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X-WR-CALDESC:Events for Cultural Access Collab
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TZID:America/Chicago
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TZOFFSETFROM:-0600
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TZNAME:CDT
DTSTART:20220313T080000
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DTSTART:20221106T070000
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220507T140000
DTEND;TZID=America/Chicago:20220507T150000
DTSTAMP:20260405T124749
CREATED:20220426T023924Z
LAST-MODIFIED:20220426T023924Z
UID:10011120-1651932000-1651935600@culturalaccesscollaborative.org
SUMMARY:From the World of Night Vale: A Chat with Jeffrey Cranor\, Joseph Fink\, & Mara Wilson
DESCRIPTION:CHF welcomes you to Night Vale. This fictional spooky desert town in the American Southwest is a hit podcast created by Jeffrey Cranor and Joseph Fink\, and the location of their latest novel The Faceless Old Woman Who Secretly Lives in Your Home. Join Cranor\, Fink\, and Mara Wilson (voice of the Faceless Old Woman) for an immersive guide into a world where ghosts\, angels\, and aliens roam the streets\, and of course\, a faceless old woman who lives secretly in your home. \nhttps://www.chicagohumanities.org/events/night-vale/
URL:https://culturalaccesscollaborative.org/access-event/from-the-world-of-night-vale-a-chat-with-jeffrey-cranor-joseph-fink-mara-wilson/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220507T143000
DTEND;TZID=America/Chicago:20220507T170000
DTSTAMP:20260405T124749
CREATED:20220203T192634Z
LAST-MODIFIED:20220203T192634Z
UID:10011036-1651933800-1651942800@culturalaccesscollaborative.org
SUMMARY:Intimate Apparel
DESCRIPTION:In 1905\, a Black seamstress named Esther sews her way out of poverty stitch by delicate stitch\, creating fine lingerie for her Manhattan clientele while longing for a husband and a future. She finds common ground with a Jewish fabric merchant\, a relationship they both know cannot grow. So when correspondence with a lonesome Caribbean man leads to a marriage proposal\, she accepts. But as her new marriage quickly leads to regret\, Esther turns back to her sewing machine to rebuild her life and refashion her future. \nThere will be a touch tour at 1:30pm inside the theater where patrons will be invited into their seats for a pre-show introduction to the space and the cast. \nIntimate Apparel
URL:https://culturalaccesscollaborative.org/access-event/intimate-apparel/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220507T160000
DTEND;TZID=America/Chicago:20220507T171500
DTSTAMP:20260405T124749
CREATED:20220426T023404Z
LAST-MODIFIED:20220426T023404Z
UID:10011121-1651939200-1651943700@culturalaccesscollaborative.org
SUMMARY:Eboo Patel & Yascha Mounk: Building & Maintaining Diverse Democracies
DESCRIPTION:America needs a roadmap for building a diverse democracy: enter Eboo Patel (former faith advisor to President Obama) and Yascha Mounk (leading expert on the crisis of liberal democracy)\, here with their thoughts on where to start. At CHF\, Patel (We Need To Build) and Mounk (The Great Experiment) will discuss why democracy has become so fragile here and around the world\, and their vision for a better\, more inclusive way forward. This conversation is moderated by Zeenat Rahman (Executive Director of Institute of Politics at the University of Chicago) and is a must-attend event for anyone eager to learn about the state of our democracy and what they can do to fix it. \nhttps://www.chicagohumanities.org/events/eboo-patel-yascha-mounk/
URL:https://culturalaccesscollaborative.org/access-event/eboo-patel-yascha-mounk-building-maintaining-diverse-democracies/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220507T193000
DTEND;TZID=America/Chicago:20220507T203000
DTSTAMP:20260405T124749
CREATED:20220426T023805Z
LAST-MODIFIED:20220426T023805Z
UID:10011118-1651951800-1651955400@culturalaccesscollaborative.org
SUMMARY:John Waters & the "Feel Bad" Romance
DESCRIPTION:John Waters (legendary filmmaker of the cult classic Pink Flamingos and blockbuster Hairspray\, and author of Carsick and Mr. Know-It-All) has turned his brilliant mind to fiction: specifically his first novel and what he calls the “feel bad romance.” In Liarmouth\, Waters employs his trademark combination of hilarity and obscenity\, weaving a tangled tale of sex\, crime\, and family dysfunction\, with main character Marsha Sprinkle (scammer\, suitcase thief\, master of disguise) at the helm. Waters joins CHF in conversation to share his secrets for writing well in a transgressive way. \nhttps://www.chicagohumanities.org/events/john-waters/
URL:https://culturalaccesscollaborative.org/access-event/john-waters-the-feel-bad-romance/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220507T200000
DTEND;TZID=America/Chicago:20220509T213000
DTSTAMP:20260405T124749
CREATED:20211222T142752Z
LAST-MODIFIED:20211222T142752Z
UID:10011014-1651953600-1652131800@culturalaccesscollaborative.org
SUMMARY:Kinetic Light: Wired
DESCRIPTION:Wired is an immense and intimate experience that traces the fine line between “us” and “them” through aerial and contemporary dance and the metaphoric use of barbed wire. The dancers of Wired spin and soar together in this meditation in sound\, light\, and movement on the gendered\, racial\, and disability stories of barbed wire in the United States\, showing how this material shapes common understandings of who belongs. Barbed wire is designed as a material for containment. It is used\, time and again\, to limit individual and community movements and delineate boundaries as large as a nation state and as small as a personal fence. In Wired\, this fraught material comes to highlight not only danger and contradiction\, but also beauty and interconnection. \nTo create Wired\, the artists of Kinetic Light—Alice Sheppard\, Laurel Lawson\, Jerron Herman\, and Michael Maag—and their collaborators—composers Ailís Ní Ríain and LeahAnn Mitchell and scenic designer Josephine Shokrian—defy both gravity and assumptions about what dance can be. The artists of Kinetic Light see interdependence as a political position as well as an approach to making dance from a disability aesthetic: in which disability is a powerful creative and cultural force\, and the many ways of accessing the performance are the art itself. \nASL interpretation and AD are available for all shows. There is no spoken dialogue in Wired. Audio description is available through Kinetic Light’s app\, Audimance. More information will be provided to ticketholders by email in advance. Orientation to and demonstration of the app will be available in the lobby prior to all shows\, along with a tactile exhibit that serves as an introduction to the Wired set\, props\, costumes\, and theatrical elements. \nWired content and artistry will remain the same for all performances. The show shares many aspects of MCA’s Relaxed Performances. Audience members are welcome to exit and reenter. \nLight haze is present in certain sections. There are no strobe lighting effects. Quiet spaces and stimulation kits are available for all performances. \nThe show will be livestreamed on Saturday\, including ASL\, with one channel being audio described. Friday and Sunday’s performances will offer an alternative lighting design. \nhttps://mcachicago.org/calendar/2022/05/wired#accessibility
URL:https://culturalaccesscollaborative.org/access-event/kinetic-light-wired/2022-05-07/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220508T140000
DTEND;TZID=America/Chicago:20220508T153000
DTSTAMP:20260405T124749
CREATED:20211222T142752Z
LAST-MODIFIED:20211222T142752Z
UID:10011015-1652018400-1652023800@culturalaccesscollaborative.org
SUMMARY:Kinetic Light: Wired
DESCRIPTION:Wired is an immense and intimate experience that traces the fine line between “us” and “them” through aerial and contemporary dance and the metaphoric use of barbed wire. The dancers of Wired spin and soar together in this meditation in sound\, light\, and movement on the gendered\, racial\, and disability stories of barbed wire in the United States\, showing how this material shapes common understandings of who belongs. Barbed wire is designed as a material for containment. It is used\, time and again\, to limit individual and community movements and delineate boundaries as large as a nation state and as small as a personal fence. In Wired\, this fraught material comes to highlight not only danger and contradiction\, but also beauty and interconnection. \nTo create Wired\, the artists of Kinetic Light—Alice Sheppard\, Laurel Lawson\, Jerron Herman\, and Michael Maag—and their collaborators—composers Ailís Ní Ríain and LeahAnn Mitchell and scenic designer Josephine Shokrian—defy both gravity and assumptions about what dance can be. The artists of Kinetic Light see interdependence as a political position as well as an approach to making dance from a disability aesthetic: in which disability is a powerful creative and cultural force\, and the many ways of accessing the performance are the art itself. \nASL interpretation and AD are available for all shows. There is no spoken dialogue in Wired. Audio description is available through Kinetic Light’s app\, Audimance. More information will be provided to ticketholders by email in advance. Orientation to and demonstration of the app will be available in the lobby prior to all shows\, along with a tactile exhibit that serves as an introduction to the Wired set\, props\, costumes\, and theatrical elements. \nWired content and artistry will remain the same for all performances. The show shares many aspects of MCA’s Relaxed Performances. Audience members are welcome to exit and reenter. \nLight haze is present in certain sections. There are no strobe lighting effects. Quiet spaces and stimulation kits are available for all performances. \nThe show will be livestreamed on Saturday\, including ASL\, with one channel being audio described. Friday and Sunday’s performances will offer an alternative lighting design. \nhttps://mcachicago.org/calendar/2022/05/wired#accessibility
URL:https://culturalaccesscollaborative.org/access-event/kinetic-light-wired/2022-05-08/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220510T190000
DTEND;TZID=America/Chicago:20220510T200000
DTSTAMP:20260405T124749
CREATED:20220426T023658Z
LAST-MODIFIED:20220426T023658Z
UID:10011127-1652209200-1652212800@culturalaccesscollaborative.org
SUMMARY:Kim Gordon\, Sinéad Gleeson & Laurie Anderson on Women in Music
DESCRIPTION:Here’s to the women in music who kick in doors\, who break genres\, who are repeatedly asked: “What’s it like to be a girl in a band?” Sonic Youth’s Kim Gordon doesn’t like the question\, but her new anthology This Woman’s Work\, edited with former music journalist Sinéad Gleeson\, gives us multitudes of answers on their own terms. You’re invited to join Gordon\, Gleeson\, and the subject of the anthology’s lead essay\, Laurie Anderson\, for a riotous time spotlighting women’s work in the music industry\, which includes claiming their stories (and songs)\, while simultaneously smashing the patriarchy. This conversation is moderated by Pitchfork’s Editor in Chief\, Puja Patel. \nhttps://www.chicagohumanities.org/events/gordon-gleeson/
URL:https://culturalaccesscollaborative.org/access-event/kim-gordon-sinead-gleeson-laurie-anderson-on-women-in-music/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220513T200000
DTEND;TZID=America/Chicago:20220513T220000
DTSTAMP:20260405T124749
CREATED:20220502T015520Z
LAST-MODIFIED:20220502T015520Z
UID:10011141-1652472000-1652479200@culturalaccesscollaborative.org
SUMMARY:Hubbard Street Dance Chicago: RE/UNION
DESCRIPTION:Program A (May 13) features the highly-anticipated return of Ohad Naharin’s DECADANCE/CHICAGO\, an evening-length work curated specifically for Hubbard Street comprised of excerpts from Naharin’s most celebrated pieces\, including ‘Sadeh21\,’ ‘Naharin’s Virus\,’ and the iconic ‘Minus 16.’ \nFriday\, May 13\, 8:00 pm\nPerformance Runtime: Approximately 1 hour and 45 minutes\, including one 15-minute intermission \nProgram B (May 14) offers a thrilling mixed-repertory program: a captivating Chicago premiere of ‘Ne Me Quitte Pas’ by Spenser Theberge alongside exhilarating selections from the season\, among them Aszure Barton’s ‘BUSK\,’ ‘George & Zalman’ by Ohad Naharin\, and Amy Hall Garner’s latest work for Hubbard Street\, ‘As the Wind Blows.’ \nSaturday\, May 14\, 8:00 pm\nPerformance Runtime: Approximately 1 hour and 45 minutes\, including two 15-minute intermissions \nPlease be advised that the piece entitled ‘George & Zalman\,’ featured in both Program A + B of RE/UNION\, includes adult language and adult subject matter. \nhttps://www.harristheaterchicago.org/hubbard-street-dance-chicago
URL:https://culturalaccesscollaborative.org/access-event/hubbard-street-dance-chicago-re-union/2022-05-13/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220514T130000
DTEND;TZID=America/Chicago:20220514T140000
DTSTAMP:20260405T124749
CREATED:20220426T022944Z
LAST-MODIFIED:20220426T022944Z
UID:10011129-1652533200-1652536800@culturalaccesscollaborative.org
SUMMARY:Selma Blair on the Power of Telling Your Story
DESCRIPTION:Selma Blair has played many memorable Hollywood roles\, from “preppy ice queen” in Legally Blonde\, to “the ingenue” in Cruel Intentions—but we love her most as herself. In her memoir Mean Baby\, Blair gets candid about the roles that have made her compassionate and wise: from friend and mother to advocate for people with disabilities. Join Blair and Rachel Fleit (director of the documentary Introducing\, Selma Blair) for an intimate conversation about acting\, addiction\, activism\, and becoming yourself. This program will include clips from Introducing\, Selma Blair. \nhttps://www.chicagohumanities.org/events/selma-blair/
URL:https://culturalaccesscollaborative.org/access-event/selma-blair-on-the-power-of-telling-your-story/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220514T153000
DTEND;TZID=America/Chicago:20220514T163000
DTSTAMP:20260405T124749
CREATED:20220426T022808Z
LAST-MODIFIED:20220426T022808Z
UID:10011131-1652542200-1652545800@culturalaccesscollaborative.org
SUMMARY:Nyle DiMarco: Deaf Utopia
DESCRIPTION:America’s Next Top Model and Dancing with the Stars champion Nyle DiMarco knows “just how damn cool it is to be Deaf.” DiMarco’s career (which also includes executive producing the reality show Deaf U and Academy-award nominated documentary Audible) has been dedicated to celebrating what makes Deaf culture so unique and beautiful. Join DiMarco at CHF for a conversation about his new book Deaf Utopia: A Memoir—and a Love Letter to a Way of Life with Chicago Today host Matthew Rodrigues. \nhttps://www.chicagohumanities.org/events/nyle-dimarco/
URL:https://culturalaccesscollaborative.org/access-event/nyle-dimarco-deaf-utopia/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220514T180000
DTEND;TZID=America/Chicago:20220514T190000
DTSTAMP:20260405T124749
CREATED:20220426T022658Z
LAST-MODIFIED:20220426T022658Z
UID:10011133-1652551200-1652554800@culturalaccesscollaborative.org
SUMMARY:Chuck Klosterman with Mark Bazer on the ‘90s
DESCRIPTION:Join us for a toast and a roast to the ‘90s—a wild and confusing decade of colossal change (think the rise of the internet\, the downfall of landlines\, and the end of pre-9/11 politics). At CHF\, celebrated culture critic Chuck Klosterman (author of The Nineties)\, sits down with WTTW’s Mark Bazer (The Interview Show) to make sense of this era. Whether you’re nostalgic for the ‘90s or glad they’re over\, Klosterman and Bazer will take you on a ride of your life through the decade that brought about a revolution in human consciousness we’re still grappling with to this day. \nhttps://www.chicagohumanities.org/events/chuck-klosterman/
URL:https://culturalaccesscollaborative.org/access-event/chuck-klosterman-with-mark-bazer-on-the-90s/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220514T200000
DTEND;TZID=America/Chicago:20220514T220000
DTSTAMP:20260405T124749
CREATED:20220502T015520Z
LAST-MODIFIED:20220502T015520Z
UID:10011142-1652558400-1652565600@culturalaccesscollaborative.org
SUMMARY:Hubbard Street Dance Chicago: RE/UNION
DESCRIPTION:Program A (May 13) features the highly-anticipated return of Ohad Naharin’s DECADANCE/CHICAGO\, an evening-length work curated specifically for Hubbard Street comprised of excerpts from Naharin’s most celebrated pieces\, including ‘Sadeh21\,’ ‘Naharin’s Virus\,’ and the iconic ‘Minus 16.’ \nFriday\, May 13\, 8:00 pm\nPerformance Runtime: Approximately 1 hour and 45 minutes\, including one 15-minute intermission \nProgram B (May 14) offers a thrilling mixed-repertory program: a captivating Chicago premiere of ‘Ne Me Quitte Pas’ by Spenser Theberge alongside exhilarating selections from the season\, among them Aszure Barton’s ‘BUSK\,’ ‘George & Zalman’ by Ohad Naharin\, and Amy Hall Garner’s latest work for Hubbard Street\, ‘As the Wind Blows.’ \nSaturday\, May 14\, 8:00 pm\nPerformance Runtime: Approximately 1 hour and 45 minutes\, including two 15-minute intermissions \nPlease be advised that the piece entitled ‘George & Zalman\,’ featured in both Program A + B of RE/UNION\, includes adult language and adult subject matter. \nhttps://www.harristheaterchicago.org/hubbard-street-dance-chicago
URL:https://culturalaccesscollaborative.org/access-event/hubbard-street-dance-chicago-re-union/2022-05-14/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220515T103000
DTEND;TZID=America/Chicago:20220515T233000
DTSTAMP:20260405T124749
CREATED:20220515T110353Z
LAST-MODIFIED:20220515T110353Z
UID:10011144-1652610600-1652657400@culturalaccesscollaborative.org
SUMMARY:Carmela Full of Wishes | ASL Interpreted Performance
DESCRIPTION:It’s Carmela’s birthday\, and her wish has already come true–she’s finally old enough to join her big brother as he does the family errands. On their way to the laundromat\, past fields of what Mamí calls “flores de cempazuchitl\,” Carmela finds a lone dandelion growing in the pavement. But before she can blow its puffy white fluff away\, her brother asks\, “did you even make a wish?” If only she can think of just the right wish to make. \nFull of touching and funny fantasies\, the book\, and now the play\, portrays Carmela’s migrant community as a vibrant place of possibility. Join families from all over the city for this moving ode to family\, to dreamers\, and to finding hope in the most unexpected places. \nOpen Captioned in English and Spanish \nhttps://chicagochildrenstheatre.org/event/carmela/
URL:https://culturalaccesscollaborative.org/access-event/carmela-full-of-wishes-asl-interpreted-performance/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220515T143000
DTEND;TZID=America/Chicago:20220515T163000
DTSTAMP:20260405T124749
CREATED:20220515T105754Z
LAST-MODIFIED:20220515T105754Z
UID:10011147-1652625000-1652632200@culturalaccesscollaborative.org
SUMMARY:At the Vanishing Point
DESCRIPTION:The Gift Theatre presents At the Vanishing Point by Naomi Iizuka\, directed by Lavina Jadhwani – at The Filament Theatre \nhttps://ci.ovationtix.com/36243/production/1106846
URL:https://culturalaccesscollaborative.org/access-event/at-the-vanishing-point/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220518T130000
DTEND;TZID=America/Chicago:20220518T153000
DTSTAMP:20260405T124749
CREATED:20220220T000138Z
LAST-MODIFIED:20220220T000138Z
UID:10011041-1652878800-1652887800@culturalaccesscollaborative.org
SUMMARY:All’s Well That Ends Well
DESCRIPTION:“Love all\, trust a few\, do wrong to none”… how hard could it be? Shakespeare’s nuanced coming-of-age love story is brought to new life in the uniquely intimate setting of the Courtyard Theater\, staged by acclaimed director Shana Cooper. Bold\, complex characters and hilarious turns of wit and wisdom make for a vivid exploration of love and loss\, courtship and class. Besotted with a man who does not return her love\, the intelligent\, resourceful young Helena navigates the complexities of unrequited romance\, courtly drama\, and the pesky meddling of her elders—only to discover the reality that happy endings are never quite as simple as they seem in fairy tales. \nFor our access performances\, “Pay-What-You-Can” tickets\, ranging from our full price of $90 to as low as $35\, are available to patrons whose disability requires the use of the service (plus one companion). Book your tickets today by calling 312.595.5600 or emailing access@chicagoshakes.com. When booking tickets\, please indicate your wish to participate in the Access program so we may provide the best possible seats and service. Please purchase your tickets in advance—access programs with no attendance may be cancelled 48 hours prior to the show. For more information\, visit https://www.chicagoshakes.com/plays_and_events/allswell
URL:https://culturalaccesscollaborative.org/access-event/alls-well-that-ends-well/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220518T193000
DTEND;TZID=America/Chicago:20220518T220000
DTSTAMP:20260405T124749
CREATED:20220220T000316Z
LAST-MODIFIED:20220220T000316Z
UID:10011042-1652902200-1652911200@culturalaccesscollaborative.org
SUMMARY:All’s Well That Ends Well
DESCRIPTION:“Love all\, trust a few\, do wrong to none”… how hard could it be? Shakespeare’s nuanced coming-of-age love story is brought to new life in the uniquely intimate setting of the Courtyard Theater\, staged by acclaimed director Shana Cooper. Bold\, complex characters and hilarious turns of wit and wisdom make for a vivid exploration of love and loss\, courtship and class. Besotted with a man who does not return her love\, the intelligent\, resourceful young Helena navigates the complexities of unrequited romance\, courtly drama\, and the pesky meddling of her elders—only to discover the reality that happy endings are never quite as simple as they seem in fairy tales. \nFor our access performances\, “Pay-What-You-Can” tickets\, ranging from our full price of $90 to as low as $35\, are available to patrons whose disability requires the use of the service (plus one companion). Book your tickets today by calling 312.595.5600 or emailing access@chicagoshakes.com. When booking tickets\, please indicate your wish to participate in the Access program so we may provide the best possible seats and service. Please purchase your tickets in advance—access programs with no attendance may be cancelled 48 hours prior to the show. For more information\, visit https://www.chicagoshakes.com/plays_and_events/allswell
URL:https://culturalaccesscollaborative.org/access-event/alls-well-that-ends-well-2/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220519T193000
DTEND;TZID=America/Chicago:20220519T213000
DTSTAMP:20260405T124749
CREATED:20220203T233311Z
LAST-MODIFIED:20220203T233311Z
UID:10010954-1652988600-1652995800@culturalaccesscollaborative.org
SUMMARY:SEAGULL at Steppenwolf Theatre Company
DESCRIPTION:On a long summer weekend in the Russian countryside at an estate bursting at the seams with guests\, three generations collide in ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaption of Anton Chekhov’s Seagull\, the play that will open Steppenwolf’s new in-the-round Ensemble Theater in Honor of Helen Zell. In classic Chekhovian style\, a sparkling cast featuring many Steppenwolf ensemble members will wrestle with the eternal questions that haunt the intellectual artist class: What is Love? What is Art? When is Lunch? Join us for this historical moment in Steppenwolf’s journey as we explore the work that inspired us\, laugh at the battles that consume us and celebrate\, together\, all that makes us grateful for each other. \nhttps://www.steppenwolf.org/tickets–events/seasons/2021-22/seagull/
URL:https://culturalaccesscollaborative.org/access-event/seagull-at-steppenwolf-theatre-company/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220520T193000
DTEND;TZID=America/Chicago:20220520T220000
DTSTAMP:20260405T124749
CREATED:20220220T000949Z
LAST-MODIFIED:20220220T000949Z
UID:10011044-1653075000-1653084000@culturalaccesscollaborative.org
SUMMARY:All’s Well That Ends Well
DESCRIPTION:Love all\, trust a few\, do wrong to none”… how hard could it be? Shakespeare’s nuanced coming-of-age love story is brought to new life in the uniquely intimate setting of the Courtyard Theater\, staged by acclaimed director Shana Cooper. Bold\, complex characters and hilarious turns of wit and wisdom make for a vivid exploration of love and loss\, courtship and class. Besotted with a man who does not return her love\, the intelligent\, resourceful young Helena navigates the complexities of unrequited romance\, courtly drama\, and the pesky meddling of her elders—only to discover the reality that happy endings are never quite as simple as they seem in fairy tales. \nFor our access performances\, “Pay-What-You-Can” tickets\, ranging from our full price of $90 to as low as $35\, are available to patrons whose disability requires the use of the service (plus one companion). Book your tickets today by calling 312.595.5600 or emailing access@chicagoshakes.com. When booking tickets\, please indicate your wish to participate in the Access program so we may provide the best possible seats and service. Please purchase your tickets in advance—access programs with no attendance may be cancelled 48 hours prior to the show. For more information\, visit https://www.chicagoshakes.com/plays_and_events/allswell
URL:https://culturalaccesscollaborative.org/access-event/alls-well-that-ends-well-4/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220521T140000
DTEND;TZID=America/Chicago:20220521T150000
DTSTAMP:20260405T124749
CREATED:20220404T175530Z
LAST-MODIFIED:20220404T175530Z
UID:10010994-1653141600-1653145200@culturalaccesscollaborative.org
SUMMARY:LYNX Project: beautiful small things (In-Person)
DESCRIPTION:Join us for a live performance of songs from LYNX Project’s debut album\, beautiful small things. These art songs\, commissioned between 2017–2020 as part of the Amplify series\, feature the poetry of neurodiverse young people who are primarily nonspeaking\, set to music by celebrated classical composers. In addition to song performances\, there will be a presentation on nonspeaking communication and readings of poems. \nThe Poetry Foundation and LYNX share a commitment to creating a welcoming and inclusive performance space. Sensory accommodations will be provided. \nPoetry Foundation’s events are completely free of charge and open to the public. This reading will include live captioning and ASL interpretation. If you require any other accessibility measures\, please contact us by emailing events@poetryfoundation.org. \nAll guests over the age of two must wear a mask inside the Poetry Foundation building. Guests over the age of five must show proof of vaccination and booster up to the level to which they are eligible for their age group. Guests over the age of 18 must show ID alongside their proof of vaccination. If you cannot meet these requirements\, you will not be granted entry to the event. All in-person events will be made available online for free at poetryfoundation.org/video. Please note that some performers may choose to perform without a mask. \nThese guidelines are up to date as of March 7\, 2022. \nhttps://www.poetryfoundation.org/events/156862/lynx-project-beautiful-small-things-in-person
URL:https://culturalaccesscollaborative.org/access-event/lynx-project-beautiful-small-things-in-person/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220522T140000
DTEND;TZID=America/Chicago:20220522T170000
DTSTAMP:20260405T124749
CREATED:20220220T000505Z
LAST-MODIFIED:20220220T000505Z
UID:10011043-1653228000-1653238800@culturalaccesscollaborative.org
SUMMARY:All’s Well That Ends Well
DESCRIPTION:“Love all\, trust a few\, do wrong to none”… how hard could it be? Shakespeare’s nuanced coming-of-age love story is brought to new life in the uniquely intimate setting of the Courtyard Theater\, staged by acclaimed director Shana Cooper. Bold\, complex characters and hilarious turns of wit and wisdom make for a vivid exploration of love and loss\, courtship and class. Besotted with a man who does not return her love\, the intelligent\, resourceful young Helena navigates the complexities of unrequited romance\, courtly drama\, and the pesky meddling of her elders—only to discover the reality that happy endings are never quite as simple as they seem in fairy tales. \nFor our access performances\, “Pay-What-You-Can” tickets\, ranging from our full price of $90 to as low as $35\, are available to patrons whose disability requires the use of the service (plus one companion). Book your tickets today by calling 312.595.5600 or emailing access@chicagoshakes.com. When booking tickets\, please indicate your wish to participate in the Access program so we may provide the best possible seats and service. Please purchase your tickets in advance—access programs with no attendance may be cancelled 48 hours prior to the show. For more information\, visit https://www.chicagoshakes.com/plays_and_events/allswell
URL:https://culturalaccesscollaborative.org/access-event/alls-well-that-ends-well-3/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220522T193000
DTEND;TZID=America/Chicago:20220522T213000
DTSTAMP:20260405T124749
CREATED:20220203T233528Z
LAST-MODIFIED:20220203T233528Z
UID:10010956-1653247800-1653255000@culturalaccesscollaborative.org
SUMMARY:SEAGULL at Steppenwolf Theatre Company
DESCRIPTION:On a long summer weekend in the Russian countryside at an estate bursting at the seams with guests\, three generations collide in ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaption of Anton Chekhov’s Seagull\, the play that will open Steppenwolf’s new in-the-round Ensemble Theater in Honor of Helen Zell. In classic Chekhovian style\, a sparkling cast featuring many Steppenwolf ensemble members will wrestle with the eternal questions that haunt the intellectual artist class: What is Love? What is Art? When is Lunch? Join us for this historical moment in Steppenwolf’s journey as we explore the work that inspired us\, laugh at the battles that consume us and celebrate\, together\, all that makes us grateful for each other. \nhttps://www.steppenwolf.org/tickets–events/seasons/2021-22/seagull/
URL:https://culturalaccesscollaborative.org/access-event/seagull-at-steppenwolf-theatre-company-2/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220529T140000
DTEND;TZID=America/Chicago:20220529T170000
DTSTAMP:20260405T124749
CREATED:20210915T160915Z
LAST-MODIFIED:20210915T160915Z
UID:10011003-1653832800-1653843600@culturalaccesscollaborative.org
SUMMARY:Everyone At Play
DESCRIPTION:Kohl Children’s Museum welcomes children with special needs and their families for an afternoon of learning and play focused on them. Our Museum campus is designed for universal accessibility with a purpose to encourage linguistic\, cognitive\, motor and social skills for all children ages birth to 8. Events attendees will experience: 17 hands-on Museum exhibits\, One-on-one interactive activities with trained\, registered therapy animals and other partners\, Quiet room for stimulation breaks\, Museum staff providing play support and guidance\, A free family pass for 4 to return to the Museum. \nhttps://www.kohlchildrensmuseum.org/outreach-programs/eap/
URL:https://culturalaccesscollaborative.org/access-event/everyone-at-play-2/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220529T140000
DTEND;TZID=America/Chicago:20220529T170000
DTSTAMP:20260405T124749
CREATED:20220219T233639Z
LAST-MODIFIED:20220219T233639Z
UID:10011045-1653832800-1653843600@culturalaccesscollaborative.org
SUMMARY:Everyone At Play At Kohl Children's Museum
DESCRIPTION:Kohl Children’s Museum was specifically designed to be inclusive of all children and adults regardless of ability. The Museum’s 17 exhibits and 2 acres of outdoor explorations are designed for play with a purpose and encourage linguistic\, cognitive\, motor\, and social skills for children ages birth through 8. The Museum works collaboratively with community organizations to invite families with children with special needs to the Museum to explore the exhibits while closed to the general public. These FREE events\, titled Everyone at Play\, usually occur on specified afternoons. This provides opportunities for calm\, creative\, and collaborative play.The event includes one-on-one interactive activities with trained\, registered therapy animals and other partners\, a quiet room for stimulation breaks\, museum staff providing play support and guidance\, and a free family pass for 4 to return to the Museum.EAP is generously supported by the Edmond and Alice Opler Foundation\, the Pajeau Children’s Foundation and the Walter and Caroline Sueske Charitable Trust. Capacity is limited and registration is required. \nhttps://www.kohlchildrensmuseum.org/outreach-programs/eap/
URL:https://culturalaccesscollaborative.org/access-event/everyone-at-play-at-kohl-childrens-museum-2/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220601T190000
DTEND;TZID=America/Chicago:20220601T210000
DTSTAMP:20260405T124749
CREATED:20220518T014716Z
LAST-MODIFIED:20220518T014716Z
UID:10011146-1654110000-1654117200@culturalaccesscollaborative.org
SUMMARY:KAINA & Ben LaMar Gay: A Concert at Navy Pier
DESCRIPTION:Celebrate summertime in Chicago with an evening of local music at Navy Pier’s Lake Stage. The program opens with a performance by Ben LaMar Gay (Open Arms to Open Us)\, a South Side native whose music channels cosmopolitan blues and “Pan-Americana.” Our headliner\, KAINA (It Was a Home)\, a first-generation Latina born and raised in Chicago\, combines R&B\, Latin jazz\, indie pop\, salsa\, and soul for a set that sings across borders of love\, legacy\, and ancestry. Join us for a concert featuring two of Chicago’s most exciting new music stars\, with the city as our backdrop. Beverages will be available for purchase\, courtesy of Land And Sea Dept. Stick around for fireworks right after the show! \nhttps://www.chicagohumanities.org/events/kaina-ben-lamar-gay/
URL:https://culturalaccesscollaborative.org/access-event/kaina-ben-lamar-gay-a-concert-at-navy-pier/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220604T080000
DTEND;TZID=America/Chicago:20220612T170000
DTSTAMP:20260405T124749
CREATED:20220525T004817Z
LAST-MODIFIED:20220525T004817Z
UID:10011148-1654329600-1655053200@culturalaccesscollaborative.org
SUMMARY:Unfolding Disability Futures
DESCRIPTION:Unfolding Disability Futures is a multi-organization\, site-specific performance and installation by local disabled artists throughout The Plant\, a former meatpacking facility. Over the past decade\, this space has been revitalized to highlight the importance of sustainable agriculture and community collaboration. Unfolding Disability Futures embraces the importance of sustainability and community care in artistic practice and performance. Performances and installations unfold throughout the space\, highlighting how The Plant has been redeveloped to make the building accessible in ways that are both functional and beautiful and proposing access not as a drain but a plentiful resource in and of itself. \nUnfolding Disability Futures takes place over four events on June 4-5 & 11-12. Each performance cycle\, audiences will be guided through The Plant in groups of ten\, experiencing six original dance works set in various locations throughout the building\, as well as the six visual artist spotlights. Performance cycles begin every half hour over the duration of all four events with a total of five performances per event. Each performance cycle runs about an hour. Thie set up is intended to build in the flexibility needed to respond to current COVID protocols to ensure the safety of audiences and dancers while simultaneously allowing audiences to fully experience the architecture\, performances and visual art exhibits throughout The Plant. \nAdditionally\, we will host a post-show artist talk after the final performance cycle concludes at 5pm on Sunday\, June 12 and two community workshops in April 30 and on May 15 at 3:30pm. \nMasks and vaccination/negative tests required for all events. See our website unfoldingdisabilityfutures.com for more information. \n**ASL Interpreters will be available for all performance cycles on Sunday\, June 5 and Saturday\, June 11. If you require ASL interpreters\, please register for any cycle on these dates. \nThis show contains some images containing partial nudity in the context of the performance of care tasks. Audiences will be notified before they encounter partial nudity and be given the option to forgo portion of the event. \nhttps://www.unfoldingdisabilityfutures.com
URL:https://culturalaccesscollaborative.org/access-event/unfolding-disability-futures/2022-06-04/1/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220604T140000
DTEND;TZID=America/Chicago:20220604T173000
DTSTAMP:20260405T124749
CREATED:20220503T013457Z
LAST-MODIFIED:20220503T013457Z
UID:10011137-1654351200-1654363800@culturalaccesscollaborative.org
SUMMARY:Two Trains Running
DESCRIPTION:“Easily Mr. Wilson’s most adventurous and honest attempt to reveal the intimate heart of history.” -The New York Times \nAmidst the Civil Rights Movement\, Memphis Lee’s restaurant is slated for demolition. While Memphis fights to sell his diner for a fair price\, the rest of the restaurant’s regulars search for work\, love\, and justice as their neighborhood continues to change in unpredictable ways. \nTwo Trains Running explores Black identity in the 1960s with passion and humor\, demonstrating why Wilson is one of America’s most essential voices. With his singular point of view\, Resident Artist Ron OJ Parson directs the penultimate play in Court’s ongoing commitment to staging all of Wilson’s American Century Cycle. \nAccessible performances: June 4 @2pm TT/AD (Touch-Tour @ 12:30pm) | June 5 @2pm OC | June 5 @7:30pm ASL \nTwo Trains Running
URL:https://culturalaccesscollaborative.org/access-event/two-trains-running/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220604T140000
DTEND;TZID=America/Chicago:20220604T173000
DTSTAMP:20260405T124749
CREATED:20220503T013557Z
LAST-MODIFIED:20220503T013557Z
UID:10011139-1654351200-1654363800@culturalaccesscollaborative.org
SUMMARY:Two Trains Running
DESCRIPTION:“Easily Mr. Wilson’s most adventurous and honest attempt to reveal the intimate heart of history.” -The New York Times \nAmidst the Civil Rights Movement\, Memphis Lee’s restaurant is slated for demolition. While Memphis fights to sell his diner for a fair price\, the rest of the restaurant’s regulars search for work\, love\, and justice as their neighborhood continues to change in unpredictable ways. \nTwo Trains Running explores Black identity in the 1960s with passion and humor\, demonstrating why Wilson is one of America’s most essential voices. With his singular point of view\, Resident Artist Ron OJ Parson directs the penultimate play in Court’s ongoing commitment to staging all of Wilson’s American Century Cycle. \nAccessible performances: June 4 @2pm TT/AD (Touch-Tour @ 12:30pm) | June 5 @2pm OC | June 5 @7:30pm ASL \nTwo Trains Running
URL:https://culturalaccesscollaborative.org/access-event/two-trains-running-2/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220604T183000
DTEND;TZID=America/Chicago:20220604T213000
DTSTAMP:20260405T124749
CREATED:20220525T004817Z
LAST-MODIFIED:20220525T004817Z
UID:10011149-1654367400-1654378200@culturalaccesscollaborative.org
SUMMARY:Unfolding Disability Futures
DESCRIPTION:Unfolding Disability Futures is a multi-organization\, site-specific performance and installation by local disabled artists throughout The Plant\, a former meatpacking facility. Over the past decade\, this space has been revitalized to highlight the importance of sustainable agriculture and community collaboration. Unfolding Disability Futures embraces the importance of sustainability and community care in artistic practice and performance. Performances and installations unfold throughout the space\, highlighting how The Plant has been redeveloped to make the building accessible in ways that are both functional and beautiful and proposing access not as a drain but a plentiful resource in and of itself. \nUnfolding Disability Futures takes place over four events on June 4-5 & 11-12. Each performance cycle\, audiences will be guided through The Plant in groups of ten\, experiencing six original dance works set in various locations throughout the building\, as well as the six visual artist spotlights. Performance cycles begin every half hour over the duration of all four events with a total of five performances per event. Each performance cycle runs about an hour. Thie set up is intended to build in the flexibility needed to respond to current COVID protocols to ensure the safety of audiences and dancers while simultaneously allowing audiences to fully experience the architecture\, performances and visual art exhibits throughout The Plant. \nAdditionally\, we will host a post-show artist talk after the final performance cycle concludes at 5pm on Sunday\, June 12 and two community workshops in April 30 and on May 15 at 3:30pm. \nMasks and vaccination/negative tests required for all events. See our website unfoldingdisabilityfutures.com for more information. \n**ASL Interpreters will be available for all performance cycles on Sunday\, June 5 and Saturday\, June 11. If you require ASL interpreters\, please register for any cycle on these dates. \nThis show contains some images containing partial nudity in the context of the performance of care tasks. Audiences will be notified before they encounter partial nudity and be given the option to forgo portion of the event. \nhttps://www.unfoldingdisabilityfutures.com
URL:https://culturalaccesscollaborative.org/access-event/unfolding-disability-futures/2022-06-04/2/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220605T140000
DTEND;TZID=America/Chicago:20220605T170000
DTSTAMP:20260405T124749
CREATED:20220525T004817Z
LAST-MODIFIED:20220525T004817Z
UID:10011150-1654437600-1654448400@culturalaccesscollaborative.org
SUMMARY:Unfolding Disability Futures
DESCRIPTION:Unfolding Disability Futures is a multi-organization\, site-specific performance and installation by local disabled artists throughout The Plant\, a former meatpacking facility. Over the past decade\, this space has been revitalized to highlight the importance of sustainable agriculture and community collaboration. Unfolding Disability Futures embraces the importance of sustainability and community care in artistic practice and performance. Performances and installations unfold throughout the space\, highlighting how The Plant has been redeveloped to make the building accessible in ways that are both functional and beautiful and proposing access not as a drain but a plentiful resource in and of itself. \nUnfolding Disability Futures takes place over four events on June 4-5 & 11-12. Each performance cycle\, audiences will be guided through The Plant in groups of ten\, experiencing six original dance works set in various locations throughout the building\, as well as the six visual artist spotlights. Performance cycles begin every half hour over the duration of all four events with a total of five performances per event. Each performance cycle runs about an hour. Thie set up is intended to build in the flexibility needed to respond to current COVID protocols to ensure the safety of audiences and dancers while simultaneously allowing audiences to fully experience the architecture\, performances and visual art exhibits throughout The Plant. \nAdditionally\, we will host a post-show artist talk after the final performance cycle concludes at 5pm on Sunday\, June 12 and two community workshops in April 30 and on May 15 at 3:30pm. \nMasks and vaccination/negative tests required for all events. See our website unfoldingdisabilityfutures.com for more information. \n**ASL Interpreters will be available for all performance cycles on Sunday\, June 5 and Saturday\, June 11. If you require ASL interpreters\, please register for any cycle on these dates. \nThis show contains some images containing partial nudity in the context of the performance of care tasks. Audiences will be notified before they encounter partial nudity and be given the option to forgo portion of the event. \nhttps://www.unfoldingdisabilityfutures.com
URL:https://culturalaccesscollaborative.org/access-event/unfolding-disability-futures/2022-06-05/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220605T143000
DTEND;TZID=America/Chicago:20220605T163000
DTSTAMP:20260405T124749
CREATED:20220203T233651Z
LAST-MODIFIED:20220203T233651Z
UID:10010958-1654439400-1654446600@culturalaccesscollaborative.org
SUMMARY:SEAGULL at Steppenwolf Theatre Company
DESCRIPTION:On a long summer weekend in the Russian countryside at an estate bursting at the seams with guests\, three generations collide in ensemble member Yasen Peyankov’s extraordinarily funny and lyrical adaption of Anton Chekhov’s Seagull\, the play that will open Steppenwolf’s new in-the-round Ensemble Theater in Honor of Helen Zell. In classic Chekhovian style\, a sparkling cast featuring many Steppenwolf ensemble members will wrestle with the eternal questions that haunt the intellectual artist class: What is Love? What is Art? When is Lunch? Join us for this historical moment in Steppenwolf’s journey as we explore the work that inspired us\, laugh at the battles that consume us and celebrate\, together\, all that makes us grateful for each other. \nTouch Tour begins at 1:00 pm for a 2:30 pm performance. \nhttps://www.steppenwolf.org/tickets–events/seasons/2021-22/seagull/
URL:https://culturalaccesscollaborative.org/access-event/seagull-at-steppenwolf-theatre-company-3/
LOCATION:Chicago\, IL\, United States
CATEGORIES:In-Person Event
END:VEVENT
END:VCALENDAR