:20250930T023640Z
UID:10014337-1759672800-1759680000@culturalaccesscollaborative.org
SUMMARY:HCL Art/Access Lab: Open Lab | Tsehaye Hébert and Terri Lynne Hudson at Experimental Station
DESCRIPTION:Art/Access Lab: Open Lab provides artists in the disability community an affinity space for artists to share emerging projects\, test ideas\, and gain perspective on their work through community exchange. \nAttendees are invited to support the creative process by first experiencing emerging projects that are in the development phase\, then participating in a moderated conversation that delves into that work. Guided by the needs of the artist\, this conversation may explore the themes presented in the work\, invite the audience to ask questions and share critique\, or the artist may ask questions to the audience regarding their experience of the work. \n*Hybrid Event* Attend in person or via Zoom \nDoors at 1:30pm\nEvent starts at 2:00pm\nEvent ends at 4:00pm \nAccessibility: ASL interpreted\, open captions\, sensory friendly\, virtual or in-person. \nhttps://highconceptlabs.org/events/art-access-lab-october-2025
URL:https://culturalaccesscollaborative.org/access-event/hcl-art-access-lab-open-lab-tsehaye-hebert-and-terri-lynne-hudson-at-experimental-station/
LOCATION:Experimental Station\, 6100 S Blackstone Ave\, Chicago\, 60637\, United States
ORGANIZER;CN="High Concept Labs":MAILTO:info@highconceptlabs.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251005T140000
DTEND;TZID=America/Chicago:20251005T170000
DTSTAMP:20260407T181426
CREATED:20250729T224015Z
LAST-MODIFIED:20250729T224038Z
UID:10014294-1759672800-1759683600@culturalaccesscollaborative.org
SUMMARY:Big White Fog at Court Theatre
DESCRIPTION:Theodore Ward’s Big White Fog is the big shoulders on which A Raisin in the Sun stands. First completed in 1938\, funded by the Federal Theatre Project\, and influenced by the South Side Writers Group that cultivated such iconic talents as Richard Wright and Margaret Walker\, Big White Fog drove American realism forward by contending with discontent. \nThe United States is on the cusp of the Great Depression and\, like many\, the Mason family is struggling. Between the precarious economy and racial violence on Chicago’s segregated South Side\, something’s got to give. As different generations strive to secure the Mason family’s future\, catastrophic decisions are made\, leading to a heartbreaking twist and a blistering condemnation of America’s Big White Fog. \nResident Artist and the nation’s preeminent director of August Wilson Ron OJ Parson (East Texas Hot Links) opens the 2025/26 season with this rich portrayal of Black life on Chicago’s South Side. \nPerformance Sunday\, October 5 at at 2:00pm \nAccessibility: Open captioning. \nhttps://www.courttheatre.org/season-tickets/2025-2026-season/big-white-fog/ \n 
URL:https://culturalaccesscollaborative.org/access-event/big-white-fog-at-court-theatre/
LOCATION:Court Theatre\, 5535 South Ellis Ave\, Chicago\, IL\, 60637\, United States
CATEGORIES:In-Person Event
ORGANIZER;CN="Court Theatre":MAILTO:Plewis3@uchicago.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251012T100000
DTEND;TZID=America/Chicago:20251012T110000
DTSTAMP:20260407T181426
CREATED:20251001T015010Z
LAST-MODIFIED:20251001T015032Z
UID:10014343-1760263200-1760266800@culturalaccesscollaborative.org
SUMMARY:Play For All at Chicago Children's Museum
DESCRIPTION:Play For All invites children and families with disabilities and Museum members to come and experience CCM’s inclusive\, multisensory exhibits and programs. The museum opens at 10 am for Play for All guests to enjoy an exclusive hour of play\, before opening to the general public at 11 am. The first 250 children and families with disabilities who register will receive FREE admission! Pre-registration is required for free admission. Guests can come and go all day. \nAccessibility: wheelchair accessible\, quiet spaces. \nhttps://www.chicagochildrensmuseum.org/play-for-all
URL:https://culturalaccesscollaborative.org/access-event/play-for-all-at-chicago-childrens-museum-5/
LOCATION:Chicago Children’s Museum\, 700 E. Grand Ave.\, Chicago\, IL\, 60611-3580\, United States
ORGANIZER;CN="Chicago Children's Museum":MAILTO:customersupport@chicagochildrensmuseum.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251013T080000
DTEND;TZID=America/Chicago:20251013T170000
DTSTAMP:20260407T181426
CREATED:20250817T002559Z
LAST-MODIFIED:20250817T002559Z
UID:10014306-1760342400-1760374800@culturalaccesscollaborative.org
SUMMARY:Robin Wall Kimmerer in Conversation at Chicago Humanities
DESCRIPTION:Indigenous scientist and New York Times bestselling author of Braiding Sweetgrass\, Robin Wall Kimmerer\, asks: How can we learn from Indigenous wisdom and the plant world to reimagine what we value most? How can we move away from the scarcity\, competition\, and hoarding of resources that our economy is rooted in? Join us on Indigenous Peoples’ Day at the verdant Morton Arboretum for a conversation with Kimmerer and Jill Koski\, president and CEO of the Morton Arboretum\, about how we can orient our lives around gratitude\, reciprocity\, and community\, based on the lessons of the natural world. The program will begin with drum and dance by Trickster Cultural Center\, followed by a conversation inspired by Kimmerer’s new book\, The Serviceberry: Abundance and Reciprocity in the Natural World.
URL:https://culturalaccesscollaborative.org/access-event/robin-wall-kimmerer-in-conversation-at-chicago-humanities/2025-10-13/1/
LOCATION:The Morton Arboretum\, 4100 IL-53\, Lisle\, 60532\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251013T183000
DTEND;TZID=America/Chicago:20251013T200000
DTSTAMP:20260407T181426
CREATED:20250817T002559Z
LAST-MODIFIED:20250817T002559Z
UID:10014307-1760380200-1760385600@culturalaccesscollaborative.org
SUMMARY:Robin Wall Kimmerer in Conversation at Chicago Humanities
DESCRIPTION:Indigenous scientist and New York Times bestselling author of Braiding Sweetgrass\, Robin Wall Kimmerer\, asks: How can we learn from Indigenous wisdom and the plant world to reimagine what we value most? How can we move away from the scarcity\, competition\, and hoarding of resources that our economy is rooted in? Join us on Indigenous Peoples’ Day at the verdant Morton Arboretum for a conversation with Kimmerer and Jill Koski\, president and CEO of the Morton Arboretum\, about how we can orient our lives around gratitude\, reciprocity\, and community\, based on the lessons of the natural world. The program will begin with drum and dance by Trickster Cultural Center\, followed by a conversation inspired by Kimmerer’s new book\, The Serviceberry: Abundance and Reciprocity in the Natural World.
URL:https://culturalaccesscollaborative.org/access-event/robin-wall-kimmerer-in-conversation-at-chicago-humanities/2025-10-13/2/
LOCATION:The Morton Arboretum\, 4100 IL-53\, Lisle\, 60532\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251015T193000
DTEND;TZID=America/Chicago:20251015T210000
DTSTAMP:20260407T181426
CREATED:20251001T015437Z
LAST-MODIFIED:20251001T015515Z
UID:10014342-1760556600-1760562000@culturalaccesscollaborative.org
SUMMARY:Chicago Poetry Center Presents: October Blue Hour Featuring Rhoni Blankenhorn & Alicia Wright at Haymarket House
DESCRIPTION:The Chicago Poetry Center presents BLUE HOUR\, a free\, public monthly in-person reading series and generative writing workshop. Our October featured readers are Rhoni Blankenhorn & Alicia Wright. \nEach event takes place at Haymarket House (800 W. Buena) and includes a brief open mic followed by two featured poets. Pre-registration is free and recommended. The open mic includes five readers drawn lottery-style from a hat that goes out at 7:15. The reading starts promptly at 7:30. Each open mic poet reads one poem or for three minutes whichever comes first. \nEVENT DETAILS FOR OCTOBER 15th:\nThe workshop (registration required) begins promptly at 6 p.m. and ends at 7 p.m.\nDoors open and open mic lottery registration starts at 7 p.m. — the open mic begins promptly at 7:30\, followed by our amazing featured readers.\nReading registration is free; the workshop is a sliding scale with a suggested donation of $10.\nRegister for the workshop here (required\, and sells out quickly):\nhttps://BHWorkshopOct2025.eventbrite.com\nAnd RSVP for the reading here (recommended):\nhttps://Oct2025BlueHour.eventbrite.com\nView the livestream here:\nhttps://www.youtube.com/@chicagopoetrycenter/streams \nABOUT THE READING:\nThe Blue Hour reading features readings by two poets from Chicago and beyond preceded by a five person lottery-style open mic and followed by community gathering time. \nABOUT THE WORKSHOP:\nThe Blue Hour generative writing workshop is suitable for writers and poetry fans of all levels. We will discuss a poem together then Marty will guide the group through individual writing on an exploratory prompt that draws on themes from the poem. \nABOUT THE SPACE:\nAccessibility Health & Safety:\n– All restrooms at Haymarket House are gender-neutral including single-user and stalled restrooms.\n– Each event includes ASL interpretation. Haymarket House is ADA compliant and fully wheelchair-accessible; email curator@poetrycenter.org to ensure ramp access and with any other accessibility needs.\n– Masks are currently strongly encouraged for all indoor events and the space is equipped with a professional air filtration system. \nOCTOBER FEATURES:\nRhoni Blankenhorn is a Filipina American writer. Her poems can be found in The Slowdown\, Asian American Writers’ Workshop’s The Margins\, Narrative\, and elsewhere. She is the recipient of fellowships and scholarships from Bread Loaf\, Saltonstall\, and the Sewanee Writers’ Conference. Rhoni’s poetry debut\, Rooms for Dead and the Not Yet\, won the Trio Award\, and was published with Trio House Press (July\, 2025). \nAlicia Wright is the author of “You’re Called By The Same Sound” (Thirdhand Books\, 2025) and the forthcoming essay chapbook “A Coin\, A Moth\, A Literary Journal” from DoubleCoss Press. Her poetry appears in Kenyon Review\, Chicago Review\, and The Paris Review\, among others. She is the editor of Annulet and publisher of Annulet Editions. She lives in Iowa City\, where she works as Managing Editor of The Iowa Review. \nABOUT THE HOST:\nMarty McConnell is a poet educator and healer based in Chicago. She is the author of when they say you can’t go home again what they mean is you were never there winner of the 2017 Michael Waters Poetry Prize; her first full-length collection wine for a shotgun received the Silver Medal in the Independent Publishers Awards and was a finalist for both the Audre Lorde Award and a Lambda Literary Award. Her first nonfiction book Gathering Voices: Creating a Community-Based Poetry Workshop is available through YesYes Books. She is the co-creator and co-editor of underbelly a web site focused on the art and magic of poetry revision. An MFA graduate of Sarah Lawrence College her work has appeared in numerous journals and anthologies including Best American Poetry Southern Humanities Review Gulf Coast and Indiana Review. \nTo learn more about the series and history go here ( https://www.poetrycenter.org/reading-series/) \nAccessibility: ASL Interpreted\, gender-neutral bathrooms\, wheelchair accessible. \nhttps://www.poetrycenter.org/blue-hour-october-15th/
URL:https://culturalaccesscollaborative.org/access-event/chicago-poetry-center-presents-october-blue-hour-featuring-rhoni-blankenhorn-alicia-wright-at-haymarket-house/
LOCATION:Haymarket House\, 800 W. Buena\, Chicago\, 60613\, United States
CATEGORIES:In-Person Event
ORGANIZER;CN="The Chicago Poetry Center":MAILTO:info@poetrycenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T093000
DTEND;TZID=America/Chicago:20251018T103000
DTSTAMP:20260407T181426
CREATED:20250902T001844Z
LAST-MODIFIED:20250902T001844Z
UID:10014336-1760779800-1760783400@culturalaccesscollaborative.org
SUMMARY:Leo Lionni's Frederick at Chicago Children
DESCRIPTION:While other mice are gathering food for the winter\, Frederick daydreams the summer away. But when fall weather comes\, it is Frederick who has stored up something special for the long cold winter in a celebration of the idea that there is a place for all of us in this world. Originally a world premiere in CCT’s 10th birthday season\, this charming musical based on Leo Lionni’s classic\, much-loved Caldecott Award-winning book features a book by Suzanne Maynard Miller and a spirited folk and rock blues music score by Sarah Durkee and Paul Jacobs\, performed live\, on-stage by a talented cast of six actor-musicians.
URL:https://culturalaccesscollaborative.org/access-event/leo-lionnis-frederick-at-chicago-children/
LOCATION:Chicago Children’s Theatre\, 100 S Racine Ave\, Chicago\, IL\, 60607\, United States
ORGANIZER;CN="Chicago Children's Theatre":MAILTO:boxoffice@chicagochildrenstheatre.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T100000
DTEND;TZID=America/Chicago:20251018T110000
DTSTAMP:20260407T181426
CREATED:20250826T233157Z
LAST-MODIFIED:20250826T233157Z
UID:10014326-1760781600-1760785200@culturalaccesscollaborative.org
SUMMARY:Princeton University President on Academic Free Speech
DESCRIPTION:Princeton University President and legal scholar Christopher L. Eisgruber joins us in conversation to challenge the common assumptions about free speech on college campuses. He argues that most American colleges are largely getting free speech right\, with students engaging in active and open debate on difficult and controversial topics. But the real crisis lies in how the condition of university life reflects the polarization of American society and the loss of constructive dialogue across different swathes of the population. In his new book Terms of Respect\, Eisgruber draws on his experience as both a constitutional law expert and university leader to offer insight into headline-making campus controversies\, and reveals the inside story behind events that have captured national attention. He argues that colleges can help restore civil discourse by understanding that free speech is inherently tied to respect\, diversity\, and democratic engagement. You won’t want to miss this timely conversation on the national conversation about the future of civil debate.
URL:https://culturalaccesscollaborative.org/access-event/princeton-university-president-on-academic-free-speech/
LOCATION:Ida Noyes Hall– Max Palevsky Cinema\, 212 E 59th St # 3\, Chicago\, 60637\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T100000
DTEND;TZID=America/Chicago:20251018T110000
DTSTAMP:20260407T181426
CREATED:20250826T233238Z
LAST-MODIFIED:20250826T233238Z
UID:10014325-1760781600-1760785200@culturalaccesscollaborative.org
SUMMARY:Gary Shteyngart: Vera\, or Faith
DESCRIPTION:Award-winning Russian-American novelist Gary Shteyngart offers an entirely original literary perspective\, merging memoir and satire to create contemporary characters informed by his upbringing in Soviet Leningrad\, his Jewish heritage\, and his marriage and child with a woman of Korean descent. Join us for a conversation featuring Shteyngart’s signature blend of psyche and style as he discusses his new book Vera\, or Faith: a poignant\, sharp-eyed\, and bitterly funny tale of a family struggling to stay together in a country rapidly coming apart.
URL:https://culturalaccesscollaborative.org/access-event/gary-shteyngart-vera-or-faith/
LOCATION:Institute for the Study of Ancient Cultures\, University of Chicago\, 1155 E 58th St\, Chicago\, 60637\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T110000
DTEND;TZID=America/Chicago:20251018T120000
DTSTAMP:20260407T181426
CREATED:20250828T004634Z
LAST-MODIFIED:20250828T004634Z
UID:10014329-1760785200-1760788800@culturalaccesscollaborative.org
SUMMARY:Roxane Gay: 10 Years of Being a Bad Feminist
DESCRIPTION:The last 10 years have been eventful\, to say the least. And who better to reflect on our times than cultural critic and bestselling author Roxane Gay? Gay joins us to discuss how politics\, culture\, and of course\, feminism\, have transformed since the release of the iconic text that is Bad Feminist. Bringing her quick wit and razor-sharp criticism\, Gay breaks down how the culture we consume becomes who we are\, and provides us with some hope for the next 10 years.
URL:https://culturalaccesscollaborative.org/access-event/roxane-gay-10-years-of-being-a-bad-feminist/
LOCATION:University of Chicago — Mandel Hall\, 1131 E 57th St\, Chicago\, 60637\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T123000
DTEND;TZID=America/Chicago:20251018T133000
DTSTAMP:20260407T181426
CREATED:20250828T004714Z
LAST-MODIFIED:20250828T004714Z
UID:10014330-1760790600-1760794200@culturalaccesscollaborative.org
SUMMARY:Amitav Ghosh: Wild Fictions
DESCRIPTION:Internationally acclaimed author Amitav Ghosh joins us in conversation with UChicago professor Benjamin Morgan to illuminate the topics that have been central to Ghosh’s work over the last 25 years: imperialism and decolonization\, climate change\, and the stories of ordinary people making lives amid these historical forces. The first English-language writer to receive the Jnanpith Award\, India’s highest literary honor\, Ghosh helps readers understand the world in new and urgent ways. In his newest work\, Wild Fictions\, he provides a powerful refutation of imperial violence\, a fascinating exploration of the fictions we weave to absorb history\, and a reminder of the importance of sensitivity and empathy.
URL:https://culturalaccesscollaborative.org/access-event/amitav-ghosh-wild-fictions/
LOCATION:Institute for the Study of Ancient Cultures\, University of Chicago\, 1155 E 58th St\, Chicago\, 60637\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T140000
DTEND;TZID=America/Chicago:20251018T150000
DTSTAMP:20260407T181426
CREATED:20250828T004746Z
LAST-MODIFIED:20250828T004746Z
UID:10014331-1760796000-1760799600@culturalaccesscollaborative.org
SUMMARY:20 Years of Freakonomics
DESCRIPTION:Helping to establish the field of pop economics\, the bestselling book Freakonomics sparked both public interest and academic debate. In celebration of the 20th anniversary of the original publication\, author Stephen J. Dubner joins us to discuss how it all started (as a book applying economic principles to unconventional topics) and how it’s grown (into a blog\, documentary\, more books\, a podcast\, and the entire Freakonomics Radio Network). \nDubner is joined by Deborah Nelson\, Dean of the Arts & Humanities Division at the University of Chicago\, for a wide-ranging conversation and to demonstrate the signature Freakonomics method for a robust and insightful analysis of the economic value embedded in higher education and the humanities writ large.
URL:https://culturalaccesscollaborative.org/access-event/20-years-of-freakonomics/
LOCATION:University of Chicago — Mandel Hall\, 1131 E 57th St\, Chicago\, 60637\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T160000
DTEND;TZID=America/Chicago:20251018T170000
DTSTAMP:20260407T181426
CREATED:20250828T004841Z
LAST-MODIFIED:20250828T004934Z
UID:10014332-1760803200-1760806800@culturalaccesscollaborative.org
SUMMARY:Professor Stephanie Burt on the Genius of Taylor Swift
DESCRIPTION:Harvard professor and poetry expert Stephanie Burt joins us to explain the artistry — and the celebrity — of Taylor Swift. Through heartfelt critical appreciation\, Burt analyzes Swift\, her body of work\, and the community that her art has fostered. Drawing from her 2024 Harvard course\, Taylor Swift and Her World\, as well as from her years as a Swiftie\, Burt examines Swift’s particular form of genius — not the destructive genius of tortured poets\, but the collaborative and joyful genius of an artist who has mastered her craft. Tracing a path through the Eras\, Burt’s newest work\, Taylor’s Version\, shows what Swift has created\, how it works\, and why her songs will endure.
URL:https://culturalaccesscollaborative.org/access-event/professor-stephanie-burt-on-the-genius-of-taylor-swift/
LOCATION:Ida Noyes Hall — Cloister Club\, 1212 E 59th St\, Chicago\, 60637\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T170000
DTEND;TZID=America/Chicago:20251018T180000
DTSTAMP:20260407T181426
CREATED:20250828T005016Z
LAST-MODIFIED:20250828T005016Z
UID:10014333-1760806800-1760810400@culturalaccesscollaborative.org
SUMMARY:An Evening with Steven Pinker
DESCRIPTION:Join Steven Pinker\, world-renowned cognitive scientist\, Harvard professor\, and one of Time’s “100 Most Influential People in the World Today\,” for a fascinating exploration of human psychology. In a lecture followed by a conversation with UChicago linguist and cognitive scientist Chris Kennedy\, Pinker unravels how we think about what others are thinking about what we’re thinking — a cyclical process that creates “common knowledge” and profoundly shapes our social\, political\, and economic lives. Discover how this hidden force explains life’s most puzzling phenomena: why financial bubbles burst overnight\, how revolutions emerge from nowhere\, what drives diplomatic theater\, and why complete honesty would make life unbearable.
URL:https://culturalaccesscollaborative.org/access-event/an-evening-with-steven-pinker/
LOCATION:University of Chicago — Mandel Hall\, 1131 E 57th St\, Chicago\, 60637\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251018T190000
DTEND;TZID=America/Chicago:20251018T200000
DTSTAMP:20260407T181426
CREATED:20250828T005042Z
LAST-MODIFIED:20250828T005042Z
UID:10014334-1760814000-1760817600@culturalaccesscollaborative.org
SUMMARY:Woodworking and Tomfoolery with Nick Offerman
DESCRIPTION:Join us for an evening of conversation and tomfoolery with the one and only Nick Offerman. Offerman makes his return to Chicago to discuss his newest work\, Little Woodchucks\, an illustrated woodworking guide with projects for the whole family. Combining Nick’s signature wry humor with joyfully illustrated project instructions\, Little Woodchucks introduces young woodworkers-to-be to the satisfaction and good\, clean fun of hands-on crafting. Illinois born and bred\, Nick will also share stories of coming up in the ‘90s as an actor and carpenter for theaters like Steppenwolf and the Goodman\, as well as his journey to iconic roles like Ron Swanson and Bill from The Last of Us. Joining Nick on stage will be his collaborator on the book\, Lee Buchanan. She spent a decade running Nick’s LA woodshop\, designing and building furniture\, and carving a whole lot of mustache combs. \nPlus\, experience a live woodworking demonstration by Nick and Lee!
URL:https://culturalaccesscollaborative.org/access-event/woodworking-and-tomfoolery-with-nick-offerman/
LOCATION:Rockefeller Memorial Chapel\, University of Chicago\, 5850 S Woodlawn Ave\, Chicago\, 60637\, United States
ORGANIZER;CN="Chicago Humanities":MAILTO:tickets@chicagohumanities.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251020T133000
DTEND;TZID=America/Chicago:20251020T163000
DTSTAMP:20260407T181426
CREATED:20251019T214510Z
LAST-MODIFIED:20251019T214510Z
UID:10014356-1760967000-1760977800@culturalaccesscollaborative.org
SUMMARY:Frankenstein Screening at the Chicago International Film Festival
DESCRIPTION:FRANKENSTEIN SCREENING\nDIRECTED BY Guillermo del Toro\nCOUNTRIES U.S. RUN TIME 149 minutes \nSYNOPSIS\nVictor Frankenstein\, a brilliant but egotistical scientist\, brings a creature to life in a monstrous experiment that ultimately leads to the undoing of both the creator and his tragic creation. A retelling of the classic novel about what it means to be human\, to crave love\, and seek understanding. \nGENRES Drama\, Fantasy\, Literary Adaptation\nLANGUAGE English
URL:https://culturalaccesscollaborative.org/access-event/frankenstein-screening-at-the-chicago-international-film-festival/
LOCATION:AMC NEWCITY 14\, 1500 N Clybourn Ave c301\, Chicago\, IL\, 60610\, United States
ORGANIZER;CN="Chicago International Film Festival":MAILTO:access@chicagofilmfestival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251021T183000
DTEND;TZID=America/Chicago:20251021T203000
DTSTAMP:20260407T181426
CREATED:20251019T214540Z
LAST-MODIFIED:20251019T214540Z
UID:10014357-1761071400-1761078600@culturalaccesscollaborative.org
SUMMARY:Rental Family Screening and Awards Event at the Chicago International Film Festival
DESCRIPTION:RENTAL FAMILY SCREENING AND AWARDS EVENT\nDIRECTED BY HIKARI\nCOUNTRIES U.S.\, Japan RUN TIME 103 minutes \nSYNOPSIS\nSet in modern-day Tokyo\, Rental Family follows an American actor (Brendan Fraser) who struggles to find purpose until he lands an unusual gig: working for a Japanese “rental family” agency\, playing stand-in roles for strangers. As he immerses himself in his clients’ worlds\, he begins to form genuine bonds that blur the lines between performance and reality. Confronting the moral complexities of his work\, he rediscovers purpose\, belonging\, and the quiet beauty of human connection. \nGENRES Comedy\, Drama\, Family Affairs\nLANGUAGE English\, Japanese\n*Open Captions For Spoken Elements of the Program (Intro/Q&A/Award/Etc.) \nAWARDS EVENT\nAt this screening\, director HIKARI will receive the Festival’s Spotlight Award. \nHIKARI is an award-winning writer\, director\, and producer whose debut feature\, 37 Seconds\, premiered at the Berlin International Film Festival and won accolades globally. She’s directed episodes of the Emmy-winning series Beef\, as well as Tokyo Vice and acclaimed shorts like Tsuyako.
URL:https://culturalaccesscollaborative.org/access-event/rental-family-screening-and-awards-event-at-the-chicago-international-film-festival/
LOCATION:Music Box Theatre\, 3733 N Southport Ave\, Chicago\, IL\, 60613\, United States
ORGANIZER;CN="Chicago International Film Festival":MAILTO:access@chicagofilmfestival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251024T190000
DTEND;TZID=America/Chicago:20251024T203000
DTSTAMP:20260407T181426
CREATED:20251001T015945Z
LAST-MODIFIED:20251001T015945Z
UID:10014340-1761332400-1761337800@culturalaccesscollaborative.org
SUMMARY:Frankenstein (Audio Described) at Theater Wit
DESCRIPTION:Following a sold-out run at Chicago Shakespeare Theater this spring\, A.B.L.E.—Artists Breaking Limits & Expectations is thrilled to bring their acclaimed adaptation of Frankenstein back to life this fall at Theater Wit for a strictly limited engagement. \nMusic journalist Roberta Walton (Ryan Foley) has journeyed to derelict punk club The Arctic to cover its demise\, but instead finds a disoriented Victor Frankenstein (Marissa Bloodgood and Andrew Kosnik) and a much more interesting story! The neurodiverse ensemble – composed of 9 actors with varying disabilities and a team of facilitators – play multiple characters as they bring Frankenstein and his Creature’s memories to life. This original adaptation blends music\, movement\, and scenes devised by the group into a provocative and personal exploration of ambition\, isolation\, and the balance between the head and the heart. \nSchedule\nFriday October 24th at 7pm\nSaturday October 25 at 1pm (Audio Described)\nSunday October 26 at 1pm (ASL Interpreted) \nRunning time\nApproximately 90mins no intermission \nSensory and Content Advisory\nFrankenstein includes scenes that depict bullying\, threats of violence\, and death. The show design incorporates projected animations\, some low pulsing light\, and loud music. To learn more about what to expect at the show\, please refer to our Sensory Advisory Guide. \nAccessibility at Frankenstein\nAll performances are open captioned\nAll performances are relaxed – you can leave the theatre at any time if you need a break and sensory support tools will be available.\nWheelchair Access\nMasks are required for all attendees out of consideration for our immunocompromised community members\nThe performance on Saturday October 25 will be audio described\nThe performance on Sunday October 26th will be dual-ASL interpreted \nTicket Tiers:\nAll tickets are general admission. \nA.B.L.E. is committed to removing barriers\, and that includes ensuring our work is financially accessible for everyone who wants to attend. Pick the pricing tier that works for you: \n$15 – I am ABLE to connect – this level represents ABLE’s commitment to making the arts accessible for all.\n$30 – I am ABLE to contribute – this level helps offset crucial production costs like props\, costumes\, and rehearsal space.\n$45 – I am ABLE to create – this level represents the true cost of A.B.L.E.’s programming\, and helps to provide access to the arts for those in need. \nCast and Crew: \nCo-Directed by: Lawrence Kern & Katie Yohe\nThe Ensemble: Colleen Altman\, Marissa Bloodgood\, Rachel Buchanan\, Benjamin Collins\, Ryan Foley\, Erin Harvey\, Paige Henderson\, Andrew Kosnik\, Matthew LaChapelle\, Kate McDuffie\, Jenna Rapisarda\, Haley Schroeck\, and Zachary Wandel\nStage Manager: Grecia Bahena\nLighting Design: Billy Murphy\nProjection Design: Brock Alter & Alex Sokol\nOriginal Sound Design: Nicholas Pope & Katie Yohe\nMakeup Design: MK Papadatos\nProp Supervisor: Anna Katharine Mantz\nAudio Description (on October 25th): Jason Harrington\nASL Interpreters (on October 26th): Sabrina Cienfuegos and Mark Motyka\nDirector of ASL: Peter Wujcik\nKey Art Photographer: Joe Mazza/Brave Lux\nProduction Photography: Vashon Jordan\, Jr.\nFrankenstein was originally co-produced in partnership with the staff at Chicago Shakespeare Theater. \nA.B.L.E.’s 2025-2026 Season is partially supported by The Andrew E. Barrer Trust on behalf of The Chicago Lighthouse\, The Chicago Community Trust\, Department of Cultural Affairs and Special Events\, FunFund\, Fs Foundation\, The Illinois Arts Council\, The Paul M. Angell Family Foundation\, The National Endowment for the Arts\, and generous individuals like you! \nAccessibility: Audio description\, wheelchair accessible\, and open captions. \nhttps://ableensemble.com/event/frankenstein/
URL:https://culturalaccesscollaborative.org/access-event/frankenstein-audio-described-at-theater-wit/
LOCATION:Theater Wit\, 1229 W Belmont\, Chicago\, IL\, 60657\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251024T193000
DTEND;TZID=America/Chicago:20251024T213000
DTSTAMP:20260407T181426
CREATED:20250803T212444Z
LAST-MODIFIED:20250803T212444Z
UID:10014285-1761334200-1761341400@culturalaccesscollaborative.org
SUMMARY:Revolution(s) - ASL Performance at Goodman Theatre
DESCRIPTION:By Zayd Ayers Dohrn\nMusic and Lyrics by Tom Morello\nDirected by Steve H. Broadnax III\nOctober 4 – November 9\, 2025 \nPut your hands on the wheel of history.\nWhen soldier and aspiring musician Hampton Weems comes home from Afghanistan\, he finds the South Side of Chicago is also occupied territory—and he’s accidentally joined the resistance. Rock and Roll Hall of Famer (Rage Against the Machine\, Audioslave and The Nightwatchman) Tom Morello brings a ground-breaking new punk/metal/hip-hop musical to our intimate Owen Theatre about a young artist finding his voice\, why violence is as American as cherry pie\, and how young radicals—across generations—are still motivated by love.
URL:https://culturalaccesscollaborative.org/access-event/revolutions-asl-performance-at-goodman-theatre/
LOCATION:Goodman Theatre\, 170 N Dearborn St\, Chicago\, 60601\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251025T160000
DTEND;TZID=America/Chicago:20251025T180000
DTSTAMP:20260407T181426
CREATED:20251001T020407Z
LAST-MODIFIED:20251001T020407Z
UID:10014347-1761408000-1761415200@culturalaccesscollaborative.org
SUMMARY:The 6th Annual Danny Awards via Livestream
DESCRIPTION:Daniel’s Music Foundation proudly presents the 6th Annual Danny Awards\, an annual\, global award show that recognizes the incredible contributions of artists with disabilities to the world of music. \nEnjoy powerful performances by the top ten award recipients\, selected by a panel of judges comprised of musicians and industry professionals. Talented vocalists\, instrumentalists\, bands and solo artists from across the country and around the globe will take the stage to share their musical gifts and extraordinary stories with the world. For those unable to attend in person\, the event will also be live streamed on October 25th\, from 4-6 PM ET. We hope to see you there! \nLive stream registration available here. \nAccessibility: ASL Interpreted\, live captioning\, Braille programs\, audio description\, wheelchair accessible \nhttps://www.danielsmusic.org/thedannys
URL:https://culturalaccesscollaborative.org/access-event/the-6th-annual-danny-awards-via-livestream/
LOCATION:The Town Hall\, 123 W. 43rd St\, New York\, NY\, 10029\, United States
CATEGORIES:Virtual Event
ORGANIZER;CN="Daniel's Music Foundation":MAILTO:jonah@danielsmusic.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251026T120000
DTEND;TZID=America/Chicago:20251026T143000
DTSTAMP:20260407T181426
CREATED:20251019T214644Z
LAST-MODIFIED:20251019T214644Z
UID:10014361-1761480000-1761489000@culturalaccesscollaborative.org
SUMMARY:Gazelle Screening at the Chicago International Film Festival
DESCRIPTION:Gazelle Screening\nDIRECTED BY Nadir Sarıbacak\, Samy Pioneer\nCOUNTRIES U.S.\, Turkey RUN TIME 103 minutes \nSYNOPSIS\nIn this tense\, timely\, and poignant drama\, Yakup\, a beloved music teacher and Turkish dissident\, has fled his country for fear of political persecution and is seeking asylum in the U.S. While working in the kitchen of a New York City restaurant\, he struggles desperately to find a way to bring his wife and daughter into the country to live with him. Finding legal immigration channels a dead end\, he reluctantly engages with a dodgy smuggler\, a decision that only intensifies his concern for his family’s safety\, sending the kindly Yakup into a downward spiral. \nFirst-time feature filmmakers Nadir Sarıbacak (known for his role in Nuri Bilge Ceylan’s Winter Sleep) and Samy Pioneer deftly capture the details of Turkish American and migrant life in the big city\, while also expressively conveying their protagonist’s troubled state of mind. Gazelle isn’t just an urgent tale about our immigration crisis—it’s a touching story about displacement and its deep psychological and physical toll. \nGENRES Drama\, Family Affairs\, Social Commentary\nLANGUAGE English\, Turkish with subtitles
URL:https://culturalaccesscollaborative.org/access-event/gazelle-screening-at-the-chicago-international-film-festival/
LOCATION:AMC NEWCITY 14\, 1500 N Clybourn Ave c301\, Chicago\, IL\, 60610\, United States
ORGANIZER;CN="Chicago International Film Festival":MAILTO:access@chicagofilmfestival.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251026T120000
DTEND;TZID=America/Chicago:20251026T170000
DTSTAMP:20260407T181426
CREATED:20250817T002254Z
LAST-MODIFIED:20250817T002254Z
UID:10014300-1761480000-1761498000@culturalaccesscollaborative.org
SUMMARY:Medea at Lyric Opera
DESCRIPTION:A tale of infidelity & revenge like no other. \nAccessibility: Audio Description\, Touch Tour\, Sound Shirt \nhttps://www.lyricopera.org/ace-configuration/smartseat-reserve/?itemNumber=18957#/ 
URL:https://culturalaccesscollaborative.org/access-event/medea-at-lyric-opera/
LOCATION:Lyric Opera of Chicago\, 20 N Wacker Drive\, Chicago\, 60606\, United States
ORGANIZER;CN="Lyric Opera of Chicago":MAILTO:mstjohn@lyricopera.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251026T130000
DTEND;TZID=America/Chicago:20251026T143000
DTSTAMP:20260407T181426
CREATED:20251001T020004Z
LAST-MODIFIED:20251001T020004Z
UID:10014341-1761483600-1761489000@culturalaccesscollaborative.org
SUMMARY:Frankenstein (ASL Interpreted) at Theater Wit
DESCRIPTION:Following a sold-out run at Chicago Shakespeare Theater this spring\, A.B.L.E.—Artists Breaking Limits & Expectations is thrilled to bring their acclaimed adaptation of Frankenstein back to life this fall at Theater Wit for a strictly limited engagement. \nMusic journalist Roberta Walton (Ryan Foley) has journeyed to derelict punk club The Arctic to cover its demise\, but instead finds a disoriented Victor Frankenstein (Marissa Bloodgood and Andrew Kosnik) and a much more interesting story! The neurodiverse ensemble – composed of 9 actors with varying disabilities and a team of facilitators – play multiple characters as they bring Frankenstein and his Creature’s memories to life. This original adaptation blends music\, movement\, and scenes devised by the group into a provocative and personal exploration of ambition\, isolation\, and the balance between the head and the heart. \nSchedule\nFriday October 24th at 7pm\nSaturday October 25 at 1pm (Audio Described)\nSunday October 26 at 1pm (ASL Interpreted) \nRunning time\nApproximately 90mins no intermission \nSensory and Content Advisory\nFrankenstein includes scenes that depict bullying\, threats of violence\, and death. The show design incorporates projected animations\, some low pulsing light\, and loud music. To learn more about what to expect at the show\, please refer to our Sensory Advisory Guide. \nAccessibility at Frankenstein\nAll performances are open captioned\nAll performances are relaxed – you can leave the theatre at any time if you need a break and sensory support tools will be available.\nWheelchair Access\nMasks are required for all attendees out of consideration for our immunocompromised community members\nThe performance on Saturday October 25 will be audio described\nThe performance on Sunday October 26th will be dual-ASL interpreted \nTicket Tiers:\nAll tickets are general admission. \nA.B.L.E. is committed to removing barriers\, and that includes ensuring our work is financially accessible for everyone who wants to attend. Pick the pricing tier that works for you: \n$15 – I am ABLE to connect – this level represents ABLE’s commitment to making the arts accessible for all.\n$30 – I am ABLE to contribute – this level helps offset crucial production costs like props\, costumes\, and rehearsal space.\n$45 – I am ABLE to create – this level represents the true cost of A.B.L.E.’s programming\, and helps to provide access to the arts for those in need. \nCast and Crew: \nCo-Directed by: Lawrence Kern & Katie Yohe\nThe Ensemble: Colleen Altman\, Marissa Bloodgood\, Rachel Buchanan\, Benjamin Collins\, Ryan Foley\, Erin Harvey\, Paige Henderson\, Andrew Kosnik\, Matthew LaChapelle\, Kate McDuffie\, Jenna Rapisarda\, Haley Schroeck\, and Zachary Wandel\nStage Manager: Grecia Bahena\nLighting Design: Billy Murphy\nProjection Design: Brock Alter & Alex Sokol\nOriginal Sound Design: Nicholas Pope & Katie Yohe\nMakeup Design: MK Papadatos\nProp Supervisor: Anna Katharine Mantz\nAudio Description (on October 25th): Jason Harrington\nASL Interpreters (on October 26th): Sabrina Cienfuegos and Mark Motyka\nDirector of ASL: Peter Wujcik\nKey Art Photographer: Joe Mazza/Brave Lux\nProduction Photography: Vashon Jordan\, Jr.\nFrankenstein was originally co-produced in partnership with the staff at Chicago Shakespeare Theater. \nA.B.L.E.’s 2025-2026 Season is partially supported by The Andrew E. Barrer Trust on behalf of The Chicago Lighthouse\, The Chicago Community Trust\, Department of Cultural Affairs and Special Events\, FunFund\, Fs Foundation\, The Illinois Arts Council\, The Paul M. Angell Family Foundation\, The National Endowment for the Arts\, and generous individuals like you! \nAccessibility: ASL Interpreted\, wheelchair accessible\, and open captions. \nhttps://ableensemble.com/event/frankenstein/
URL:https://culturalaccesscollaborative.org/access-event/frankenstein-asl-interpreted-at-theater-wit/
LOCATION:Theater Wit\, 1229 W Belmont\, Chicago\, IL\, 60657\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251026T140000
DTEND;TZID=America/Chicago:20251026T160000
DTSTAMP:20260407T181426
CREATED:20250803T212901Z
LAST-MODIFIED:20250803T212901Z
UID:10014286-1761487200-1761494400@culturalaccesscollaborative.org
SUMMARY:Revolution(s) - Open-Captioned Performance at Goodman Theatre
DESCRIPTION:By Zayd Ayers Dohrn\nMusic and Lyrics by Tom Morello\nDirected by Steve H. Broadnax III\nOctober 4 – November 9\, 2025 \nPut your hands on the wheel of history.\nWhen soldier and aspiring musician Hampton Weems comes home from Afghanistan\, he finds the South Side of Chicago is also occupied territory—and he’s accidentally joined the resistance. Rock and Roll Hall of Famer (Rage Against the Machine\, Audioslave and The Nightwatchman) Tom Morello brings a ground-breaking new punk/metal/hip-hop musical to our intimate Owen Theatre about a young artist finding his voice\, why violence is as American as cherry pie\, and how young radicals—across generations—are still motivated by love.
URL:https://culturalaccesscollaborative.org/access-event/revolutions-open-captioned-performance-at-goodman-theatre/
LOCATION:Goodman Theatre\, 170 N Dearborn St\, Chicago\, 60601\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251101T140000
DTEND;TZID=America/Chicago:20251101T160000
DTSTAMP:20260407T181426
CREATED:20250826T233118Z
LAST-MODIFIED:20250826T233118Z
UID:10014323-1762005600-1762012800@culturalaccesscollaborative.org
SUMMARY:Hundreds and Hundreds of Stars - Open-Captioned Performance at Lookingglass Theatre
DESCRIPTION:Motherhood\, marijuana\, and the multiverse collide in this Chicago-set story of family\, immigration\, and American identity. \nLike millions of Americans\, Clara is doing her best to hold everything together—working hard\, raising her tween daughter Stella\, caring for an aging father\, and supporting her under-employed ex-husband. But when she applies for U.S. citizenship ahead of a mother-daughter trip to Paris\, her application is unexpectedly flagged\, exposing minor infractions in her past and threatening the only home she’s ever known. Blending grounded family drama with otherworldly wonder\, this Chicago-set world premiere is a moving and provocative exploration of our country’s most fundamental values. \nOriginally commissioned by the Chicago Park District’s Theatre on the Lake In the Works project\, in partnership with The Chicago Dramatists\, previous development of Hundreds and Hundreds of Stars included stagings as part of Goodman Theatre’s New Stages Festival in 2018 and Northeastern Illinois University’s thINKtank Series\, co-produced in partnership with Teatro Vista\, in 2024. \nThese performances of Hundreds and Hundreds of Stars will be open captioned with a text display of words and sounds heard during the performance. The display is positioned in such a way that it is open for anyone to see in a particular seating area. It is a service you may choose to use or ignore during the performance. Captioning is provided by c2 Inc.\, www.c2net.org.
URL:https://culturalaccesscollaborative.org/access-event/hundreds-and-hundreds-of-stars-open-captioned-performance-at-lookingglass-theatre/
LOCATION:Lookingglass Theatre\, 163 E Pearson St\, Chicago\, IL\, 60611\, United States
ORGANIZER;CN="TimeLine Theatre":MAILTO:info@timelinetheatre.com
END:VEVENT
END:VCALENDAR